Whose Country Music?
Editat de Paula J Bishop, Jada Watsonen Limba Engleză Paperback – 30 mai 2024
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| Paperback (1) | 201.61 lei 6-8 săpt. | |
| Cambridge University Press – 30 mai 2024 | 201.61 lei 6-8 săpt. | |
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| Cambridge University Press – dec 2022 | 539.09 lei 3-5 săpt. | +35.28 lei 6-12 zile |
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Specificații
ISBN-13: 9781108927680
ISBN-10: 1108927688
Pagini: 324
Dimensiuni: 170 x 244 x 17 mm
Greutate: 0.52 kg
Editura: Cambridge University Press
ISBN-10: 1108927688
Pagini: 324
Dimensiuni: 170 x 244 x 17 mm
Greutate: 0.52 kg
Editura: Cambridge University Press
Cuprins
Industry: 1. Mailbox Money: Novel Liberation Strategies of a Black Female Country Songwriter Alice Randall; 2. Dixie Chicked: Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century Kristine M. McCusker; 3. How 360° Deals Homogenized Country Music Rachel Skaggs; 4. A Double-Edged Sword: Industry Data and the Construction of Country Music Narratives Jada Watson; Codes of Conduct: 5. Why Country Music Needs Latina Feminism Sophia Enriquez; 6. Pistol Annies: Country Rebels with Humor Stephanie Vander Wel; 7. From Bros to Gentlemen: The Problem of Consent in Contemporary Country Music Phoebe E. Hughes; 8. Cowboys on a Beach: Summer Country and the Loss of Working-Class Identity Jocelyn R. Neal. Authenticity: 9. Dolly Parton's Netflix Reimagining: How Her Twenty-First Century 'Jolene' Revises Country Music's Authenticity Narrative Leigh H. Edwards; 10. 'When Britney [Spears] Ruled the World': Expanding the Stylistic Boundaries of Nostalgia in Country Music Paula J. Bishop; 11. Rhinestone Revivals: Repurposing the Nudie Suit for the Twenty-first Century Janet Aspley; 12. Country Music Doesn't Have to Suck: Intertextuality, Community, and Bloodshot Records Nancy P. Riley. Boundary Work: 13. Playing at the Border: Navajo Country Western Music and Border Town Racism Kristina Jacobsen; 14. Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers Nadine Hubbs; 15. Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyoncé's and The Chicks' 'Daddy Lessons' Rebekah Hutten; 16. 'We Have a Lot of Work to Do': Rhiannon Giddens and Country Music's Mixed Roots Tracey E. Laird. Epilogue: Country Music Needs a Revolution Rissi Palmer.