Wider Boundaries of Daring: The Modernist Impulse in Canadian Womens Poetry
Editat de Di Brandt, Barbara Godarden Limba Engleză Electronic book text – 24 aug 2009
Preț: n/a
Nou
Disponibilitate incertă
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781554580934
ISBN-10: 1554580935
Pagini: 424
Editura: Wilfrid Laurier University
Colecția Wilfrid Laurier University Press (CA)
ISBN-10: 1554580935
Pagini: 424
Editura: Wilfrid Laurier University
Colecția Wilfrid Laurier University Press (CA)
Cuprins
Table of Contents for Wider Boundaries of Daring: The Modernist Impulse in Canadian Womens Poetry , edited by Di Brandt and Barbara Godard A New Genealogy of Canadian Literary Modernism | Di Brandt The Making of Canadian Literary Modernism The Writing Livesays: Connecting Generations of Canadian Modernism | Ann Martin Feminist and Regionalist Modernisms in Contemporary Verse, CV1 and CV2 | Christine Kim P.K. Page: Discovering a Modern Sensibility | Sandra Djwa Tradition, Individual Talent, and a young woman / From backwoods New Brunswick: Modernism and Elizabeth Brewsters (Auto)Poetics of the Subject | Bina Toledo Freiwald And we are homesick still: Home, the Unhomely, and the Everyday Anne Wilkinson | Kathy Mezei Anne Marriott: Modernist on the Periphery | Marilyn J. Rose Discontinuity, Intertextuality, and Literary History: Gail Scotts Reading of Gertrude Stein | Lianne Moyes Literary Modernism as Cultural Act They cut him down: Race, Class, and Cultural Memory in Dorothy Livesays ;Day and Night | Pamela McCallum Dorothy Livesay and CBC Radio: The Politics of Modernist Aesthetics, Gender, and Regionalism | Peggy Lynn Kelly Phyllis Webb as Public Intellectual | Pauline Butling A Collection of Solitary Fragments: Miriam Waddington as Critic | Candida Rifkind Our hearts both leapt / in love with metaphor: P.K. Pages Professional Elegies | Sara Jamieson The Passionate and Sublime Modernism of Elizabeth Smart | Anna Quma Jay Macphersons Modernism | Miriam Nichols Word, I, and Other in Margaret Avisons Poetry | Katherine Quinsey Reading P.K. Page in English/Italian; or, On the Politics of Translating Modernist Gender | Elena Basile Contributors Index Contributors Bios Elena Basile teaches in the English department at York University, where she is completing her dissertationon questions of translation and experimental poetic practices. Recent publications include Responding to the Enigmatic Address of the Other: A Psychoanalytical Approach to the Translators Labour, New Voices in Translation Studies (2005), and Itchy Language Scars:Thoughts on Translation as a Poetics of Cultural Healing, in Traduccin, Gnero y Postcolonialismo:De Signis; Publicacin de la Federacin Latinoamericana de Semitica (Spring 2008). Di Brandt is the award-winning author and editor of more than a dozen books. Her poetry titles include questions i asked my mother (1987), Agnes in the sky (1990), Jerusalem, beloved (1995), Now You Care (2003), and Speaking of Power: The Poetry of Di Brandt (2006). Her prose titles include Wild Mother Dancing: Maternal Narrative in Canadian Literature (1993) and So this is the world & here I am in it (2007). Her libretto for Emily, the Way You Are , a one-woman opera about the life and work of Emily Carr, composed by Jana Skarecky, premiered at the McMichael Gallery, Kleinburg, Ontario, in April 2008. Her website address is www.dibrandt.ca. Di Brandt holds a Canada Research Chair at Brandon University, Manitoba. Pauline Butling taught Canadian Literature at Selkirk College in Castelgar, BC, David Thompson University Centre in Nelson, BC, and at the Alberta College of Art in Calgary. She currently lives in Vancouver, where she is writing a family history/memoir. Her publications include Seeing in the Dark: The Poetry of Phyllis Webb (1997), Poets Talk, with Susan Rudy (2005), and Writing in Our Time: Canada's Radical Poetries , with Susan Rudy (2005). Sandra Djwa, Professor Emerita of Simon Fraser University, has written extensively on Canadian poetry and Canadian poets. Her books include E.J. Pratt: The Evolutionary Vision (1974), the Complete Poems of E.J. Pratt , 2 vols. (1989), and the Selected Poems of E.J. Pratt (1999), co-edited with Zailig Pollock and W.J. Keith. Her biographies include F.R. Scott: The Politics of the Imagination (1987), F.R. Scott: Une vie (translation 2001), and Professing English: A Life of Roy Daniells (2002), a mini-history of the discipline of English and the development of a Canadian literature. She is working on a biography of P.K. Page. Bina Toledo Freiwald, graduate program director and professor of English at Concordia