A Clockwork Orange
Autor Anthony Burgessen Limba Engleză Hardback – 6 sep 2012
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|---|---|---|
| Paperback (4) | 47.01 lei 25-31 zile | +23.81 lei 6-12 zile |
| Penguin Books – 7 apr 2011 | 47.01 lei 25-31 zile | +23.81 lei 6-12 zile |
| Penguin Books – 24 feb 2000 | 48.11 lei 25-31 zile | +32.43 lei 6-12 zile |
| Reclam Philipp Jun. – 23 mai 2014 | 54.55 lei 17-23 zile | +4.72 lei 6-12 zile |
| BLOOMSBURY 3PL – mai 2007 | 80.66 lei 43-57 zile | |
| Hardback (2) | 139.38 lei 25-31 zile | +76.95 lei 6-12 zile |
| CORNERSTONE – 6 sep 2012 | 139.38 lei 25-31 zile | +76.95 lei 6-12 zile |
| W. W. Norton & Company – 22 oct 2012 | 148.57 lei 22-36 zile |
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Specificații
ISBN-10: 0434021512
Pagini: 352
Ilustrații: illustrations
Dimensiuni: 161 x 240 x 33 mm
Greutate: 0.66 kg
Editura: CORNERSTONE
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Notă biografică
Anthony Burgess was born in Manchester in 1917. He studied English at Manchester University and joined the army in 1940 where he spent six years in the Education Corps. After demobilization, he worked first as a college lecturer in Speech and Drama and then as a grammar-school master before becoming an education officer in the Colonial Service, stationed in Malay and Borneo. In 1959 Burgess was diagnosed with an inoperable brain tumour and decided to become a full-time writer. Despite being given less than a year to live, Burgess went on to write at least a book a year - including A Clockwork Orange (1962), M/F (1971), Man of Nazareth (1979), Earthly Powers (1980) and The Kingdom of the Wicked (1985) - and hundreds of book reviews right up until his death. He was also a prolific composer and produced many full-scale works for orchestra and other media during his lifetime. Anthony Burgess died in 1993.
Recenzii
A piece that, in its focus on youthful disaffection and the state's attempts to control antisocial behaviour, is as pertinent as it was 50 years ago. Maybe even more so ... This "right nasty little shocker", as Burgess put it, still has the power to disturb.
This high-octane adaptation of Anthony Burgess's Clockwork Orange has lost none of its impact ... It's not an easy watch - but then, with Burgess's urgent commentary on the mechanisation of human society and its inevitably violent consequences seeming just as relevant now as it was in 1962, it never should be.
It seems even more relevant as a commentary on the "disaffected youth" ... high art constantly pushes up against ultraviolence
It sizzles with energy but also leaves the audience deeply unsettled.