Cello
Autor Kate Kennedyen Limba Engleză Hardback – 3 dec 2024
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 77.49 lei 3-5 săpt. | +17.65 lei 6-12 zile |
| Bloomsbury Publishing – 14 aug 2025 | 77.49 lei 3-5 săpt. | +17.65 lei 6-12 zile |
| Hardback (2) | 160.82 lei 3-5 săpt. | +94.31 lei 6-12 zile |
| Bloomsbury Publishing – 15 aug 2024 | 160.82 lei 3-5 săpt. | +94.31 lei 6-12 zile |
| Pegasusbooks – 3 dec 2024 | 199.73 lei 3-5 săpt. |
Preț: 199.73 lei
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Specificații
ISBN-13: 9781639367504
ISBN-10: 1639367500
Pagini: 480
Dimensiuni: 162 x 232 x 45 mm
Greutate: 0.64 kg
Editura: Pegasusbooks
ISBN-10: 1639367500
Pagini: 480
Dimensiuni: 162 x 232 x 45 mm
Greutate: 0.64 kg
Editura: Pegasusbooks
Descriere
Descriere de la o altă ediție sau format:
A cello has no language, yet it possesses a vocabulary wide enough to tell, bear witness and make connections across time and continents. It can communicate in ways that we can only dream of when limited by words.
A cello has no language, yet it possesses a vocabulary wide enough to tell, bear witness and make connections across time and continents. It can communicate in ways that we can only dream of when limited by words.
Caracteristici
Author regularly speaks and performs at literary and music festivals
Notă biografică
Kate Kennedy is one of the foremost critics of twentieth century music of her generation. Frequently heard on Radio 3 since 2009, she has a busy schedule broadcasting and lecturing in concert halls and festivals throughout the UK on British composers. She has taught British C20th music as a research fellow at Cambridge and now at Oxford since her PhD on the subject fifteen years ago and is also an Associate of the English Faculty at Oxford, where she lectures on twentieth century literature and biography. She has published widely on twentieth century culture and music, including The Silent Morning: Culture and the Armistice, 1918, Literary Britten, and Dweller in Shadows: A Life of Ivor Gurney (one of two publications selected by the Royal Philharmonic Society as the best writing on music in 2021). She is a Fellow of the Royal Historical Society, a Supernumerary Fellow of Wolfson College, Oxford, Co-Director of the Oxford Centre for Life-writing, and Director of the Centre for the Study of Women Composers.