C Day-Lewis
Autor Peter Stanforden Limba Engleză Hardback – 27 iul 2007
With unparalleled access to Day-Lewis's archives and the recollections of first-hand witnesses, Peter Stanford traces the link between life and art to reassess the work of a poet lauded in his lifetime but whose literary reputation has latterly become a matter of controversy with Westminster Abbey refusing him the place in Poets' Corner traditionally allotted to Poets Laureate.
Day-Lewis first made his name as one of the 'poets of the thirties', launching a communist-influenced poetic revolution alongside WH Auden and Stephen Spender that aspired to spark wholesale political change to face down fascism.
In the 1940s, 'Red Cecil', as he had become known, broke with communism and Auden and went on to produce some of his most popular and enduring verse, prompted by his long love affair with the novelist, Rosamond Lehmann. Torn between her and his wife, he reflected on his double life in verse and became for some the supreme poet of the divided heart. Later, with his second wife, the actress Jill Balcon, he promoted poetry with a series of popular recitals and radio and television programmes. Together, they had two children, Tamasin and Daniel, later an Oscar-winning actor.
Day-Lewis was always pulled between a fulfilling domestic life and a restless desire to explore. His travels, his exploration of his Irish roots and his infidelities are all part of the rich and many-faceted life that Peter Stanford describes.
It is, however, as a poet that he is best remembered, and the poetry itself, often autobiographical, forms an integral part of this intriguing and long-overdue biography.
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Specificații
ISBN-13: 9780826486035
ISBN-10: 0826486037
Pagini: 384
Ilustrații: 12
Dimensiuni: 167 x 244 x 40 mm
Greutate: 0.75 kg
Editura: BLOOMSBURY ACADEMIC
Locul publicării:London, United Kingdom
ISBN-10: 0826486037
Pagini: 384
Ilustrații: 12
Dimensiuni: 167 x 244 x 40 mm
Greutate: 0.75 kg
Editura: BLOOMSBURY ACADEMIC
Locul publicării:London, United Kingdom
Cuprins
Prologue
Part One: Youth
1. Never of a land rightfully ours
2. A Hostile Land to Spy
3. A Land of Milk and Honey
4. Black Frost of My Youth
5. Rip Van Winkle Forest
6. The Sunless Stream
7. Eldorados Close to Hand
Part Two: The Thirties
8. The Tow-Haired Poet
9. Lust to Love
10. Farewell Adolescent Moon
11. Radiance from ashes arises
12. Make Your Choice
13. Terra Incognita
14. On A Tilting Deck
15. Dreams Dared Imagine
16. No Man's Land
17. Earth Shakes Beneath Us
Part Three: At War
18. Where Are The War Poets?
19. The Magic Answer
20. The Maturing Field
21. That It Should End So
22. Grinding Himself to Powder
23. Now Comes the Zero
24. In A Dream
Part Four: A Kind of Peace
25. The Estate of Simple Being
26. Find Our Balance
27. Self-Betrayal
28. Change of Address
29. Easing Away
30. Haunted by Darkness
31. Second Childhood
32. Old Captain Death
Epilogue
Acknowledgements
Part One: Youth
1. Never of a land rightfully ours
2. A Hostile Land to Spy
3. A Land of Milk and Honey
4. Black Frost of My Youth
5. Rip Van Winkle Forest
6. The Sunless Stream
7. Eldorados Close to Hand
Part Two: The Thirties
8. The Tow-Haired Poet
9. Lust to Love
10. Farewell Adolescent Moon
11. Radiance from ashes arises
12. Make Your Choice
13. Terra Incognita
14. On A Tilting Deck
15. Dreams Dared Imagine
16. No Man's Land
17. Earth Shakes Beneath Us
Part Three: At War
18. Where Are The War Poets?
19. The Magic Answer
20. The Maturing Field
21. That It Should End So
22. Grinding Himself to Powder
23. Now Comes the Zero
24. In A Dream
Part Four: A Kind of Peace
25. The Estate of Simple Being
26. Find Our Balance
27. Self-Betrayal
28. Change of Address
29. Easing Away
30. Haunted by Darkness
31. Second Childhood
32. Old Captain Death
Epilogue
Acknowledgements
Recenzii
He tells the story with a lucid command of narrative and an understated wit.
Stanford makes a careful assessment of Day-Lewis's development as a poet through this first part of his life, writing well about Auden's influence and about the ambition to use poetry as both 'an instrument of social change' and a means of bringing 'order to self-consciousness'. He does well, too, in mapping the ways that political interests created problems for his writing as well as driving it forward.
