After the Fall: Penguin Modern Classics
Autor Arthur Milleren Limba Engleză Paperback – 5 mar 2009
With tremendous psychological acuity and depth, and a brilliant, dreamlike structure, After the Fall is a literary masterpiece, drawing on Miller's own life - the story of a man striving to comprehend his feelings for his friends, family and the women he has loved.
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|---|---|---|
| Paperback (4) | 67.67 lei 3-5 săpt. | +5.85 lei 10-14 zile |
| Penguin Books – 5 mar 2009 | 67.67 lei 3-5 săpt. | +5.85 lei 10-14 zile |
| Bloomsbury Publishing – 17 noi 2022 | 88.33 lei 3-5 săpt. | +27.11 lei 10-14 zile |
| Bloomsbury Publishing – 6 ian 2011 | 78.73 lei 41-52 zile | |
| Penguin Books – 30 noi 1980 | 121.59 lei 3-5 săpt. |
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Specificații
ISBN-13: 9780141189994
ISBN-10: 0141189991
Pagini: 128
Dimensiuni: 129 x 198 x 14 mm
Greutate: 0.13 kg
Editura: Penguin Books
Colecția Penguin Modern Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
ISBN-10: 0141189991
Pagini: 128
Dimensiuni: 129 x 198 x 14 mm
Greutate: 0.13 kg
Editura: Penguin Books
Colecția Penguin Modern Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
Notă biografică
American dramatist Arthur Miller was born in New York City in 1915. In 1938 Miller won awards for his comedy The Grass Still Grows. His major achievement was Death of a Salesman, which won the 1949 Pulitzer Prize for drama and the 1949 New York Drama Critics' Circle Award. The Crucible was aimed at the widespread congressional investigation of subversive activities in the US; the drama won the 1953 Tony Award. Miller's autobiography, Timebends: A Life was published in 1987.
Descriere
Descriere de la o altă ediție sau format:
'Much like Mr. Miller, Quentin is a witness to alarming public and personal catastrophes: the stock market crash, the Holocaust, the McCarthy witchhunts and the self-destruction of a show business idol to whom he is married.'
NEW YORK TIMES
Haunted by past romantic failures, Quentin, a New York City Jewish intellectual, retreats into his mind as he debates marrying for a third time: as he revisits past loves and losses, his mind and memory fragments under philosophical questions; are our failures really just our own? Or is possible to hide away from the mistakes of the past?
One of Miller's most personal plays, After the Fall takes place almost entirely inside the mind of the play's protagonist, who is often read as a stand-in for the playwright himself. Touching on themes of the Holocaust, McCarthyism and inherited sin, the play is one of the most discussed within Miller's canon.
This Methuen Drama Student Edition is edited by Ramón Espejo-Romero, with commentary and notes that explore the play's production history (including excerpts from an interview with Michael Blakemore, former Associate Director of the Royal National Theatre,) as well as the dramatic, thematic and academic debates that surround it.
'Much like Mr. Miller, Quentin is a witness to alarming public and personal catastrophes: the stock market crash, the Holocaust, the McCarthy witchhunts and the self-destruction of a show business idol to whom he is married.'
NEW YORK TIMES
Haunted by past romantic failures, Quentin, a New York City Jewish intellectual, retreats into his mind as he debates marrying for a third time: as he revisits past loves and losses, his mind and memory fragments under philosophical questions; are our failures really just our own? Or is possible to hide away from the mistakes of the past?
One of Miller's most personal plays, After the Fall takes place almost entirely inside the mind of the play's protagonist, who is often read as a stand-in for the playwright himself. Touching on themes of the Holocaust, McCarthyism and inherited sin, the play is one of the most discussed within Miller's canon.
This Methuen Drama Student Edition is edited by Ramón Espejo-Romero, with commentary and notes that explore the play's production history (including excerpts from an interview with Michael Blakemore, former Associate Director of the Royal National Theatre,) as well as the dramatic, thematic and academic debates that surround it.
Cuprins
CHRONOLOGY
COMMENTARY
Historical, social and cultural contexts
Genre and themes
Play as performance
Production history
Academic debate
Behind the scenes
Further study
PLAY TEXT
NOTES
COMMENTARY
Historical, social and cultural contexts
Genre and themes
Play as performance
Production history
Academic debate
Behind the scenes
Further study
PLAY TEXT
NOTES
Recenzii
Because After the Fall takes place entirely in Quentin's mind, all of us are privy to his abject self-pity, cynicism and self-reproach. By extension - because he is the mythic Everyman - we, too, are guilty. We've all been kicked out of Eden. We're all branded. But like every biblical hero who harbors the dream of salvation, Quentin is not without hope, even in the midst of the Red Scare. He wants to smash the false idols within himself.
Caracteristici
Miller has an unrivalled reputation as the creator of some of the most enduring stage classics of the twentieth century: his work is studied by students of Literature and Drama from GCSE upwards