Lewis Carroll is a pen-name: Charles Lutwidge Dodgson was the author's real name and he was lecturer in Mathematics at Christ Church, Oxford. Dodgson began the story on 4 July 1862, when he took a journey in a rowing boat on the river Thames in Oxford together with the Reverend Robinson Duckworth, with Alice Liddell (ten years of age) the daughter of the Dean of Christ Church, and with her two sisters, Lorina (thirteen years of age), and Edith (eight years of age). As is clear from the poem at the beginning of the book, the three girls asked Dodgson for a story and reluctantly at first he began to tell the first version of the story to them. There are many half-hidden references made to the five of them throughout the text of the book itself, which was published finally in 1865. The text for this edition makes some alterations to Lewis Carroll's final revised text in order to correct some incon-sistencies which remained, or which appear to have been introduced, by Carroll in 1897. In the Evertype definitive text the aim has been to establish (or re-establish) clarity and consistency where it was lacking, while conserving the idio-syncrasies of Carroll's writing which have delighted readers for a century and a half. The illustrations in this volume were prepared in 1977 by J. Michael Rolen.
Lewis Carroll was born in Daresbury, a hamlet in Cheshire in 1832. A professor of mathematics at Oxford University, he wrote such works as Alice's Adventures Under Ground, Alice's Adventures in Wonderland, Through the Looking Glass, and What Alice Found There, Sylvie and Bruno. His novels have been transposed to film and comic books.
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The FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader.
Containing both Alice's Adventures in Wonderland and Through the Looking-Glass this new edition brings together the classic tales to offer the full story of Alice, the Red Queen, the mad Hatter and the incredible cast of characters created by mathematician and king of nonsense verse Charles Lutwidge Dodgson. Beloved characters whirl through a world of talking creatures, disappearing cats and madcap peculiarity told with swift economy by a writer whose influence on modern fantasy is often overlooked. Much filmed (including Tim Burton's award winning Alice in Wonderland), animated and republished Dodgson's work is a wildly entertaining ride for children, but packed with symbols and satire for the adult reader too.
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New
cover
Cuprins
Chapter - 1: Down the Rabbit-Hole Chapter - 2: The Pool of Tears Chapter - 3: A Caucus-Race and a Long Tale Chapter - 4: The Rabbit Sends in a Little Bill Chapter - 5: Advice from a Caterpillar Chapter - 6: Pig and Pepper Chapter - 7: A Mad Tea-Party Chapter - 8: The Queen's Croquet-Ground Chapter - 9: The Mock Turtle's Story Chapter - 10: The Lobster-Quadrille Chapter - 11: Who Stole the Tarts? Chapter - 12: Alice's Evidence
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Published to coincide with a revival at the Polka Theatre, Wimbledon, from 22 November 2013 to 15 February 2014. The Polka is a theatre dedicated to theatre for children, and this production will be directed by family theatre specialist Rosamond Hutt.
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[Former director/designer Melly] Still and Reade boldly resist temptations to create a cute, fluffy, Disneyfied landscape, instead embracing the physical limitations of theatre as a catalyst for the audience's collective imagination . . . It's a fresh, idiosyncratic pleasure.
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"What is the use of a book," thought Alice, "without pictures?" For over 125 years John Tenniel's superb illustrations for Alice's Adventures in Wonderland have been the perfect complement to Lewis Carroll's timeless story. In that time Alice has been illustrated by numerous artists, but not one has come close to matching the universal appeal of the original pictures. This is the first Alice to reproduce Ternniel's exquisite drawings from prints taken directly from the original wood engravings. Here, Tenniel's fine line work is far crisper, delicate shadings are reproduced with more subtlety, and details never seen before are now visible. Like most nineteenth-century children's books, the pictures for Alice were created by transferring the artist's drawings to woodblocks, But with Alice, the original blocks served as masters from which metal plates were made for printing. Unfortunately, these plates deteriorated from the repeated pressure applied during printing, and over time, many of the fine lines in Tenniel's pictures simply vanished altogether.As the year-, passed, the original woodblocks disappeared and were believed lost; then, in 1985 they were discovered in a London bank vault. Now, for the first time, prints from these woodblocks have been used to produce a deluxe gift edition with clearer, more detailed images than have ever been seen before. At last, readers can see the Alice that Carroll and Tenniel had originally envisioned.