Touch of Evil: BFI Film Classics
Autor Richard Demingen Limba Engleză Paperback – 28 mai 2020
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Specificații
ISBN-13: 9781844579495
ISBN-10: 1844579492
Pagini: 104
Ilustrații: 60 bw illus
Dimensiuni: 134 x 188 x 10 mm
Greutate: 0.17 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Seria BFI Film Classics
Locul publicării:London, United Kingdom
ISBN-10: 1844579492
Pagini: 104
Ilustrații: 60 bw illus
Dimensiuni: 134 x 188 x 10 mm
Greutate: 0.17 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Seria BFI Film Classics
Locul publicării:London, United Kingdom
Cuprins
Preface: Touching Back on Touch of Evil.
1. Noir's Epitaph
2. Scene analysis
3. Characters and themes
4. Final stages and legacy
Credits
Bibliography
Index
1. Noir's Epitaph
2. Scene analysis
3. Characters and themes
4. Final stages and legacy
Credits
Bibliography
Index
Recenzii
Engaging. It combines a blow-by-blow account of the thriller's troubled production with a thoughtful rebuttal to Paul Schrader's description of it as "film noir's epitaph", while Orson Welles' shadow inevitably looms large.
"[The] BFI Film Classics. make a welcome return with Richard Deming's excellent study of A Touch of Evil. Orson Welles's 1958 noir is justly celebrated by film aficionados, though its meandering plot has puzzled many viewers. Deming's book is a fine guide for the perplexed
In this contribution to the BFI Film Classics series, Richard Deming explores what makes Touch of Evil so intricate and so knowing as a parable of idealism dying many deaths. Deming ably conveys just how visceral the film is.
"[The] BFI Film Classics. make a welcome return with Richard Deming's excellent study of A Touch of Evil. Orson Welles's 1958 noir is justly celebrated by film aficionados, though its meandering plot has puzzled many viewers. Deming's book is a fine guide for the perplexed
In this contribution to the BFI Film Classics series, Richard Deming explores what makes Touch of Evil so intricate and so knowing as a parable of idealism dying many deaths. Deming ably conveys just how visceral the film is.