Title and Deed: Oberon Modern Plays
Autor Will Enoen Limba Engleză Paperback – 5 mar 2012
Title and Deed is a provocative new work by Pulitzer Prize finalist and Horton Foote Prize winner Will Eno.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 75.97 lei 3-5 săpt. | |
| Samuel French, Inc. – 19 mai 2015 | 75.97 lei 3-5 săpt. | |
| Bloomsbury Publishing – 5 mar 2012 | 80.77 lei 6-8 săpt. |
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Preț estimativ în valută:
14.28€ • 16.84$ • 12.48£
14.28€ • 16.84$ • 12.48£
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Specificații
ISBN-13: 9781849434805
ISBN-10: 1849434808
Pagini: 68
Dimensiuni: 130 x 210 x 4 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1849434808
Pagini: 68
Dimensiuni: 130 x 210 x 4 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays
Locul publicării:London, United Kingdom
Recenzii
The piece proves to be an always fascinating and surprisingly moving 70 minutes of theater - What emerges from his humorous, sometimes stream-of-conscious patter is a heartfelt exploration of the transience of everything in this life, from words themselves to relationships to our very existence.
A wonderfully wry and genuinely poetic send-up of the banality of corporate and political speak.
Eno channels Beckett madly and reverently (but not too reverently) adds a dollop of his own out-of-kilter language, and comes up with 70 mournfully comic minutes that are also mundane and terrifying - [A] devastating monologue.
A haunting and often fiercely funny meditation on life as a state of permanent exile... The marvel of Mr. Eno's voice is how naturally it combines a carefully sculptured lyricism with sly, poker-faced humor. Everyday phrases and familiar platitudes - "Don't ever change", "Who knows" - are turned inside out or twisted into blunt, unexpected punch lines punctuating long rhapsodic passages that leave you happily word-drunk.
A wonderfully wry and genuinely poetic send-up of the banality of corporate and political speak.
Eno channels Beckett madly and reverently (but not too reverently) adds a dollop of his own out-of-kilter language, and comes up with 70 mournfully comic minutes that are also mundane and terrifying - [A] devastating monologue.
A haunting and often fiercely funny meditation on life as a state of permanent exile... The marvel of Mr. Eno's voice is how naturally it combines a carefully sculptured lyricism with sly, poker-faced humor. Everyday phrases and familiar platitudes - "Don't ever change", "Who knows" - are turned inside out or twisted into blunt, unexpected punch lines punctuating long rhapsodic passages that leave you happily word-drunk.