Woven on the Loom of Time: Stories by Enrique Anderson-Imbert: Texas Pan American Series
Autor Enrique Anderson-Imbert Traducere de Carleton Vail, Pamela Edwards-Mondragón Introducere de Ester de Izaguirreen Limba Engleză Paperback – 1991
Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped pave the way for such writers as Borges, Cortázar, Sábato, and Ocampo. In this anthology, Carleton Vail and Pamela Edwards-Mondragón have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert. Representative stories from the collections The Cheshire Cat, The Swindler Retires, Madness Plays at Chess, Klein's Bottle, Two Women and One Julián, and The Size of the Witches illustrate Anderson-Imbert's unique style and world view. Many are "short short" stories, which Anderson-Imbert calls casos (instances). The range of subjects and points of view varies widely, challenging such "realities" as time and space, right and wrong, science and religion. In a prologue, Anderson-Imbert tells an imaginary reader, "Each one of my stories is a closed entity, brief because it has caught a single spasm of life in a single leap of fantasy. Only a reading of all my stories will reveal my world-view." The reader asks, "And are you sure that it is worth the trouble?" Anderson-Imbert replies, "No." The unexpected, ironic ending is one of the great pleasures of reading Enrique Anderson-Imbert.
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Specificații
ISBN-13: 9780292790605
ISBN-10: 0292790600
Pagini: 200
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.45 kg
Editura: University of Texas Press
Colecția University of Texas Press
Seria Texas Pan American Series
ISBN-10: 0292790600
Pagini: 200
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.45 kg
Editura: University of Texas Press
Colecția University of Texas Press
Seria Texas Pan American Series
Notă biografică
Carleton Vail is an independent scholar and translator. Pamela Edwards-Mondragón is head of the English and Spanish departments at Converse International School of Languages in San Diego, California.
Cuprins
- Introduction by Ester de Izaguirre
- Selections from The Cheshire Cat (1965)
- Prologue
- Twelve Notes
- The Pomegranate
- The Sun
- Spiral
- Heroes
- Theologies and Demonologies
- The Prisoner
- Antonius
- The Knife
- Nature
- Intelligence
- The Future
- Orpheus and Eurydice
- The Moon
- Instantaneous
- Narcissus
- The Rival
- Danse Macabre
- Bestiary
- Patterns of the Possible
- Fame
- The Doorman
- For Eternity
- Time
- Gods
- The Frightened Priest
- A Puzzle of Possibilities
- Dreams
- The Evil Eye
- The Big Head
- Selections from The Swindler Retires (1969)
- Prologue
- Frankly, No
- The Stone
- The Confession
- My Shadow
- The Pruning
- Jealousy
- The Writer and His Inkwell
- Soledad
- I’ll Teach Her a Lesson
- The Complaint
- The Girlfriend
- The Kingdom Bewitched
- Selections from Madness Plays at Chess (1971)
- Prologue
- North Wind
- Anonymous Manuscript concerning a Sad Waltz
- Ovid Told It Differently
- Murder
- Glacier
- Madness Plays at Chess
- Selections from Klein’s Bottle (1971)
- Esteco: Submerged City
- Eyes (Mine, Peering Up from the Cellar)
- The Gold Doubloon
- Bats
- The Eyes of the Dragon
- William Faulkner Saw a Ghost, and Then...
- Nalé Roxlo and the Suicide of Judas
- A Famous Conversion in the XIVth Century
- Anchored in Brazil
- A Heart Outlined
- Selections from Two Women and One Julián (1982)
- Prologue
- The Fallen Hippogriff
- Two Women and One Julián
- One X and Two Unknowns
- Forever Sweetheart
- The Alleluia of the Dying
- Juancito Chingolo
- The Last Glances
- The Palm Tree
- Selections from The Size of the Witches (1985)
- The Size of the Witches
- The Tomb
- Baby Bear
- The Wisteria
- The Innocent Child
- Lycanthropy
- Imposture
- Would to God
- A Bow Tie and a Mirror
Descriere
In this anthology, the translators have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert.