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Theatre Studies: The Basics de Robert Leach

Theatre Studies: The Basics: The Basics

Autor Robert Leach, Sophie Stringfellow
en Limba Engleză Hardback – 7 dec 2026
Now in a third edition, Theatre Studies: The Basics is an incisive guide to contemporary theatre studies. The practical and theoretical dimensions of theatre – from acting to audience – are woven together throughout to provide an integrated introduction to the study of drama, theatre and performance. Topics covered include:
  • dramatic genres, from tragedy to political documentary
  • theories of performance
  • the history of the theatre in the West
  • developments in digital theatre
  • how to analyse a performance
  • acting, directing and scenography
With a glossary, chapter summaries and suggestions for further reading throughout, Theatre Studies: The Basics remains the ideal starting point for anyone new to the subject.
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Specificații

ISBN-13: 9781041033479
ISBN-10: 1041033478
Pagini: 242
Dimensiuni: 129 x 198 mm
Ediția:3
Editura: Taylor & Francis
Colecția Routledge
Seria The Basics

Locul publicării:Oxford, United Kingdom

Public țintă

Undergraduate Core

Cuprins

 1. Performance 2. The Text 3. Dramatic Form 4. Theatre and History 5. Acting 6. Directing 7. Scenography 8. The Audience

Notă biografică

Robert Leach is a writer and theatre director who has taught drama at the Universities of Birmingham and Edinburgh. His books include Makers of Modern Theatre (Routledge, 2004) and Theatre Workshop: Joan Littlewood and The Making of Modern British Theatre (University of Exeter Press, 2006).
Sophie Stringfellow is a lecturer in drama at the University of the West of England. She has published a chapter on 'Ghosting in James's The Tragic Muse' in The Routledge Companion to Theatre-Fiction (Routledge, 2023) and is currently a reviewer in the area of pre-1950s drama for the Year's Work in English Studies.

Descriere

Theatre Studies: The Basics, now in its 3rd edition provides a comprehensive yet accessible exploration of both practical theatre-making and critical performance theories, now expanded with contemporary digital and sociocultural perspectives.