1967: How I Got There and Why I Never Left
Autor Robyn Hitchcocken Limba Engleză Paperback – 8 mai 2025
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 62.87 lei 3-5 săpt. | +34.06 lei 4-10 zile |
| Little Brown – 8 mai 2025 | 62.87 lei 3-5 săpt. | +34.06 lei 4-10 zile |
| Hardback (1) | 106.85 lei 3-5 săpt. | +58.31 lei 4-10 zile |
| Little Brown – 27 iun 2024 | 106.85 lei 3-5 săpt. | +58.31 lei 4-10 zile |
Preț: 62.87 lei
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Specificații
ISBN-13: 9781408720561
ISBN-10: 1408720566
Pagini: 224
Ilustrații: integrated b&w illustrations (author's own)
Dimensiuni: 126 x 196 x 24 mm
Greutate: 0.2 kg
Editura: Little Brown
Colecția Constable
Locul publicării:London, United Kingdom
ISBN-10: 1408720566
Pagini: 224
Ilustrații: integrated b&w illustrations (author's own)
Dimensiuni: 126 x 196 x 24 mm
Greutate: 0.2 kg
Editura: Little Brown
Colecția Constable
Locul publicării:London, United Kingdom
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Recenzii
***** It's funny and sparkling with a wild, questioning energy . . . One of the joys of this charming and compulsively perceptive work is the way the past loops, fountain-like, into the present and back; and how sharp his sense of the source remains. It is a kind of time-travel
Delightful . . . Dense with time-travel reminiscence and sharp musical analysis, 1967 comes closer than most to showing how music can switch on the lights, switch on a life
Wonderfully surreal turns
One could never accuse cult UK songwriter Robyn Hitchcock of being boring, and throughout 1967, he constantly surprises . . . poignant yet affable'
Hitchcock skilfully brings to life the turning point, for the younger generation at least, which was 1967 as post war Britain with its slightly curled egg and cress sandwiches took flight on psychedelic wings. Like a hipper version of Anthony Buckeridge's schoolboy hero, Jennings, he adroitly describes the faintly
homoerotic undertones of boarding school life while his accounts of the records and musicians he discovers vividly capture the excitement and adventure of the music of the time. That he does so in his unique style, droll and with the occasional whiff of whimsy and surrealism, familiar to anyone who has seen him live, is the icing on the cake. One can easily picture him telling any of these tales in between songs on stage . . . a delightful read
Witty
1967 is evocative and eccentric. Even non-fans would find it entertaining . . . When it comes to
writing a page-turner, Hitchcock passes the exam with flying colours
1967 is written in the bright, avuncular, conversational tone familiar from Hitchcock's stage patter at live shows, his social media presence and his Patreon page - the latter well worth investigating as for a reasonable sum patrons are given access to unreleased tracks, exclusive videos and assorted illuminating ramblings. This approachability results in a light read whose effect is nevertheless profound, urging the reader to evaluate their own relationship to time and consider fresh ideas regarding how it might be processed and catalogued
Delightful . . . Dense with time-travel reminiscence and sharp musical analysis, 1967 comes closer than most to showing how music can switch on the lights, switch on a life
Wonderfully surreal turns
One could never accuse cult UK songwriter Robyn Hitchcock of being boring, and throughout 1967, he constantly surprises . . . poignant yet affable'
Hitchcock skilfully brings to life the turning point, for the younger generation at least, which was 1967 as post war Britain with its slightly curled egg and cress sandwiches took flight on psychedelic wings. Like a hipper version of Anthony Buckeridge's schoolboy hero, Jennings, he adroitly describes the faintly
homoerotic undertones of boarding school life while his accounts of the records and musicians he discovers vividly capture the excitement and adventure of the music of the time. That he does so in his unique style, droll and with the occasional whiff of whimsy and surrealism, familiar to anyone who has seen him live, is the icing on the cake. One can easily picture him telling any of these tales in between songs on stage . . . a delightful read
Witty
1967 is evocative and eccentric. Even non-fans would find it entertaining . . . When it comes to
writing a page-turner, Hitchcock passes the exam with flying colours
1967 is written in the bright, avuncular, conversational tone familiar from Hitchcock's stage patter at live shows, his social media presence and his Patreon page - the latter well worth investigating as for a reasonable sum patrons are given access to unreleased tracks, exclusive videos and assorted illuminating ramblings. This approachability results in a light read whose effect is nevertheless profound, urging the reader to evaluate their own relationship to time and consider fresh ideas regarding how it might be processed and catalogued