You Should Have Left: now a major motion picture
Autor Daniel Kehlmannen Limba Engleză Hardback – 15 iun 2017
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 79.86 lei 22-36 zile | +32.71 lei 6-12 zile |
| Knopf Doubleday Publishing Group – 12 iun 2018 | 79.86 lei 22-36 zile | +32.71 lei 6-12 zile |
| Hardback (1) | 61.61 lei 22-36 zile | +32.14 lei 6-12 zile |
| Quercus Books – 15 iun 2017 | 61.61 lei 22-36 zile | +32.14 lei 6-12 zile |
Preț: 61.61 lei
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Specificații
ISBN-13: 9781786484048
ISBN-10: 1786484048
Pagini: 128
Dimensiuni: 112 x 162 x 20 mm
Greutate: 0.14 kg
Editura: Quercus Books
Colecția riverrun
Locul publicării:London, United Kingdom
ISBN-10: 1786484048
Pagini: 128
Dimensiuni: 112 x 162 x 20 mm
Greutate: 0.14 kg
Editura: Quercus Books
Colecția riverrun
Locul publicării:London, United Kingdom
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Descriere
On retreat in the wintry Alps with his family, a writer is optimistic about completing the sequel to his breakthrough film. Nothing to disturb him except the wind whispering around their glassy house. The perfect place to focus.....
Recenzii
A well-crafted tale about one man unravelling due to forces beyond his control . . . You Should Have Left - part-horror, part-psychodrama - serves up effective shocks and thrills that keep us rapt and on the edge of our seats . . . Kehlmann brings that abyss ever closer and takes his narrator, and his reader, over the edge.
Wry, eerie and increasingly terrifying . . . Daniel Kehlmann is certainly in complete mastery of an entertaining Everyman's postmodernist Gothic guaranteed to unsettle
Kehlmann plays on our manipulated expectations to pull off a rather spectacular hat trick . . . You Should Have Left is a story full of craft and scintillating devices . . . A chilling, curious little book, finely translated, and a promise of innovative maturity for its author
His fiction, conspicuously clever, tends to puncture all the dusty, lugubrious 'worthiness' of canonical literature . . .You Should Have Left [is] a taut and scary novella . . . [with] some high-grade science in it
It's a masterclass in economical storytelling, meticulously attentive prose and imaginative agility. Kehlmann creates narrative complexity with the deftest of strokes. He's also laugh-out-loud funny. This is both a highly readable novella and a subtly derisive challenge to readers to question the value of their own enjoyment.
A sense of menacing claustrophobia, as the characters - and readers - teeter on the edge of an inexplicable abyss . . . Using some neat formal trickery and a cleverly suggestive atmosphere, this is a story about a marriage in trouble . . . At first glance there may not seem much to this little book, but it has a funny way with dimensions - its effects are amplified, and they linger.
Unsettling, tightly written (in an excellent English translation by Ross Benjamin), psychological suspense and outright, physics-defying horror . . . Kehlmann is a skilled storyteller who takes what could be a run-of-the-mill horror tale and builds it into something more intelligent, metaphysical, concise and perfectly paced as it cranks up the chill . . . Frightening and thought-provoking
This mind-bending novella about a writer losing his marbles contains images that startle and linger . . . The most arresting of the book's chilling moments might do for baby monitors what 'Jaws' did for swimming in the ocean . . . [Kehlmann] manages a few darkly comic flourishes . . . provocative . . . potent . . . pleasantly unsettling
A beautifully crafted exercise in terror from one of Germany's most celebrated contemporary authors . . . Kehlmann creates a sense of existential dread that transcends the typical ghost story . . . A book to keep you up at night
A ghost story steeped with a sense of existential dread and it will have you rereading the chilling final pages to figure out exactly what might have happened. It is a book that should carry a health warning: read alone at your own risk.
Kehlmann is one of the brightest, most pleasure-giving writers at work today, and he manages all this while exploring matters of deep philosophical and intellectual import.
Daniel Kehlmann is one of the great novelists for making giant themes seem light
Wry, eerie and increasingly terrifying . . . Daniel Kehlmann is certainly in complete mastery of an entertaining Everyman's postmodernist Gothic guaranteed to unsettle
Kehlmann plays on our manipulated expectations to pull off a rather spectacular hat trick . . . You Should Have Left is a story full of craft and scintillating devices . . . A chilling, curious little book, finely translated, and a promise of innovative maturity for its author
His fiction, conspicuously clever, tends to puncture all the dusty, lugubrious 'worthiness' of canonical literature . . .You Should Have Left [is] a taut and scary novella . . . [with] some high-grade science in it
It's a masterclass in economical storytelling, meticulously attentive prose and imaginative agility. Kehlmann creates narrative complexity with the deftest of strokes. He's also laugh-out-loud funny. This is both a highly readable novella and a subtly derisive challenge to readers to question the value of their own enjoyment.
A sense of menacing claustrophobia, as the characters - and readers - teeter on the edge of an inexplicable abyss . . . Using some neat formal trickery and a cleverly suggestive atmosphere, this is a story about a marriage in trouble . . . At first glance there may not seem much to this little book, but it has a funny way with dimensions - its effects are amplified, and they linger.
Unsettling, tightly written (in an excellent English translation by Ross Benjamin), psychological suspense and outright, physics-defying horror . . . Kehlmann is a skilled storyteller who takes what could be a run-of-the-mill horror tale and builds it into something more intelligent, metaphysical, concise and perfectly paced as it cranks up the chill . . . Frightening and thought-provoking
This mind-bending novella about a writer losing his marbles contains images that startle and linger . . . The most arresting of the book's chilling moments might do for baby monitors what 'Jaws' did for swimming in the ocean . . . [Kehlmann] manages a few darkly comic flourishes . . . provocative . . . potent . . . pleasantly unsettling
A beautifully crafted exercise in terror from one of Germany's most celebrated contemporary authors . . . Kehlmann creates a sense of existential dread that transcends the typical ghost story . . . A book to keep you up at night
A ghost story steeped with a sense of existential dread and it will have you rereading the chilling final pages to figure out exactly what might have happened. It is a book that should carry a health warning: read alone at your own risk.
Kehlmann is one of the brightest, most pleasure-giving writers at work today, and he manages all this while exploring matters of deep philosophical and intellectual import.
Daniel Kehlmann is one of the great novelists for making giant themes seem light
Notă biografică
Daniel Kehlmann was born in Munich in 1975 and lives in Vienna, Berlin and New York. He has published six novels: Measuring the World, Me & Kaminski, Fame, F, You Should Have Left and Tyll and has won numerous prizes, including the Candide Prize, the Literature Prize of the Konrad Adenauer Foundation, the Doderer Prize, The Kleist Prize, the WELT Literature Prize, and the Thomas Mann Prize. Measuring the World was translated into more than forty languages and is one of the biggest successes in post-war German literature.