Weekend Societies: Electronic Dance Music Festivals and Event-Cultures
Editat de Dr. Graham St Johnen Limba Engleză Paperback – 26 iul 2018
Growing ubiquitous in contemporary social life, and providing participants with independent sources of belonging, these festivals and their event-cultures are diverse in organization, intent and outcome. From ethically-charged and "boutique" events with commitments to local regions to subsidiaries of entertainment conglomerates touring multiple nations, EDM festivals are expressions of "freedoms" revolutionary and recreational. Centres of "EDM pop", critical vectors in tourism industries, fields of racial distinction, or experiments in harm reduction, gifting culture, and co-created art, as this volume demonstrates, diversity is evident across management styles, performance legacies and modes of participation.
Weekend Societies is a timely interdisciplinary volume from the emergent field of EDM festival and event-culture studies. Echoing an industry trend in world dance music culture from raves and clubs towards festivals, Weekend Societies features contributions from scholars of EDM festivals showcasing a diversity of methodological approaches, theoretical perspectives and representational styles.
Organised in four sections: Dance Empires; Underground Networks; Urban Experiments; Global Flows, Weekend Societies illustrates how a complex array of regional, economic, social, cultural and political factors combine to determine the fate of EDM festivals that transpire at the intersections of the local and global.
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Specificații
ISBN-13: 9781501343773
ISBN-10: 1501343777
Pagini: 264
Ilustrații: 25 B&W Images
Dimensiuni: 148 x 226 x 16 mm
Greutate: 0.38 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501343777
Pagini: 264
Ilustrații: 25 B&W Images
Dimensiuni: 148 x 226 x 16 mm
Greutate: 0.38 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Cuprins
Introduction: Dance Music Festivals and Event-Cultures, Graham St John, University of Fribourg
Part One. Dance Empires and EDM Culture Industry
1. EDM Pop: A Soft Shell Formation in a New Festival Economy. Fabian Holt, University of Roskilde
2. Stereosonic and Australian Commercial EDM Festival Culture. Ed Montano, RMIT University
3. Searching for a Cultural Home: Asian American Youth in the EDM Festival Scene. Judy Park, Harvard College
Part Two. Underground Networks and Transformational Events
4. Boutiquing at the Raindance Campout: Relational Aesthetics as Festival Technology. Bryan Schmidt, University of Minnesota
5. Harm Reduction or Psychedelic Support? Caring for Drug-Related Crises at Transformational Festivals. Deirdre Ruane, Goldsmiths, University of London
6. Dancing Outdoors: DiY Ethics and Democratized Practices of Well-being on the UK Alternative Festival Circuit. Alice O'Grady, University of Leeds
7. Free Parties and Teknivals: Gift-Exchange and Participation on the Margins of the Market and the State. Anne Petiau (trns Luis-Manuel Garcia)
Part Three. Cosmopolitan Experiments and Electroniculture
8. Towards a Cosmopolitan Weekend Dance Culture in Spain: From the Ruta Destroy to the Sónar Festival. Paolo Magaudda, University of Padova
9. Being-Scene at MUTEK: Remixing Spaces of Gender and Ethnicity in Electronic Music Performance. tobias c. van Veen, Université de Montréal
10. Charms War: Dance Camps and Sound Cars at Burning Man. Graham St John, University of Fribourg
Part One. Dance Empires and EDM Culture Industry
1. EDM Pop: A Soft Shell Formation in a New Festival Economy. Fabian Holt, University of Roskilde
2. Stereosonic and Australian Commercial EDM Festival Culture. Ed Montano, RMIT University
3. Searching for a Cultural Home: Asian American Youth in the EDM Festival Scene. Judy Park, Harvard College
Part Two. Underground Networks and Transformational Events
4. Boutiquing at the Raindance Campout: Relational Aesthetics as Festival Technology. Bryan Schmidt, University of Minnesota
5. Harm Reduction or Psychedelic Support? Caring for Drug-Related Crises at Transformational Festivals. Deirdre Ruane, Goldsmiths, University of London
6. Dancing Outdoors: DiY Ethics and Democratized Practices of Well-being on the UK Alternative Festival Circuit. Alice O'Grady, University of Leeds
7. Free Parties and Teknivals: Gift-Exchange and Participation on the Margins of the Market and the State. Anne Petiau (trns Luis-Manuel Garcia)
Part Three. Cosmopolitan Experiments and Electroniculture
8. Towards a Cosmopolitan Weekend Dance Culture in Spain: From the Ruta Destroy to the Sónar Festival. Paolo Magaudda, University of Padova
9. Being-Scene at MUTEK: Remixing Spaces of Gender and Ethnicity in Electronic Music Performance. tobias c. van Veen, Université de Montréal
10. Charms War: Dance Camps and Sound Cars at Burning Man. Graham St John, University of Fribourg
Recenzii
A welcome and valuable contribution to an expanding literature on the alternative festival phenomenon, offering numerous avenues for further investigation given an eager researchers' capacity to fend off chain saw-wielding critics, party round-the-clock, and hunt for the most innovative of creative expressions wherever the transformational path may lead.
Often hidden from view, music festivals continue to transform the economic logics of the music industries and to challenge the ways popular music scholars think about community. Weekend Societies is an up to date and genuinely international treatment of contemporary musical festivals, rooted in rich field work and sharp observation. At the same time, it invites us to think in new ways about utopian spaces, collective experience and the nature of the musical commodity. Highly recommended.
Weekend Societies is an energising collection of essays that explores the varied cultures associated with contemporary electronic music festivals. Offering up a cross-section of festivals, from Sydney to Spain to Montreal and many other places in-between, this volume critically engages with the multifarious dimensions, and the consequent problems and promises, of the festivalisation of electronic dance music culture. The result is a welcome addition to popular music studies.
From festival as utopian gift to festival as corporate event, this lively and engaged collection offers us a unique view, often first hand, and for the first time, of the trajectory of EDM gatherings. Starting with secret underground raves and free parties and tracing their development to the mega-event of a massive commercial gathering, we begin to see more of a neglected strand of music festival practice. A significant contribution to our understanding of festival studies.
Often hidden from view, music festivals continue to transform the economic logics of the music industries and to challenge the ways popular music scholars think about community. Weekend Societies is an up to date and genuinely international treatment of contemporary musical festivals, rooted in rich field work and sharp observation. At the same time, it invites us to think in new ways about utopian spaces, collective experience and the nature of the musical commodity. Highly recommended.
Weekend Societies is an energising collection of essays that explores the varied cultures associated with contemporary electronic music festivals. Offering up a cross-section of festivals, from Sydney to Spain to Montreal and many other places in-between, this volume critically engages with the multifarious dimensions, and the consequent problems and promises, of the festivalisation of electronic dance music culture. The result is a welcome addition to popular music studies.
From festival as utopian gift to festival as corporate event, this lively and engaged collection offers us a unique view, often first hand, and for the first time, of the trajectory of EDM gatherings. Starting with secret underground raves and free parties and tracing their development to the mega-event of a massive commercial gathering, we begin to see more of a neglected strand of music festival practice. A significant contribution to our understanding of festival studies.