Touched: A Memoir of Child Sexual Abuse and Survival: Writing Lives: Ethnographic Narratives
Autor Ragan Foxen Limba Engleză Paperback – 16 iun 2026
Drawing from personal history and childhood artifacts, this book traces the author’s life from early childhood through early adulthood, mapping the long psychological, interpersonal, and cultural reverberations of child sexual abuse. The memoir situates lived experience within broader discussions of queerness and sexual harm, illuminating how silence, shame, and social stigma shape male survivors’ identities. Structured in four parts and interspersed with poetic interludes and theoretical appendices, Touched examines memory’s ethics, child sexual abuse’s “feel-good paradox,” and the process of translating personal violation into intellectual and creative agency. Fox’s tale demonstrates how confronting one’s own history can transform injury into intervention and fearlessly reclaims narrative power from systems that have long misrepresented or erased the sexual abuse of boys and young men.
Offering insight, validation and healing for those coming to terms with abuse’s aftermath, Touched will resonate with adult readers—especially survivors of child sexual abuse. The book also serves LGBTQ individuals, people working in mental health, and anyone who values honest, transformative memoir.
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Specificații
ISBN-13: 9781041236849
ISBN-10: 1041236840
Pagini: 170
Ilustrații: 10
Dimensiuni: 156 x 234 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Writing Lives: Ethnographic Narratives
Locul publicării:Oxford, United Kingdom
ISBN-10: 1041236840
Pagini: 170
Ilustrații: 10
Dimensiuni: 156 x 234 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Writing Lives: Ethnographic Narratives
Locul publicării:Oxford, United Kingdom
Public țintă
General, Postgraduate, and Undergraduate AdvancedCuprins
ACKNOWLEDGMENTS
INTRODUCTION
SECTION ONE. Touched: transitive verb, to put hands upon, especially to commit violence
CHAPTER ONE. Bateswood
CHAPTER TWO. Vanderpool
CHAPTER THREE. Fleetwood
INTERLUDE. More Tales from Daria Court
SECTION TWO. Touched: adjective, slightly unbalanced mentally
CHAPTER FOUR. Hearthstone
CHAPTER FIVE. Labay
CHAPTER SIX. West Oaks at Cypress Creek
INTERLUDE. Wrong Box, Wrong Body, Wrong Era
INTERLUDE. Fairytales, Part 1: Beware the Witch’s Sugar House
CHAPTER SEVEN. Fairy Tales, Part 2: The Vampire Chronicles
SECTION THREE. Touched: transitive verb, move to sympathetic feeling, to leave a mark or impression on
CHAPTER EIGHT. High Drama on the Northwest Freeway
CHAPTER NINE. Jim’s House in Montrose
CHAPTER TEN. Railyard
INTERLUDE. Skid Marks
INTERLUDE. Castilian Dormitory
CHAPTER ELEVEN. Nob Hill
SECTION FOUR. Touch: noun, a distinctive method of dealing with something
INTERLUDE. Phoenix Rising
CHAPTER TWELVE. Ain’t Nobody’s Biz
INTERLUDE: Grindr
EPILOGUE
APPENDIX A. Reflecting on Method
APPENDIX B. Writing from a Phenomenological Perspective
APPENDIX C. Auditing CSA Memories
APPENDIX D. Theorizing CSA’s Feel-Good Paradox
APPENDIX E. Abuse’s Psychic Inscription
INTRODUCTION
SECTION ONE. Touched: transitive verb, to put hands upon, especially to commit violence
CHAPTER ONE. Bateswood
CHAPTER TWO. Vanderpool
CHAPTER THREE. Fleetwood
INTERLUDE. More Tales from Daria Court
SECTION TWO. Touched: adjective, slightly unbalanced mentally
CHAPTER FOUR. Hearthstone
CHAPTER FIVE. Labay
CHAPTER SIX. West Oaks at Cypress Creek
INTERLUDE. Wrong Box, Wrong Body, Wrong Era
INTERLUDE. Fairytales, Part 1: Beware the Witch’s Sugar House
CHAPTER SEVEN. Fairy Tales, Part 2: The Vampire Chronicles
SECTION THREE. Touched: transitive verb, move to sympathetic feeling, to leave a mark or impression on
CHAPTER EIGHT. High Drama on the Northwest Freeway
CHAPTER NINE. Jim’s House in Montrose
CHAPTER TEN. Railyard
INTERLUDE. Skid Marks
INTERLUDE. Castilian Dormitory
CHAPTER ELEVEN. Nob Hill
SECTION FOUR. Touch: noun, a distinctive method of dealing with something
INTERLUDE. Phoenix Rising
CHAPTER TWELVE. Ain’t Nobody’s Biz
INTERLUDE: Grindr
EPILOGUE
APPENDIX A. Reflecting on Method
APPENDIX B. Writing from a Phenomenological Perspective
APPENDIX C. Auditing CSA Memories
APPENDIX D. Theorizing CSA’s Feel-Good Paradox
APPENDIX E. Abuse’s Psychic Inscription
Notă biografică
Ragan Fox is Professor of Communication Studies at California State University, Long Beach. The poet, scholar, and professor’s published works include Heterophobia (2005), Exile in Gayville (2009), and Inside Reality TV: Producing Race, Gender, and Sexuality on “Big Brother” (2018)—all of which explore queer identity and cultural politics.
