Women, the arts and globalization: Rethinking Art's Histories
Editat de Marsha Meskimmon, Dorothy Priceen Limba Engleză Hardback – mar 2013
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Specificații
ISBN-13: 9780719088759
ISBN-10: 0719088755
Pagini: 290
Ilustrații: 47 black & white illustrations
Dimensiuni: 161 x 240 x 20 mm
Greutate: 0.55 kg
Editura: MANCHESTER UNIVERSITY PRESS
Colecția Rethinking Art's Histories
Seria Rethinking Art's Histories
ISBN-10: 0719088755
Pagini: 290
Ilustrații: 47 black & white illustrations
Dimensiuni: 161 x 240 x 20 mm
Greutate: 0.55 kg
Editura: MANCHESTER UNIVERSITY PRESS
Colecția Rethinking Art's Histories
Seria Rethinking Art's Histories
Cuprins
Editorial introduction: Ec/centric affinities: Locations, aesthetics, experiences - Marsha Meskimmon and Dorothy Rowe 1. Gendering the multitude: feminist politics, globalisation and art history - Angela Dimitrakaki 2. Women, art, migration and diaspora: The turn to art in the social sciences and the 'new' sociology of art? - Maggie O'Neill 3. Finding a different way home - Misha Myers in conversation with Tracey Warr 4. On foreign discomfort: Magdalena makeup live art event - Lena Simic 5. 'How we live today ...' - Florence Ayisi in dialogue with Mo White 6. Here, there and in-between: South African women and the diasporic condition - Marion Arnold 7. Image-making with Jeanne Duval in mind: Photoworks by Maud Sulter, 1989-2002 - Deborah Cherry 8. Alison Lapper Pregnant: Embodied geographies, post-imperial identities and public sculpture in London's Trafalgar Square - Rosemary Betterton 9. Diasporic unwrappings - Lubaina Himid in conversation with Jane Beckett 10. A Burd's eye view: Paula Rego's Abortion series - Michele Waugh 11. Testing the limits: Oreet Ashery in conversation with Dorothy Rowe Index
Notă biografică
Marsha Meskimmon is Professor of Modern and Contemporary Art History and Theory at Loughborough University|Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol
Descriere
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This book brings transnational feminist theory and criticism together with women's art practices to discuss the connections between aesthetics, gender and identity in a global world; shows the movement of women globally rarely matches dominant models of global exchange; traces their eccentric experiences of the effects of globalization. -- .
This book brings transnational feminist theory and criticism together with women's art practices to discuss the connections between aesthetics, gender and identity in a global world; shows the movement of women globally rarely matches dominant models of global exchange; traces their eccentric experiences of the effects of globalization. -- .