Visioning Israel-Palestine: Encounters at the Cultural Boundaries of Conflict: New Encounters: Arts, Cultures, Concepts
Editat de Dr Gil Pasternaken Limba Engleză Paperback – 24 feb 2022
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Specificații
ISBN-13: 9781350280748
ISBN-10: 1350280747
Pagini: 336
Ilustrații: 47 bw illus
Dimensiuni: 154 x 232 x 22 mm
Greutate: 0.47 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria New Encounters: Arts, Cultures, Concepts
Locul publicării:London, United Kingdom
ISBN-10: 1350280747
Pagini: 336
Ilustrații: 47 bw illus
Dimensiuni: 154 x 232 x 22 mm
Greutate: 0.47 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria New Encounters: Arts, Cultures, Concepts
Locul publicării:London, United Kingdom
Cuprins
List of Illustrations
Acknowledgements
Series Preface-New Encounters: Arts, Cultures, Concepts Griselda Pollock
Introduction: Encounters at the Cultural Boundaries of Conflict
Gil Pasternak
PART I: PRODUCTS OF CONFLICT
1 A Country as a Map of Itself: On the Historical, Cultural and Theoretical Rendering of Palestine in Sobhi al-Zobaidi's Part-ition (2008)
Abdul-Rahim Al-Shaikh
2 Laughter 'In Between' Time: Temporality, Iconography, and the Burden of Proof in Palestinian Art After Oslo
Chrisoula Lionis
3 Impossible Intimacies: Towardsa Visual Politics of 'Touch' at the Israeli-PalestinianBorder
Anna Ball
4 Dreams or Nightmares: The Artworking of Return in And Europe will be Stunned (2007-11) by Yael Bartana (with Slawomir Sierakowski)
Griselda Pollock
PART II: PRODUCTS IN CONFLICT
5 Scandal! Images, Discourses, and the Image of Discourse that 'Hurt People's Feelings'
Rhoda Rosen and Sander L. Gilman
6 Showcasing Conflict: Notes and Observations on Photographic Representation in Israel and Palestine
Huw Wahl
7 Visibility, Photography, and the Occupation: The Case of The Activestills Collective
Simon Faulkner
8 At Home with 'Palestine': Performing Photographs of the West Bank in Israeli Households
Gil Pasternak
9 Postmemory and Oral History: Intergenerational Memory and Transnational Identity in Exile
Ihab Saloul
Appendix
Invention, Memory, and Place
Edward W. Said
Notes
Bibliography
List of Contributors
Index
Acknowledgements
Series Preface-New Encounters: Arts, Cultures, Concepts Griselda Pollock
Introduction: Encounters at the Cultural Boundaries of Conflict
Gil Pasternak
PART I: PRODUCTS OF CONFLICT
1 A Country as a Map of Itself: On the Historical, Cultural and Theoretical Rendering of Palestine in Sobhi al-Zobaidi's Part-ition (2008)
Abdul-Rahim Al-Shaikh
2 Laughter 'In Between' Time: Temporality, Iconography, and the Burden of Proof in Palestinian Art After Oslo
Chrisoula Lionis
3 Impossible Intimacies: Towardsa Visual Politics of 'Touch' at the Israeli-PalestinianBorder
Anna Ball
4 Dreams or Nightmares: The Artworking of Return in And Europe will be Stunned (2007-11) by Yael Bartana (with Slawomir Sierakowski)
Griselda Pollock
PART II: PRODUCTS IN CONFLICT
5 Scandal! Images, Discourses, and the Image of Discourse that 'Hurt People's Feelings'
Rhoda Rosen and Sander L. Gilman
6 Showcasing Conflict: Notes and Observations on Photographic Representation in Israel and Palestine
Huw Wahl
7 Visibility, Photography, and the Occupation: The Case of The Activestills Collective
Simon Faulkner
8 At Home with 'Palestine': Performing Photographs of the West Bank in Israeli Households
Gil Pasternak
9 Postmemory and Oral History: Intergenerational Memory and Transnational Identity in Exile
Ihab Saloul
Appendix
Invention, Memory, and Place
Edward W. Said
Notes
Bibliography
List of Contributors
Index
Recenzii
This rich volume introduces the inspiring neologism "visioning" to make the hyphen between Israel-Palestine a sign of bonding and correlation instead of its common perception as a sign of distance and separation. Chapter-by-chapter it brilliantly demonstrates Gil Pasternak's conviction that the arts matter to the future of Israelis and Palestinians - a conviction which I share.
This innovative volume draws on a wide range of aesthetic sources to show how cultural products can review and reframe the Israeli-Palestinian conflict. We can then see that visual art, broadly understood, not only engages past trauma but also opens up possibilities for a more peaceful future.
The title of this remarkable collection telegraphs its fundamental message. A hyphenated "state" (in the sense of an actual condition rather than a political entity) already exists in Israel, Gaza, and the West Bank. This state is a fragmented jigsaw puzzle of cooperation and conflict, inequality and co-presence that eludes all one-sided nationalist narratives, most notably the long-imagined "two state solution" which now belongs in the dustbin of history. Focusing on "cultural products" (images, texts, exhibitions, films, and stories), Visioning Israel-Palestine provides an account of contemporary experiences and encounters that promise to assemble this puzzle as a compellingly legible mosaic.
The refreshing premise of this volume is the recognition that there exists an interculturality within Israeli and Palestinian works of art based on the conflict they share. ... Visioning Israel-Palestine succeeds in making clear that art and culture will remain central in chipping away at the ossified dash that has bound 'Israel' and 'Palestine' in conflict for over half a century.
This innovative volume draws on a wide range of aesthetic sources to show how cultural products can review and reframe the Israeli-Palestinian conflict. We can then see that visual art, broadly understood, not only engages past trauma but also opens up possibilities for a more peaceful future.
The title of this remarkable collection telegraphs its fundamental message. A hyphenated "state" (in the sense of an actual condition rather than a political entity) already exists in Israel, Gaza, and the West Bank. This state is a fragmented jigsaw puzzle of cooperation and conflict, inequality and co-presence that eludes all one-sided nationalist narratives, most notably the long-imagined "two state solution" which now belongs in the dustbin of history. Focusing on "cultural products" (images, texts, exhibitions, films, and stories), Visioning Israel-Palestine provides an account of contemporary experiences and encounters that promise to assemble this puzzle as a compellingly legible mosaic.
The refreshing premise of this volume is the recognition that there exists an interculturality within Israeli and Palestinian works of art based on the conflict they share. ... Visioning Israel-Palestine succeeds in making clear that art and culture will remain central in chipping away at the ossified dash that has bound 'Israel' and 'Palestine' in conflict for over half a century.