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Editat de Megan Brown, Helga Lenart-Chengen Limba Engleză Paperback – 26 dec 2025
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Specificații
ISBN-13: 9781032774756
ISBN-10: 1032774754
Pagini: 152
Dimensiuni: 156 x 234 x 9 mm
Greutate: 0.24 kg
Editura: Taylor & Francis Ltd (Sales)
ISBN-10: 1032774754
Pagini: 152
Dimensiuni: 156 x 234 x 9 mm
Greutate: 0.24 kg
Editura: Taylor & Francis Ltd (Sales)
Cuprins
Introduction 1. Resisting Confinement Through Translation: Behrouz Boochani’s No Friend But the Mountains 2. Flawed Border Crossings in Life Writing by Fabienne Kanor and Gisèle Pineau 3. Visual Culture and Diasporic Self -Writing: Wajdi Mouawad Paints His Way Home 4. Archives in Motion: Transitional Sites of Identity in Narratives of Displacement 5. “The Distance … That Had Been Traversed”: Education, Identity, and Public Literacy in Tara Westover’s Educated and Richard Rodriguez’s Hunger of Memory 6. “A Home in My Body”: Migration, Infection, and Privilege in Porochista Khakpour’s Sick 7. Teaching Women’s Auto|Bio Stories: Student Engagement through Creative, Multimodal Storytelling—Fostering Inclusion and Diversity through Transcultural Stories of Migration and Change 8. Loss Made Visible: Women’s Graphic Memoirs and the Boundlessness of Grief
Notă biografică
Megan Brown is Professor of English and Director of Writing at Drake University, where she teaches courses on nonfiction narrative as well as contemporary U.S. literature/cultural studies. She is author of The Cultural Work of Corporations (2009) as well as American Autobiography After 9/11 (2017).
Helga Lenart-Cheng is Professor at Saint Mary’s College of California. Her research focuses on algorithmic storytelling, critical media studies, theories of narrative, subjectivity and memory, phenomenological hermeneutics, and world literature. Her most recent book, Story Revolutions (2022) studies the role of collective storytelling in democracy.
Helga Lenart-Cheng is Professor at Saint Mary’s College of California. Her research focuses on algorithmic storytelling, critical media studies, theories of narrative, subjectivity and memory, phenomenological hermeneutics, and world literature. Her most recent book, Story Revolutions (2022) studies the role of collective storytelling in democracy.