Writing for the Screen: Creative and Critical Approaches
Autor Dr. Craig Batty, Zara Waldebacken Limba Engleză Paperback – 26 apr 2019
Integrating creative guidance with rigorous scholarship, this is the perfect companion for undergraduate students taking courses in screenwriting. Encouraging and pragmatic, it will provide a wealth of inspiration for those wishing to work in the industry or deepen their study of the practice.
New to this Edition:
- Refreshed and revised edition to meet the demands of contemporary screenwriting
- New case studies, models, tools and approaches to writing for the screen
- Updated areas of industry practice, including web series, transmedia, VR and long-form storytelling
- Includes practical approaches and creative exercises that can be used in the classroom
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 165.25 lei 6-8 săpt. | |
| Bloomsbury Publishing – 26 apr 2019 | 165.25 lei 6-8 săpt. | |
| Hardback (1) | 481.00 lei 3-5 săpt. | |
| Bloomsbury Publishing – 25 apr 2019 | 481.00 lei 3-5 săpt. |
Preț: 165.25 lei
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Specificații
ISBN-13: 9781352006025
ISBN-10: 1352006022
Pagini: 282
Ilustrații: 126 bw illus
Dimensiuni: 146 x 210 x 20 mm
Greutate: 0.4 kg
Ediția:2nd ed. 2019
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
ISBN-10: 1352006022
Pagini: 282
Ilustrații: 126 bw illus
Dimensiuni: 146 x 210 x 20 mm
Greutate: 0.4 kg
Ediția:2nd ed. 2019
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
Cuprins
Introduction
PART I: FOUNDATIONS
1. Establishing Practice
2. Subject: Ideas into Character
3. Structure and Narrative
4. Visual Storytelling
5. Dialogue and Voice
6. The Cultures of Screenwriting
7. Key Points and Foundations Exercises
PART II: SPECULATIONS
8. Exploring Possibilities
9. Subjects: Ideas into Characters
10. Structures and Narratives
11. Visual Storytelling
12. Dialogues and Voices
13. Further Cultures of Screenwriting
14. Key Points and Speculations Exercises.
PART I: FOUNDATIONS
1. Establishing Practice
2. Subject: Ideas into Character
3. Structure and Narrative
4. Visual Storytelling
5. Dialogue and Voice
6. The Cultures of Screenwriting
7. Key Points and Foundations Exercises
PART II: SPECULATIONS
8. Exploring Possibilities
9. Subjects: Ideas into Characters
10. Structures and Narratives
11. Visual Storytelling
12. Dialogues and Voices
13. Further Cultures of Screenwriting
14. Key Points and Speculations Exercises.
Recenzii
Writing for the Screen, blending as it does theory and practical application, is the best single volume available for university students working on screenwriting courses today.
With a combination of exercises to flex creative muscles, critical analysis of key scenes and insights into the workings of the industry, Writing for the Screen is an invaluable guide and source of inspiration wherever you are in your media career.
Insightful, accessible and full of useful exercises, this highly readable screenwriting book has all the essential elements you need to understand the art and craft of screenwriting.
With a combination of exercises to flex creative muscles, critical analysis of key scenes and insights into the workings of the industry, Writing for the Screen is an invaluable guide and source of inspiration wherever you are in your media career.
Insightful, accessible and full of useful exercises, this highly readable screenwriting book has all the essential elements you need to understand the art and craft of screenwriting.
Caracteristici
An innovative and fresh approach to the art and practice of screenwriting, developing creative and critical awareness for writers, students and critics
Notă biografică
Professor Craig Batty is Head of Creative Writing at the University of Technology Sydney, Australia. He is an award-winning educator and researcher, with interests in screenwriting craft, theory and teaching, creative practice research methodologies, and supervising creative doctorates. He is also a writer, script editor and script consultant.Zara Waldeback is a script consultant and creative specialist currently living in Sweden and working across Europe. In the UK, she was for many years Senior Lecturer in Screenwriting and Directing at Thames Valley University, as well as working in development for British Screen and the First Film Foundation. She now teaches key narrative skills to a range of creative artists, and works as script editor for feature films, including the award-winning Sami Blood