Recenzii
After exposing the inner workings of reality television, Ragan Fox now turns the magnifying glass inward in this part-memoir, part “dirty autoethnography,” examining his childhood sexual abuse with unflinching honesty. In Touched, he transforms experiences long kept silent—especially for boys and queer children—into an emotionally searing and intellectually rigorous narrative.
In this book that is hard to put down, Fox crafts language to articulate a silenced and unspeakable past. He confronts the “feel-good paradox” of childhood sexual abuse, the myths that distort memory, and the subtle ways trauma inscribes itself onto the body. His writing moves with lyrical precision and emotional depth, showing how a child’s attempts to understand violation can echo across a lifetime.
This is a memoir of rare courage and craft—one that expands the complicated work of surviving. It is also a striking example of autoethnography, showcasing vivid dialogue, thick description, lively characters, and a gripping narrative arc. Fox demonstrates how telling one’s own story becomes not only a method, but a powerful act of reclamation. Readers who enter these pages will leave with a deeper sense of what courageous, authentic storytelling can open in all of us.
Sarah J. Tracy, Professor of Qualitative Methodology and Organizational Communication, Arizona State University
I'm sure that someone, somewhere, will call this a memoir, that it will be shelved snug alongside other penned snippets of lives lived. But Touched so easily blazes beyond the mundane. This is a harrowing chronicle of the ways abuse numbs, shatters, and blindly rebuilds and rebuilds a semblance of child. It is driven by a fierce, audaciously unleashed lyric, a meld of poetry and terror that will make a reader throw the words across a room, against a wall, away from whatever renders them real. With this driven and singular take on a story too often shadowed and shamed, Fox is unswerving in his determination to assure that it finds root in the very bodies of those who read it, and that it ultimately unreels from the realm of survival.
Patricia Smith, National Book Award–winning author of The Intentions of Thunder: New and Selected Poems and Pulitzer Prize finalist for Incendiary Art
Touched places its readers at the site of trauma and then, through careful and compelling storytelling, delivers them to the wisdom found through years of self-reflection and living. As both an artist and a scholar, Fox draws from an arsenal of literary and methodological resources to guide us on the journey. Touched is not a neat memoir or a predictable approach to child sexual assault. Fox dissects not only what happened to him but also how culture expects such a tale be told. He calls it dirty autoethnography, writing about the self to understand culture and all the messiness that entails. His approach is poetic, vulnerable, and defiant. It is a revelation.
Tracy Stephenson Shaffer, Professor Emerita of Communication Studies, Louisiana State University
In this book that is hard to put down, Fox crafts language to articulate a silenced and unspeakable past. He confronts the “feel-good paradox” of childhood sexual abuse, the myths that distort memory, and the subtle ways trauma inscribes itself onto the body. His writing moves with lyrical precision and emotional depth, showing how a child’s attempts to understand violation can echo across a lifetime.
This is a memoir of rare courage and craft—one that expands the complicated work of surviving. It is also a striking example of autoethnography, showcasing vivid dialogue, thick description, lively characters, and a gripping narrative arc. Fox demonstrates how telling one’s own story becomes not only a method, but a powerful act of reclamation. Readers who enter these pages will leave with a deeper sense of what courageous, authentic storytelling can open in all of us.
Sarah J. Tracy, Professor of Qualitative Methodology and Organizational Communication, Arizona State University
I'm sure that someone, somewhere, will call this a memoir, that it will be shelved snug alongside other penned snippets of lives lived. But Touched so easily blazes beyond the mundane. This is a harrowing chronicle of the ways abuse numbs, shatters, and blindly rebuilds and rebuilds a semblance of child. It is driven by a fierce, audaciously unleashed lyric, a meld of poetry and terror that will make a reader throw the words across a room, against a wall, away from whatever renders them real. With this driven and singular take on a story too often shadowed and shamed, Fox is unswerving in his determination to assure that it finds root in the very bodies of those who read it, and that it ultimately unreels from the realm of survival.
Patricia Smith, National Book Award–winning author of The Intentions of Thunder: New and Selected Poems and Pulitzer Prize finalist for Incendiary Art
Touched places its readers at the site of trauma and then, through careful and compelling storytelling, delivers them to the wisdom found through years of self-reflection and living. As both an artist and a scholar, Fox draws from an arsenal of literary and methodological resources to guide us on the journey. Touched is not a neat memoir or a predictable approach to child sexual assault. Fox dissects not only what happened to him but also how culture expects such a tale be told. He calls it dirty autoethnography, writing about the self to understand culture and all the messiness that entails. His approach is poetic, vulnerable, and defiant. It is a revelation.
Tracy Stephenson Shaffer, Professor Emerita of Communication Studies, Louisiana State University
Descriere
Touched: A Memoir of Child Sexual Abuse and Survival chronicles one man’s experience with sexual abuse and his lifelong journey toward healing and self-understanding. Blending memoir and critical theory, Fox invites readers to rethink how we understand harm, memory, childhood, and queerness.