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Theatre Things: Material Theories and Histories

Editat de Andrew Friedman, Eero Laine
en Limba Engleză Paperback – oct 2026
Theatre Things: Material Theories and Histories considers key theatrical objects through a comparative approach, examining the uses and histories of different parts of the theatre throughout time and across culture and geography. The ten “theatre things” at the heart of the book are: entrances, tickets, programs, concessions, seats, lights, curtains, stages, trapdoors, and exits. For every object, three different scholars offer short chapters that examine it from different angles across eras, places, and performance traditions to result in a set of diverse and provocative accounts of the many ways objects have functioned throughout theatre history. Written in an accessible style, the book draws on real examples from theatre history around the world to reveal that even the smallest details—where you sit, how the lights shift, what the program says—carry meaning. Whether you’re a regular theatregoer or a curious fan, Theatre Things offers a fresh way to look at the spaces and objects that shape every night at the theatre—and makes them feel newly interesting long after the curtain call.
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Specificații

ISBN-13: 9780472058266
ISBN-10: 0472058266
Pagini: 368
Dimensiuni: 152 x 229 mm
Greutate: 0.45 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press

Notă biografică

Andrew Friedman is Associate Professor in the Department of Theatre and Dance and Associate Dean of the College of Fine Arts at Ball State University. 
Eero Laine is Associate Professor in the Department of Theatre and Dance at the University of Buffalo, State University of New York. 

Cuprins

Table of Contents

Acknowledgements
Introduction: Theatre Things
Andrew Friedman and Eero Laine
ENTRANCES
La sensación de colectivo en plazas y calles: Entering Public Spaces in Latin America:
Ana Martínez
“There’s a White Man at the Door!”: On Entrances and Staging A Raisin in the Sun
Isaiah Matthew Wooden
Dead, Undead, and Not-Yet-Dead Ghosts: A Study of Stage Entrance of Classical Chinese Theatre
Daphne P. Lei
TICKETS
The Ticket and the Circuit of Capital
Michael Shane Boyle and Alessandro Simari
Whose Ticket Is It Anyway?
Jashodhara Sen
Ticket Histories
Derek Miller
CONCESSIONS
Concessions, Ephemera, and Souvenirs
Michelle Liu Carriger
Immersive Imbibing
Chloë Rae Edmonson
Intertheatrical Things
Kellen Hoxworth
PROGRAMS
Archiving Programs
Victoria Wiet
The Headshot
Brian Eugenio Herrera
Reading Programs Infrastructurally
Jasmine Mahmoud
SEATS
The Seat and Its Body: A Brief Material History
SAJ
The Trouble with Comfort: The Theatre Seat and Engaged Viewership
Jessica Nakamura
Using and Misusing the Seat
Claire Warden
LIGHTS
And Now, A Light Story
Felipe Cervera
Well-Traveled Spotlights
Tarryn Li-Min Chun
The Work Light
Christin Essin
CURTAINS
To Raise or not to Raise the Curtain: The Quandaries of Stage Curtains on the Egyptian Pre-Modern Stage
Dina Amin
Curtains Up (or Down)
Marvin Carlson
Curtains for You
David Savran
STAGES
Celebrity Stages
Danielle Bainbridge
The Stage on Stage
Lindsay Goss
Being Moved on the Stage
Kee-Yoon Nahm
TRAPDOORS
What Lies Beneath: Opening the Trapdoors of Theatrical Melodrama
Michael D’Alessandro
Box of Breaths: The Trapdoor within the Limits of Representation
Sozita Goudouna
The Trick of the Trapdoor, or Is this Trapdoor a Rectum?
Patricia Ybarra
EXITS
Exit (and Entrance)
Leo Cabranes-Grant
Heading for the Exit; or, Mr. Pence Goes to Broadway
Andrew Goldberg
Emergency Exit! The Power of the Metaphor
Analola Santana and Claudio Valdés Kuri

Hautboys: A Coda
Andrew Sofer
Bibliography

Recenzii

“Andrew Friedman and Eero Laine have brought together an impressive group of emerging and leading theatre and performance studies scholars. This book is remarkably sound and elegantly written, with chapters that reflect the authors’ deep, and often playful, engagement with ‘theatre things.’ Recentering the conversation about theatrical objects on human behaviors by asking ‘how can theatre things help audiences make meaning?’ Theatre Things invites readers to rethink the theatregoing experience.”

“Finally, theatre things get their own book-length study! Andrew Friedman and Eero Laine have brought together a stunning contributor list comprising some of our field's foundational scholars and most exciting new voices. Each case study contributes in surprising and unique ways to ongoing conversations about the materiality of the theatre and the phenomenology of objects.”

Theatre Things offers pithy, poignant investigations into myriad objects that accompany spectators through a performance. The program, actors’ headshots, the seat upholstery, the concessions for sale, and more, contribute tangible effects to the meaning-making magic of performance’s ephemerality. A revelatory, teachable examination of our transformative contact with performance’s ‘stuff.”’

Theatre Things provides students with a lively and accessible introduction to the theatre historian’s craft, featuring contributions from many of the field’s leading voices. This thoughtfully curated collection expands the boundaries of theatre history, moving beyond plays, players, and playhouses to consider the objects, large and small, from which the theatrical experience is constructed.”