Acoustic Territories, Second Edition: Sound Culture and Everyday Life
Autor Brandon LaBelleen Limba Engleză Paperback – 17 oct 2019
The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities. Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning." The book is fully updated to include new relevant research and references surfacing since 2010, as well as a new preface to the second edition. Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.
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| Bloomsbury Publishing – 17 oct 2019 | 190.65 lei 6-8 săpt. | +59.49 lei 7-11 zile |
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Specificații
ISBN-13: 9781501336195
ISBN-10: 1501336193
Pagini: 248
Dimensiuni: 148 x 228 x 16 mm
Greutate: 0.41 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501336193
Pagini: 248
Dimensiuni: 148 x 228 x 16 mm
Greutate: 0.41 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Cuprins
Preface to the Second Edition
Introduction
Chapter 1: Underground: Busking, Acousmatics, and the Echo
Chapter 2: Home: Ethical Volumes of Silence and Noise
Chapter 3: Sidewalk: Steps, Gait, and Rhythmic Journey-Forms
Chapter 4: Street: Auditory Latching, Cars, and the Dynamics of Vibration
Chapter 5: Shopping Mall: Muzak, Mishearing, and the Productive Volatility of Feedback
Chapter 6: Sky: Radio, Spatial Urbanism, and Cultures of Transmission
Epilogue: Queer Listening, Acoustic Justice, and Acts of Compositioning
Notes
Bibliography
Index
Introduction
Chapter 1: Underground: Busking, Acousmatics, and the Echo
Chapter 2: Home: Ethical Volumes of Silence and Noise
Chapter 3: Sidewalk: Steps, Gait, and Rhythmic Journey-Forms
Chapter 4: Street: Auditory Latching, Cars, and the Dynamics of Vibration
Chapter 5: Shopping Mall: Muzak, Mishearing, and the Productive Volatility of Feedback
Chapter 6: Sky: Radio, Spatial Urbanism, and Cultures of Transmission
Epilogue: Queer Listening, Acoustic Justice, and Acts of Compositioning
Notes
Bibliography
Index
Recenzii
[An] important text for anyone involved in any form of sound studies.
LaBelle, a sound artist and an academic, writes with a fluid brilliance about the way that sound interacts with the other elements of our experience with a kind of comprehension and comprehensiveness that can suggest Marshall McLuhan's Understanding Media or Siegfried Giedion's Mechanization Takes Command, resulting in a visionary tome linking history, subcultures and street art. It's not a book about music per se, but it's hard to imagine a reading of it not interacting creatively with anyone's thinking on musical practice and meaning. LaBelle has a kind of accepting overview that I can't help admiring. It's too easy to simply decry noise pollution or the behavioural engineering of public space without actually exploring what a specific event might mean (e.g., how sound is wrapped up in identity and issues of private and public space), but LaBelle has the ability to keep thinking where many others would just react. It's an ability that makes this one of the more stimulating reads of the year.
Acoustic Territories takes account of contemporary urban space by listening to it ... From the underground to the sky, this groundbreaking book explores the sonorities of everyday life, identifies the major stakes and challenges, and leads us brilliantly towards an auditory paradigm of urban experience.
LaBelle argues that everyday acoustic life has an unbounded, yet highly differentiated, nature which offers new interdisciplinary modes of thinking to contemporary questions of global inhabitation, relation and disruption. In doing so, he makes a valuable contribution to the expanding field of sonic research.
LaBelle, a sound artist and an academic, writes with a fluid brilliance about the way that sound interacts with the other elements of our experience with a kind of comprehension and comprehensiveness that can suggest Marshall McLuhan's Understanding Media or Siegfried Giedion's Mechanization Takes Command, resulting in a visionary tome linking history, subcultures and street art. It's not a book about music per se, but it's hard to imagine a reading of it not interacting creatively with anyone's thinking on musical practice and meaning. LaBelle has a kind of accepting overview that I can't help admiring. It's too easy to simply decry noise pollution or the behavioural engineering of public space without actually exploring what a specific event might mean (e.g., how sound is wrapped up in identity and issues of private and public space), but LaBelle has the ability to keep thinking where many others would just react. It's an ability that makes this one of the more stimulating reads of the year.
Acoustic Territories takes account of contemporary urban space by listening to it ... From the underground to the sky, this groundbreaking book explores the sonorities of everyday life, identifies the major stakes and challenges, and leads us brilliantly towards an auditory paradigm of urban experience.
LaBelle argues that everyday acoustic life has an unbounded, yet highly differentiated, nature which offers new interdisciplinary modes of thinking to contemporary questions of global inhabitation, relation and disruption. In doing so, he makes a valuable contribution to the expanding field of sonic research.