Adult Themes: British Cinema and the X Certificate in the Long 1960s: Global Exploitation Cinemas
Editat de Anne Etienne, Dr. Benjamin Halligan, Christopher Weedmanen Limba Engleză Paperback – 24 iul 2025
Contributors to this collection consider these central questions as they take us to swinging parties, on youthful crime sprees, into local council meetings, on police raids of cinemas, and around Soho strip clubs, and introduce us to mass murderers, lesbian vampires, apoplectic protestors, eroticised middle-aged women, and rebellious working-class men. Adult Themes examines both the workings and negotiations of British film censorship, the limits of artistic expression, and a wider culture of X certificate cinema. This is an important volume for students and scholars of British Film History and censorship, Media Studies, the 1960s, and Cultural and Sexuality Studies, while simultaneously an entertaining read for all connoisseurs of British cinema at its most vivid and scandalous.
Preț: 199.19 lei
Preț vechi: 270.72 lei
-26%
Puncte Express: 299
Carte disponibilă
Livrare economică 16-30 mai
Specificații
ISBN-13: 9781501375255
ISBN-10: 1501375253
Pagini: 264
Ilustrații: 15 bw illus
Dimensiuni: 150 x 226 x 18 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Global Exploitation Cinemas
Locul publicării:New York, United States
ISBN-10: 1501375253
Pagini: 264
Ilustrații: 15 bw illus
Dimensiuni: 150 x 226 x 18 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Global Exploitation Cinemas
Locul publicării:New York, United States
Cuprins
Acknowledgements
List of illustrations
Introduction: 'Passed As Only Suitable for Exhibition to Adult Audiences: X'
Anne Etienne (University College Cork, Ireland), Benjamin Halligan (University of Wolverhampton, UK), and Christopher Weedman (Middle Tennessee State University, USA)
1. Green Penguin Films
Kim Newman (Independent Scholar)
2. The Commercial Idealism of Controversial Cinema: Raymond Stross and the Censorship of The Flesh Is Weak
Christopher Weedman (Middle Tennessee State University, USA)
3. Colour, Realism and the X Certificate: Horrors of the Black Museum and Peeping Tom
Sarah Street (University of Bristol, UK)
4. Mediating Desire: Karel Reisz's Adaptation of Saturday Night and Sunday Morning
Simon Lee (Texas State University, USA)
5. Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick
James Fenwick (Sheffield Hallam University, UK)
6. Paternalism, Bohemianism, and the X Certificate: The Party's Over and the Pre-Swinging Set
Kevin M. Flanagan (George Mason University, USA)
7. Mediatising Modernity: Femininity in the X-Rated Swinging London Film
Moya Luckett (Texas State University, USA)
8. What Are the X-Rated Secrets of the Windmill Girls?
Adrian Smith (Independent Scholar)
9. The Potent Sexuality of the Middle-Aged Woman: Alice Aisgill, Karen Stone, Zee Blakeley and Ruby
Lucy Bolton (Queen Mary University of London, UK)
10. Censoring Carmilla: Lesbian Vampires in Hammer Horror
Claire Henry (Massey University, Aotearoa New Zealand)
11. 'The horror film to end all horror films': 10 Rillington Place and the British Board of Film Censors' Shifting Policy on True Crime
TimSnelson (University of East Anglia, UK)
12. Class and Classification: The British Board of Film Censors' Reception of Horror at the Time of the Festival of Light
Benjamin Halligan (University of Wolverhampton, UK)
Contributors
Index
List of illustrations
Introduction: 'Passed As Only Suitable for Exhibition to Adult Audiences: X'
Anne Etienne (University College Cork, Ireland), Benjamin Halligan (University of Wolverhampton, UK), and Christopher Weedman (Middle Tennessee State University, USA)
1. Green Penguin Films
Kim Newman (Independent Scholar)
2. The Commercial Idealism of Controversial Cinema: Raymond Stross and the Censorship of The Flesh Is Weak
Christopher Weedman (Middle Tennessee State University, USA)
3. Colour, Realism and the X Certificate: Horrors of the Black Museum and Peeping Tom
Sarah Street (University of Bristol, UK)
4. Mediating Desire: Karel Reisz's Adaptation of Saturday Night and Sunday Morning
Simon Lee (Texas State University, USA)
5. Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick
James Fenwick (Sheffield Hallam University, UK)
6. Paternalism, Bohemianism, and the X Certificate: The Party's Over and the Pre-Swinging Set
Kevin M. Flanagan (George Mason University, USA)
7. Mediatising Modernity: Femininity in the X-Rated Swinging London Film
Moya Luckett (Texas State University, USA)
8. What Are the X-Rated Secrets of the Windmill Girls?
Adrian Smith (Independent Scholar)
9. The Potent Sexuality of the Middle-Aged Woman: Alice Aisgill, Karen Stone, Zee Blakeley and Ruby
Lucy Bolton (Queen Mary University of London, UK)
10. Censoring Carmilla: Lesbian Vampires in Hammer Horror
Claire Henry (Massey University, Aotearoa New Zealand)
11. 'The horror film to end all horror films': 10 Rillington Place and the British Board of Film Censors' Shifting Policy on True Crime
TimSnelson (University of East Anglia, UK)
12. Class and Classification: The British Board of Film Censors' Reception of Horror at the Time of the Festival of Light
Benjamin Halligan (University of Wolverhampton, UK)
Contributors
Index
Recenzii
Adult Themes offers a full range of fascinating insights into Britain's film culture across the long 1960s, specifically the deployment of the X certificate as a means of mapping previously uncharted territory in an increasingly permissive social climate. Taking in such varied films as Peeping Tom, The Party's Over, Secrets of a Windmill Girl, 10 Rillington Place and Zee and Co, made and released during John Trevelyan's liberalised leadership of the British Board of Film Censors, the twelve chapters (plus a thoughtful editors' introduction) provide new perspectives on how films of this era responded to, mediated, and sometimes anticipated attitudinal change - or directly challenged the status quo - by means of the new possibilities granted to them by the 'X'. Highly recommended reading for those interested in British cultural history, the Sixties, censorship and regulation, and the always contested cinematic terrains of sex and violence, crime and horror.
I well remember the British X certificate and how I sneaked into my first one -- Circus of Horrors (1960) -- in those distant days of yesteryear. These co-editors and their contributors have performed an indispensable job in covering such a wide area and providing information that will form indispensable reading for generations to come. Well-researched, expertly written in clear and concise ways and attuned to significant issues of culture and history, this will become a definitive work in this area for years to come.
I well remember the British X certificate and how I sneaked into my first one -- Circus of Horrors (1960) -- in those distant days of yesteryear. These co-editors and their contributors have performed an indispensable job in covering such a wide area and providing information that will form indispensable reading for generations to come. Well-researched, expertly written in clear and concise ways and attuned to significant issues of culture and history, this will become a definitive work in this area for years to come.