Warscapes: Mediating Militarized Environments: War Culture
Editat de Cortland Rankin Contribuţii de Renée Laurel Pastel, Cynthia Baron, Natalija Arlauskaite, Lawrence Alexander, Tatiana Konrad, Haley Laurila, Hugo Ljungbäcken Limba Engleză Paperback – 8 sep 2026 – vârsta ani
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Specificații
ISBN-13: 9781978845749
ISBN-10: 197884574X
Pagini: 226
Ilustrații: 18 B-W images
Dimensiuni: 156 x 235 mm
Greutate: 0.45 kg
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria War Culture
ISBN-10: 197884574X
Pagini: 226
Ilustrații: 18 B-W images
Dimensiuni: 156 x 235 mm
Greutate: 0.45 kg
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria War Culture
Notă biografică
CORTLAND RANKIN is an assistant professor of film studies at Bowling Green State University in Ohio. He is the author of Decline and Reimagination in Cinematic New York.
BRADY FLETCHER is an assistant professor in the Department of English at the University of Rochester in New York.
BRADY FLETCHER is an assistant professor in the Department of English at the University of Rochester in New York.
Cuprins
Introduction: Situational Awareness: Orienting the Study of War, Environment, and Media
CORTLAND RANKIN AND BRADY FLETCHER
Part I Area of Operations: Mapping Militarized Geographies
1 Exposed Façades: Documentary Constructions of Urban Training Centers as Countergeographies of American Military Urbanism
CORTLAND RANKIN
2 Neocolonial Warscapes: The Militarized Jungles of Twenty-First- Century Action-Adventure Cinema
TATIANA KONRAD
3 “Man’s Determined Assault on the Secrets of Space”: Thinking Militarized Astronautics and Extraterrestrial Environmentality with For All Mankind
BRADY FLETCHER
Part II War-Torn: Occupation, Resistance, and Environmental Violence
4 Night Raiders: Indigenous Cinema Illuminates Colonial-Capitalist Warfare
CYNTHIA BARON
5 Ecocide in Ukraine: Environmental Violence and War in Valentyn Vasyanovych’s Atlantis
HALEY LAURILA
6 Pan, Tilt, Zoom: Witnessing the Occupation of East Jerusalem in The Neighbour Before the House
HUGO L JUNGBÄCK
Part III Aftermath: Reframing the Memory of War Through Elemental Media
7 The Dust of War: Rethinking the Global War on Terror’s Iconic Dust
RENÉE PASTEL
8 How to Look at Ice: The Ice Road in the Soviet and Post-Soviet Visual Canon of the Leningrad Siege
NATALIJA ARLAUSKAITĖ
9 Changes of State: Water as Medium and the Fog of War in John Akomfrah’s Mimesis: African Soldier
LAWRENCE ALEXANDER
Conclusion: Special Reconnaissance Operations: How to Look for Warscapes
CORTLAND RANKIN AND BRADY FLETCHER
Acknowledgments
Notes on Contributors
Index
CORTLAND RANKIN AND BRADY FLETCHER
Part I Area of Operations: Mapping Militarized Geographies
1 Exposed Façades: Documentary Constructions of Urban Training Centers as Countergeographies of American Military Urbanism
CORTLAND RANKIN
2 Neocolonial Warscapes: The Militarized Jungles of Twenty-First- Century Action-Adventure Cinema
TATIANA KONRAD
3 “Man’s Determined Assault on the Secrets of Space”: Thinking Militarized Astronautics and Extraterrestrial Environmentality with For All Mankind
BRADY FLETCHER
Part II War-Torn: Occupation, Resistance, and Environmental Violence
4 Night Raiders: Indigenous Cinema Illuminates Colonial-Capitalist Warfare
CYNTHIA BARON
5 Ecocide in Ukraine: Environmental Violence and War in Valentyn Vasyanovych’s Atlantis
HALEY LAURILA
6 Pan, Tilt, Zoom: Witnessing the Occupation of East Jerusalem in The Neighbour Before the House
HUGO L JUNGBÄCK
Part III Aftermath: Reframing the Memory of War Through Elemental Media
7 The Dust of War: Rethinking the Global War on Terror’s Iconic Dust
RENÉE PASTEL
8 How to Look at Ice: The Ice Road in the Soviet and Post-Soviet Visual Canon of the Leningrad Siege
NATALIJA ARLAUSKAITĖ
9 Changes of State: Water as Medium and the Fog of War in John Akomfrah’s Mimesis: African Soldier
LAWRENCE ALEXANDER
Conclusion: Special Reconnaissance Operations: How to Look for Warscapes
CORTLAND RANKIN AND BRADY FLETCHER
Acknowledgments
Notes on Contributors
Index
Descriere
What happens to our idea of a battlefield when we focus on environments of conflict? Warscapes approaches this question from a variety of theoretical perspectives. This volume explores how media can promote an environmental awareness that scholars and media makers can use to rethink and reimagine how we view war.