Peter Stanford's useful book assembles a vast amount of background detail
This is an intelligent, fair, well-written biography.
Peter Stanford... has done a great job in assembling various strands of autobiography that fed Day-Lewis's poetic imagination...an important and necessary study.
Catches [Day-Lewis'] charm. Much more importantly it helps the reader to sympathise with and understand his poetry.
Readers of Peter Stanford's shrewd and conscientious biography are given every chance to reassess Day Lewis's works.
It is Stanford's huge accomplishment in this excellent biography that he gives due weight to all aspects of this multifarious man...Stanford suceeds in his aim of returning a neglected figure to public attention, and sheds new light on many key literary and political issues of his age.
Peter Stanford, an established biographer and writers on religion (one of his books is The Devil: A Biography) has here produced a well-rounded, beautifully written, and thoroughly researched biography. As Day-Lewis was such an overwhelmingly personal poet, Stanford weaves a significant quantity of the poetry into his biography, even providing the occasional element of critical analysis as well. The result is a sympathetic and gripping portrait of a fascinating man and influential poet who, it is to be hoped, will begin to garner the critical attention he most richly deserves...Stanford has performed a marvelous service in helping to recover the life and poetry of an unfairly neglected poet and in the process celebrates a strand of twentieth-century poetry that stands as an alternative to Modernism.
From Standford's sympathetic biography, Day-Lewis emerges as a loveable, charismatic man who wrote some beautiful poems.
[This] amiable and authoritative biography by Peter Stanford [results in] this memorable and often moving portrait.
This is an excellent biography, which succeeds in getting the balancing act between a consideration of the writer as a man and as an artist
Peter Stanford's new biography argues against what the author sees as the current undervaluation of the poet...Behind such stuff is a personal life rich in incident, and Stanford tells its story efficiently, leaving any matters of judgement, good or bad, to the reader.
Stanford likes and respects his subject...and thats what really counts in a biography, along with sympathetic understanding - which he also has. It succeeds in relating the work to the life in an exemplary manner.
Peter Stanford has managed a magnificent balance of public and private personae with the added bonus of shrewd critical appraisal of the poems. It is a rare acheivement in a literary biography.
Stanford makes a careful assessment of Day-Lewis's development as a poet through this first part of his life, writing well about Auden's influence and about the ambition to use poetry as both 'an instrument of social change' and a means of bringing 'order to self-consciousness'. He does well, too, in mapping the ways that political interests created problems for his writing as well as driving it forward.
Peter Stanford's useful book assembles a vast amount of background detail
This is an intelligent, fair, well-written biography.
Peter Stanford... has done a great job in assembling various strands of autobiography that fed Day-Lewis's poetic imagination...an important and necessary study.
Catches [Day-Lewis'] charm. Much more importantly it helps the reader to sympathise with and understand his poetry.
Readers of Peter Stanford's shrewd and conscientious biography are given every chance to reassess Day Lewis's works.
It is Stanford's huge accomplishment in this excellent biography that he gives due weight to all aspects of this multifarious man...Stanford suceeds in his aim of returning a neglected figure to public attention, and sheds new light on many key literary and political issues of his age.
Peter Stanford, an established biographer and writers on religion (one of his books is The Devil: A Biography) has here produced a well-rounded, beautifully written, and thoroughly researched biography. As Day-Lewis was such an overwhelmingly personal poet, Stanford weaves a significant quantity of the poetry into his biography, even providing the occasional element of critical analysis as well. The result is a sympathetic and gripping portrait of a fascinating man and influential poet who, it is to be hoped, will begin to garner the critical attention he most richly deserves...Stanford has performed a marvelous service in helping to recover the life and poetry of an unfairly neglected poet and in the process celebrates a strand of twentieth-century poetry that stands as an alternative to Modernism.
From Standford's sympathetic biography, Day-Lewis emerges as a loveable, charismatic man who wrote some beautiful poems.
[This] amiable and authoritative biography by Peter Stanford [results in] this memorable and often moving portrait.
This is an excellent biography, which succeeds in getting the balancing act between a consideration of the writer as a man and as an artist
Peter Stanford's new biography argues against what the author sees as the current undervaluation of the poet...Behind such stuff is a personal life rich in incident, and Stanford tells its story efficiently, leaving any matters of judgement, good or bad, to the reader.
Stanford likes and respects his subject...and thats what really counts in a biography, along with sympathetic understanding - which he also has. It succeeds in relating the work to the life in an exemplary manner.
Peter Stanford has managed a magnificent balance of public and private personae with the added bonus of shrewd critical appraisal of the poems. It is a rare acheivement in a literary biography.