Art on My Mind: Penguin Modern Classics
Autor Bell Hooksen Limba Engleză Paperback – 8 mai 2025
A rich, thought-provoking collection of essays, critiques and interviews from the influential author of Ain't I a Woman and All About Love
'There must be a revolution in the way we see, the way we look'
In a collection of essays, critiques and interviews, bell hooks responds to the ongoing dialogues about producing, exhibiting and criticising art and aesthetics in a world increasingly concerned with identity politics. hooks shares her own experience of the transformative power of art whilst exploring topics ranging from art in education and the home to the politics of space and imagination as a revolutionary tool. She positions her writings on visual politics within the ever-present question of how art can be empowering within the Black community.
Speaking with artists such as Carrie Mae Weems and Alison Saar, and examining the work of Jean-Michel Basquiat and Felix Gonzalez-Torres, Art on My Mind is a generous and expansive body of work that has become increasingly relevant since it was first published in 1995. Here is an essential tool for understanding the contemporary moment, and a fundamental text for any reader concerned with making and sustaining a democratic artistic culture.
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Specificații
ISBN-10: 0241711495
Pagini: 224
Dimensiuni: 128 x 197 x 22 mm
Greutate: 0.24 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Recenzii
"Passionate and highly personal." —Publishers Weekly, starred review
"Sharp and persuasive." —The New York Times Book Review
"[Art on My Mind] is a guide to the ways that political meaning and esthetic pleasure may be discovered, bound together, in many works by contemporary artists of color." —Art America
"[hooks] brings a welcome clarity to such issues as received art and the development of a Western canon." —San Francisco Examiner
Notă biografică
Descriere
A response to the dearth of critical writing by African Americans, this book represents hooks' response to the dialogues about producing, exhibiting and criticizing art that characterize an art world obsessed with identity politics. The author positions her critiques of art and visual politics within the question of how art can be an empowering and revolutionary force within the black community.