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To Hear Her Speak: Black Women and Shakespeare: Medieval and Renaissance Texts and Studies, cartea 595

Editat de Patricia Akhimie
en Limba Engleză Hardback – 19 sep 2026
Recovers a previously hidden theater and performance history of Black women engaging with Shakespeare as actors, playwrights, costume designers, and directors.
This catalog documents and expands on the Folger Institute’s 2026 exhibition To Hear Her Speak: Black Women and Shakespeare, curated by Dr. Patricia Akhimie, the Director of the Folger Institute and an internationally recognized scholar in the field of premodern critical race studies. To Hear Her Speak explores the presence of Black women in the early modern world, the histories of Black women in Shakespearean performance both on and off stage, and how Black women as writers, thinkers, and artists have utilized Shakespeare's language, forms, stories, and characters for their own purposes and to diverse ends. Akhimie shares how these women, their histories, and their cultures are represented (and misrepresented) through the eyes of early modern European artists and writers, and allows readers to listen for and learn from the voices of Black women in a wide variety of forms of expression.
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Specificații

ISBN-13: 9780866989817
ISBN-10: 0866989811
Pagini: 384
Ilustrații: 150 halftones
Dimensiuni: 229 x 305 mm
Greutate: 0.45 kg
Editura: ACMRS Press
Colecția ACMRS Press
Seria Medieval and Renaissance Texts and Studies


Notă biografică

Patricia Akhimie curated the exhibit To Hear Her Speak: Black Women and Shakespeare. She is director of The Folger Institute in Washington, DC, and associate professor of English at Rutgers University-Newark. She serves on the executive board of RaceB4Race and is director of the RaceB4Race Mentorship Network. She is the author of Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World, whichhas been profiled as one of the books that “binds the field together” in Shakespeare Quarterly.

Cuprins

Foreword, Farah Karim-Cooper

Introductions
1. Ethiopes and Pearls, Black Women in Shakespeare, Patricia Akhimie
2. Against Elision: Joining Expertise to Turn from Object to Visitor, Verónica E. Betancourt

Part I. Mapping the Presence of Black Women in the Early Modern World
3. Black Women in Early Modern London: The Agas Map, Rebecca Adusei
4. It’s a Small World: Costume Books, Caroline Duroselle Melish
5. Mapping Margins: Early Modern Atlases and Black Women’s Bodies, Maria Maza
6. Flexing/New Realm: Figuring Black Women in Early Modern Europe, Verónica E. Betancourt

Part II. Shakespeare, Sugar, Slavery: 1620-1820
7. The Fitzherbert First Folio and Turner’s Hall Plantation, Patricia Akhimie and Patricia Lott
8. Phyllis Wheatley’s Copybook, Patricia Lott and Patricia Akhimie
9. Sugar and Abolition, Tricia Matthew
10. The Politics of Paleness, Ashley Buchanan

Part III. Taking the Stage
11. Jet, Ebony, and Tan: Black Performance and the Black Press, Atesede Makonnen
12. Queen’s Breakthrough: Diana Sands as Lady Macbeth and Cleopatra, Shanelle E. Kim
13. From Good Times to Macbeth: Esther Rolle Across American Stage and Screen, Cen Liu
14. The Afrofuturist Costumes of Melissa Simon Hartman, Patricia Lott and Patricia Akhimie
15. Unsung Black Women of the Federal Theatre and the “Voodoo” Macbeth, Anna Kutter
16. I Never Liked Shakespeare: Black Girlhood and Archival Silence, Shanelle E. Kim

Part IV. Black Thought
*17. Ida B and Lady M, Atesede Makonnen
18. Anna Julia Cooper, Dunbar High School, and Shakespeare as Racial Uplift, Anna Kutter
19. Winner, Winner: Frances DeBerry Takes the Stage, Shanelle E. Kim
20. “When in disgrace with fortune and men’s eyes”: Maya Angelou’s Sonnet 29, Kim F. Hall
21. Embracing the Stars: Lorraine Hansberry on Shakespeare, Tapiwa Gambara

Part V. Epilogue: Lost Things
22. 1622: The Blacke Lady and Early Modern Black Ladies, a lost play, Brandi K. Adams
23. 1821: The African Company’s Richard III, a lost playbill, Joyce Green MacDonald
24.1911: Henrietta Vinton Davis’s Book of Recitations, a lost textbook, Kim F. Hall
25. 1953: Toni Morrison and the Howard Players in Richard III, a lost broadcast, Dalton Greene
26. 1989: MC Lyte and Lauren Hill in Club XII, a lost hip hop musical, Cen Liu