We Have Some Notes…: The Insider’s Guide to Notes, Script Editing and Development
Autor Venetia Hawkesen Limba Engleză Hardback – 22 aug 2024
Through interviews with leading industry practitioners, including Lynne Ramsay, Russell T Davies, Sally Wainwright, Edgar Wright, Lone Scherfig, Ben Wheatley and Simon Beaufoy, Venetia Hawkes explores the writer, director and note-giver relationship. The interviewees discuss the most productive and harmonious ways to give and receive feedback, and the role notes play in a fruitful creative process. Respected 'note-givers', such as Tessa Ross, Eva Yates and Pippa Harris, provide advice on nurturing successful development relationships. Inter-chapter sections pose key questions, such as "What's one thing never to do if you're giving notes?" and "How do you deal with rejection or critical notes?" Providing illuminating, practical guidance on ways of working successfully with notes, for both writers and directors.
With its wealth of first-hand reflections, expert advice, and historical context, We Have Some Notes. is a vital read for students, industry professionals, and anyone interested in the making of acclaimed films and television series.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 136.22 lei 22-36 zile | +34.69 lei 6-12 zile |
| Bloomsbury Publishing – 22 aug 2024 | 136.22 lei 22-36 zile | +34.69 lei 6-12 zile |
| Hardback (1) | 391.43 lei 22-36 zile | |
| Bloomsbury Publishing – 22 aug 2024 | 391.43 lei 22-36 zile |
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Specificații
ISBN-13: 9781839025501
ISBN-10: 1839025506
Pagini: 272
Ilustrații: 14 bw illus
Dimensiuni: 158 x 238 x 18 mm
Greutate: 0.74 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1839025506
Pagini: 272
Ilustrații: 14 bw illus
Dimensiuni: 158 x 238 x 18 mm
Greutate: 0.74 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
Cuprins
Introduction
1. Peter Ansorge
Quick Fire Q&A 1: What's the role of a script editor or anyone giving notes?
2. Simon Beaufoy
3. Sally Wainwright
Quick Fire Q&A 2: What's the best thing someone giving notes can do?
4. Russell T Davies
5. Lynne Ramsay
Quick Fire Q&A 3: What's one thing never to do if you're giving notes?
6. Alice Lowe
7. Michael Pearce
Quick Fire Q&A 4: Can you reveal any comically bad notes you've had?
8. Ben Wheatley
9. Krysty Wilson-Cairns
Quick Fire Q&A 5: What's the most useful question someone giving notes has asked, that has moved a story forward or made it stronger?
10. Corin Hardy
11. Tomm Moore
Quick Fire Q&A 6: How do you deal with rejection or critical notes?
12. Amma Asante
13. Lone Scherfig
Quick Fire Q&A 7: What's a common problem that tends to come up during development?
14. Edgar Wright
Quick Fire Q&A 8: What's your advice to someone wanting to start out in, or further develop a career in script editing or development?
Notes from the Note-givers
Index
1. Peter Ansorge
Quick Fire Q&A 1: What's the role of a script editor or anyone giving notes?
2. Simon Beaufoy
3. Sally Wainwright
Quick Fire Q&A 2: What's the best thing someone giving notes can do?
4. Russell T Davies
5. Lynne Ramsay
Quick Fire Q&A 3: What's one thing never to do if you're giving notes?
6. Alice Lowe
7. Michael Pearce
Quick Fire Q&A 4: Can you reveal any comically bad notes you've had?
8. Ben Wheatley
9. Krysty Wilson-Cairns
Quick Fire Q&A 5: What's the most useful question someone giving notes has asked, that has moved a story forward or made it stronger?
10. Corin Hardy
11. Tomm Moore
Quick Fire Q&A 6: How do you deal with rejection or critical notes?
12. Amma Asante
13. Lone Scherfig
Quick Fire Q&A 7: What's a common problem that tends to come up during development?
14. Edgar Wright
Quick Fire Q&A 8: What's your advice to someone wanting to start out in, or further develop a career in script editing or development?
Notes from the Note-givers
Index
Recenzii
A must-read for anyone interested in the development of film and television, We Have Some Notes... demystifies what some of the UK's biggest screenwriters really think about receiving story notes-and how they embrace this collaborative process to better their scripts.
At last, a book that uncovers the true workings of the story development process from the perspective of successful writers, editors and directors, illuminating the creative collaborations and forensic analysis that occurs in the shared pursuit of delivering the best story possible. Jam packed with useful nuggets for anyone interested in the development process this book is a celebration of the importance and impact of collaboration within the film and TV industries.
We Have Some Notes... is an invaluable insight into the process of screenwriting as a collaborative art. Getting notes is often painful, sometimes confusing, always invaluable. Hearing how those at the top of their game handle notes helps all of us swallow the angst and make our writing much better.
At last, a book that uncovers the true workings of the story development process from the perspective of successful writers, editors and directors, illuminating the creative collaborations and forensic analysis that occurs in the shared pursuit of delivering the best story possible. Jam packed with useful nuggets for anyone interested in the development process this book is a celebration of the importance and impact of collaboration within the film and TV industries.
We Have Some Notes... is an invaluable insight into the process of screenwriting as a collaborative art. Getting notes is often painful, sometimes confusing, always invaluable. Hearing how those at the top of their game handle notes helps all of us swallow the angst and make our writing much better.