University, teaches and researches on critical theory, contemporary womens writing across genres and national literatures, autobiographical practices, and identity discourses of gender, sexuality, and nation. Recent publications include chapters in Identity, Community, Nation (2002), Postmodernism and the Ethical Subject (2004), Tracing the Autobiographical (2005), Unfitting Stories: Narrative Approaches to Disease, Disability, and Trauma (2007), and The Jewish Diaspora as a Paradigm (2008). Her current research project is Gender, Nation, and Self-Narration: The Construction of National and Diasporic Identities in Jewish Womens Life Narratives in Palestine/Israel and Canada. Barbara Godard, Historical Chair of Canadian Literature at York University, has published widely on Canadian and Qubec literatures and on feminist and literary theory. Her translations and essays on translation theory have contributed to the cultural turn in translation studies. Among her publications are the edited volumes Gynocritics/Gynocritiques: Feminist Approaches to the Writing of Canadian and Qubec Women (1987); Collaboration in the Feminine: Writings on Women and Culture from Tessera (1994); Intersexions: Issues of Race and Gender in Canadian Womens Writing (1996); and Re:Generations: Canadian Women Poets in Conversation , with Di Brandt (2005). Canadian Literature at the Crossroads of Language and Culture , a volume of her essays, appeared in 2008. For more information, see her website at www.yorku.ca/bgodard/. Sara Jamieson is an assistant professor in the Department of English at Carleton University where her research interests include intersections of Victorian and modernist poetic practice in the work of twentieth-century Canadian women poets, as well as representations of aging in Canadian writing. She has published articles in Canadian Literature , Canadian Poetry , and Studies in Canadian Literature . She is currently working on a book manuscript entitled Soundless Grieving: Women Poets, Mourning, and Modernism in Canada. Peggy Lynn Kelly specializes in Canadian womens writing. She has published in Atlantis , Open Letter , Canadian Poetry , Studies in Canadian Literature , Literary Encyclopedia Online , The History of the Book in Canada , Framing Our Past: Canadian Womens History in the Twentieth Century , and Limited Edition: Voices of Feminism, Voices of Women . She is editor of the second edition of Shackles by Madge Macbeth (2005), and associate general editor for Tecumseh Press's Early Canadian Women Writers Series. Peggy Kelly teaches English literature and composition at Algonquin College and the University of Ottawa. Christine Kim is an assistant professor in the Department of English at Simon Fraser University. Her teaching and research focus on Asian North American literature and theory, contemporary Canadian literature, and diasporic writing. She has published articles in Mosaic , Open Letter , and Studies in Canadian Literature . She is currently working on a book-length project titled From Multiculturalism to Globalization: The Cultural Politics of Asian North American Writing . Ann Martin is an assistant professor in the Department of English at the University of Saskatchewan, where she teaches twentieth-century British literature. She is the author of Red Riding Hood and the Wolf in Bed: Modernisms Fairy Tales (2006), and is currently researching the role of the automobile in the fiction of Dorothy L. Sayers. Pamela McCallum is professor of English at the University of Calgary. She recently co-edited, with Wendy Faith, Linked Histories: Postcolonial Studies in a Global World (2005) and published an edited and annotated edition of Raymond Williamss Modern Tragedy (2006). Her research interests are focussed on representations of history, materiality, and globalization in literature and other cultural texts. Kathy Mezei teaches in the Department of Humanities at Simon Fraser University. She has published articles on translation studies, Canadian literature, narrative theory, and modern British women writers, and has edited special issues on domestic space for Signs (2002) and BC Studies (20032004). Her translations of French and Quebec poets have appeared in ellipse and La Traductire . Her most recent book, co-written with Chiara Briganti, is Domestic Modernism, the Inter-war Novel, and E.H. Young (2006). She runs a website on domestic space at www.sfu.ca/domestic-space. She is a participant in the project Bibliography of Comparative Studies in Canadian, Quebec and Foreign Literatures , based at the Universit de Sherbrooke (www.compcanlit.ca). Lianne Moyes, as