What's Wrong with the World
Autor G. K. Chestertonen Limba Engleză Paperback
Publisher: Kindle E-Book Edition:
ISBN-13: 978-1-78379-076-0
Some people do not like the word "dogma." Fortunately they are free, and there is an alternative for them. There are two things, and two things only, for the human mind, a dogma and a prejudice. The Middle Ages were a rational epoch, an age of doctrine. Our age is, at its best, a poetical epoch, an age of prejudice. A doctrine is a definite point; a prejudice is a direction. That an ox may be eaten, while a man should not be eaten, is a doctrine. That as little as possible of anything should be eaten is a prejudice; which is also sometimes called an ideal. Now a direction is always far more fantastic than a plan. I would rather have the most archaic map of the road to Brighton than a general recommendation to turn to the left. Straight lines that are not parallel must meet at last; but curves may recoil forever. A pair of lovers might walk along the frontier of France and Germany, one on the one side and one on the other, so long as they were not vaguely told to keep away from each other. And this is a strictly true parable of the effect of our modern vagueness in losing and separating men as in a mist.
"Publisher: " Catholic Way Publishing. This Paperback is the ideal small size of 5" x 8."
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Specificații
ISBN-13: 9781502723215
ISBN-10: 1502723212
Pagini: 118
Dimensiuni: 189 x 246 x 6 mm
Greutate: 0.23 kg
Editura: CREATESPACE
ISBN-10: 1502723212
Pagini: 118
Dimensiuni: 189 x 246 x 6 mm
Greutate: 0.23 kg
Editura: CREATESPACE
Notă biografică
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.