Victorian Horace: Classics and Class: Classical Inter/Faces
Autor Stephen Harrisonen Limba Engleză Hardback – iun 2017
The book ends with an epilogue suggesting that the framework of study and reception of a classical author such as Horace, so firmly established in the Victorian era, has been modernised and 'democratised' in recent years, matching the movement of Classics from a discipline which reinforces traditional and conservative social values to one which can be seen as both marginal and liberal.
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Specificații
ISBN-13: 9781472583918
ISBN-10: 1472583914
Pagini: 216
Dimensiuni: 160 x 236 x 20 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Classical Inter/Faces
Locul publicării:London, United Kingdom
ISBN-10: 1472583914
Pagini: 216
Dimensiuni: 160 x 236 x 20 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Classical Inter/Faces
Locul publicării:London, United Kingdom
Cuprins
Series Preface
Preface to the Volume
1. Preliminaries: from English Augustan to Victorian Horace
Introduction: Horace and cultural capital
A case study: 17C and 18C translations
Rochester, Dryden and Pope: versions in context
The Romantics: Byron, Wordsworth, Keats
Horace and the Victorian gentleman
2. Horace in Victorian commentaries, literary criticism, translations
(i)Commentaries
(ii)Literary criticism
(iii)Translations
Martin
Conington
Lytton
Gladstone
Other complete versions
Partial versions
3. Horace and the Victorian Poets I: Tennyson, Arnold, Clough, Fitzgerald
Tennyson
Arnold
Clough
Fitzgerald
4. Horace and the Victorian Poets II: Other Imitations
Horace updated
Horace the Victorian Young Man
Loftier allusions
5. Horace in Victorian fiction
Horace at Athens
Horace and the major Victorian novelists
(i)Charles Dickens
(ii)William Makepeace Thackeray
(iii)George Eliot
(iv)Anthony Trollope
(v)Thomas Hardy
6: Epilogue - modernising Horace
Envoi
Bibliography
Index
Preface to the Volume
1. Preliminaries: from English Augustan to Victorian Horace
Introduction: Horace and cultural capital
A case study: 17C and 18C translations
Rochester, Dryden and Pope: versions in context
The Romantics: Byron, Wordsworth, Keats
Horace and the Victorian gentleman
2. Horace in Victorian commentaries, literary criticism, translations
(i)Commentaries
(ii)Literary criticism
(iii)Translations
Martin
Conington
Lytton
Gladstone
Other complete versions
Partial versions
3. Horace and the Victorian Poets I: Tennyson, Arnold, Clough, Fitzgerald
Tennyson
Arnold
Clough
Fitzgerald
4. Horace and the Victorian Poets II: Other Imitations
Horace updated
Horace the Victorian Young Man
Loftier allusions
5. Horace in Victorian fiction
Horace at Athens
Horace and the major Victorian novelists
(i)Charles Dickens
(ii)William Makepeace Thackeray
(iii)George Eliot
(iv)Anthony Trollope
(v)Thomas Hardy
6: Epilogue - modernising Horace
Envoi
Bibliography
Index
Recenzii
Harrison is perfectly placed to excavate the Horatian artifacts buried in Victorian literature. . [T]he author demonstrates an impressive command of Victorian poetry and fiction, as well as the scholarship on Victorian classical reception. Without doubt, Victorian Horace is a valuable addition to this literature: consistently illuminating on the intricacies of period translations, on the relationship between an original poem and a modem imitation, and on decoding subtle allusions in poetry and prose.
[Harrison] is an erudite and agreeable cicerone who presents the reader with a wide range of responses to Horace over a significant period in the history of classical education.
A thorough and thought-provoking study, concise, well-argued, and full of avenues for further inquiry. Harrison has made another valuable contribution to the field of Horatian studies.
Quoting passages in the original Latin and in translation, this thorough book examines the role of Horace before and after the Victorian period, setting the 19th-century appeal of the ancient poet in a wider cultural context as part of a dialogue down the centuries from 1st-century Rome till now.
The greatest strength of Harrison's book . [is] the carefully collated and sensibly arranged analyses of the interplay between Horatian verse and its Victorian manifestations. He devotes a chapter to an engaging exegesis of Horatian elements in the works of several Victorian poets, including Tennyson, Arnold, Clough, and Fitzgerald.
This is a discussion of the reception of Horace at its very best, astutely combining analysis of Latin poetry with exploration of the literary and social contexts of translation, criticism and the new writing inspired by Horace. Harrison's readings illuminate both the ancient poetry and its modern counterparts, offering in-depth insights into the dynamism and malleability of the cultural capital embedded in Victorian responses to Horace. The book provides a fitting adieu to the Classical Inter/Faces series.
Admirable and exhaustive assemblage of the impact of Horace on poets, novelists, scholars, and readers of the Victorian Age.
[Harrison] is an erudite and agreeable cicerone who presents the reader with a wide range of responses to Horace over a significant period in the history of classical education.
A thorough and thought-provoking study, concise, well-argued, and full of avenues for further inquiry. Harrison has made another valuable contribution to the field of Horatian studies.
Quoting passages in the original Latin and in translation, this thorough book examines the role of Horace before and after the Victorian period, setting the 19th-century appeal of the ancient poet in a wider cultural context as part of a dialogue down the centuries from 1st-century Rome till now.
The greatest strength of Harrison's book . [is] the carefully collated and sensibly arranged analyses of the interplay between Horatian verse and its Victorian manifestations. He devotes a chapter to an engaging exegesis of Horatian elements in the works of several Victorian poets, including Tennyson, Arnold, Clough, and Fitzgerald.
This is a discussion of the reception of Horace at its very best, astutely combining analysis of Latin poetry with exploration of the literary and social contexts of translation, criticism and the new writing inspired by Horace. Harrison's readings illuminate both the ancient poetry and its modern counterparts, offering in-depth insights into the dynamism and malleability of the cultural capital embedded in Victorian responses to Horace. The book provides a fitting adieu to the Classical Inter/Faces series.
Admirable and exhaustive assemblage of the impact of Horace on poets, novelists, scholars, and readers of the Victorian Age.