Time's Arrow
Autor Martin Amisen Limba Engleză Paperback – 27 apr 2027
"The narrative moves with irresistible momentum.... [Amis is] a daring, exacting writer willing to defy the odds in pursuit of his art."--Newsday
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Specificații
ISBN-13: 9781250404954
ISBN-10: 1250404959
Pagini: 192
Dimensiuni: 137 x 210 x 25 mm
Greutate: 0.45 kg
Editura: Picador USA
ISBN-10: 1250404959
Pagini: 192
Dimensiuni: 137 x 210 x 25 mm
Greutate: 0.45 kg
Editura: Picador USA
Descriere
Descriere de la o altă ediție sau format:
"A novel that seems to have been written with the term 'tour de force' in mind . . . Amis's radical rethinking of time . . . brings the abomination of the Holocaust home to the jaded late-20th-century reader in a way that few conventional novels could". Village Voice Literary Supplement. "Splendid . . . bold . . . gripping from start to finish".--Los Angeles Times Book Review.
"A novel that seems to have been written with the term 'tour de force' in mind . . . Amis's radical rethinking of time . . . brings the abomination of the Holocaust home to the jaded late-20th-century reader in a way that few conventional novels could". Village Voice Literary Supplement. "Splendid . . . bold . . . gripping from start to finish".--Los Angeles Times Book Review.
Notă biografică
Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century - in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience - he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.