Chinatown: BFI Film Classics
Autor Michael Eatonen Limba Engleză Paperback – noi 1997
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 61.80 lei 3-5 săpt. | |
| British Film Institute – noi 1997 | 61.80 lei 3-5 săpt. | |
| Bloomsbury Publishing – 14 noi 2024 | 62.06 lei 3-5 săpt. | +53.50 lei 6-12 zile |
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Specificații
ISBN-13: 9780851705323
ISBN-10: 0851705324
Pagini: 8
Ilustrații: illustrations
Dimensiuni: 135 x 190 x 7 mm
Greutate: 0.15 kg
Ediția:1997
Editura: British Film Institute
Colecția British Film Institute
Seria BFI Film Classics
Locul publicării:London, United Kingdom
ISBN-10: 0851705324
Pagini: 8
Ilustrații: illustrations
Dimensiuni: 135 x 190 x 7 mm
Greutate: 0.15 kg
Ediția:1997
Editura: British Film Institute
Colecția British Film Institute
Seria BFI Film Classics
Locul publicării:London, United Kingdom
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Textul de pe ultima copertă
This
study
analyzes
"Chinatown"
in
the
context
of
the
figure
of
the
detective
in
literature
and
film
from
Sophocles
to
Edgar
Allan
Poe
and
Alfred
Hitchcock.
In
the
account
of
"Chinatown"'s
narrative
development
Michael
Eaton
seeks
to
uncover
both
its
relationship
to
the
pessimism
of
American
cinema
in
the
1970s
and
its
veritably
mythical
structure.
Descriere
Descriere de la o altă ediție sau format:
Directed in 1974 by Roman Polanski from a script by Robert Towne, Chinatown is a brilliant reworking of film noir set in a drought-stricken Los Angeles of the 1930s. Jack Nicholson stars as J. J. Gittes, a private eye who, despite his best intentions, can bring only disaster on Evelyn Mulwray (Faye Dunaway), the enigmatic woman he has come to love. Gittes's investigation into the death of Evelyn's husband exposes a chaos of political corruption and sexual violence lurking beneath a glittering, sun-bleached surface.
Michael Eaton's compelling study situates Chinatown in relation to a history of fictional detectives, from Sophocles to Edgar Allan Poe and Alfred Hitchcock. In an absorbing account of the film's narrative development and visual style, he traces Chinatown's relationship to the pessimism of American cinema (and, by extension, the wider culture) in the mid-1970s, and the source of the film's narrative and visual impact.
In his afterword to this new edition, Eaton considers Chinatown's 1990 sequel The Two Jakes and also the movie's changing fortunes in the years since its release.
Directed in 1974 by Roman Polanski from a script by Robert Towne, Chinatown is a brilliant reworking of film noir set in a drought-stricken Los Angeles of the 1930s. Jack Nicholson stars as J. J. Gittes, a private eye who, despite his best intentions, can bring only disaster on Evelyn Mulwray (Faye Dunaway), the enigmatic woman he has come to love. Gittes's investigation into the death of Evelyn's husband exposes a chaos of political corruption and sexual violence lurking beneath a glittering, sun-bleached surface.
Michael Eaton's compelling study situates Chinatown in relation to a history of fictional detectives, from Sophocles to Edgar Allan Poe and Alfred Hitchcock. In an absorbing account of the film's narrative development and visual style, he traces Chinatown's relationship to the pessimism of American cinema (and, by extension, the wider culture) in the mid-1970s, and the source of the film's narrative and visual impact.
In his afterword to this new edition, Eaton considers Chinatown's 1990 sequel The Two Jakes and also the movie's changing fortunes in the years since its release.
Cuprins
Acknowledgements
'Chinatown'
Afterword to the 2024 Edition
Notes
Credits
Bibliography
'Chinatown'
Afterword to the 2024 Edition
Notes
Credits
Bibliography