The Weathering
Autor Artem Chapeye Traducere de Daisy Gibbonsen Limba Engleză Paperback – 14 apr 2026
As they contend with the aftermath of an earth-shattering event that they didn’t witness, the couple is must align themselves with the rest of the survivors to retain their humanity and forge a new world in the ashes of the old. As award-winning author Kalani Pickhart (I Will Die in a Foreign Land) says, The Weathering is “[a]n empathetic, emotionally raw account that is as darkly humorous as it is horrific, [and] balances the universality of humankind’s survival in a post-apocalyptic world through a uniquely Ukrainian perspective.”
As in Ling Ma’s Severance and Emily Mandel’s Station Eleven, the survivors must seek ways to retain their humanity and help to build a new world in a post-apocalyptic dystopia.
Will the couple be able to survive, make alliances with others, and give birth to a new generation? Will the insidiousness of human nature manifest itself in this new, post-apocalyptic world? Filled with beautifully melancholic and black humor, The Weathering becomes a kind of study of behavior in critical situations when everything that once seemed stable falls apart.
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Specificații
ISBN-13: 9781644215463
ISBN-10: 1644215462
Pagini: 212
Dimensiuni: 140 x 206 x 18 mm
Greutate: 0.23 kg
Editura: Seven Stories Press
ISBN-10: 1644215462
Pagini: 212
Dimensiuni: 140 x 206 x 18 mm
Greutate: 0.23 kg
Editura: Seven Stories Press
Notă biografică
An author of both creative nonfiction and popular fiction, ARTEM CHAPEYE was born and raised in the small Western Ukrainian city of Kolomyia and has spent much of the last twenty years living in Kyiv. He is the author of two novels and four books of creative nonfiction in Ukrainian, is a co-author of a book of war reportage, and has four-times been a finalist of the BBC Book of the Year Award. The title story of his recent collection The Ukraine (Seven Stories Press; January 2024) was excerpted in The New Yorker and received high praise. Artem is an avid traveler who spent close to two years living, working, and traveling in the U.S. and Central America—an experience that has greatly informed his writing. His work has been translated into seven languages and has appeared in English in the Best European Fiction anthology and in publications such as Refugees Worldwide, translated by Marian Schwartz. Artem is a past recipient of the Central European Initiative Fellowship for Writers in Residence (Slovenia) and the Paul Celan Fellowship for Translators (Austria), as well as a finalist of the Kurt Schork Award in International Journalism. He serves on the board of PEN Ukraine. He has been a soldier in the Ukrainian army since the early days of the full-scale Russian invasion.
DAISY GIBBONS is a literary translator from Ukrainian into English. A graduate of Cambridge University’s Slavonic Department, she took up translation and interpreting while living in Kyiv. She translates contemporary and classic Ukrainian literature and drama, and has been awarded prizes from the Ukrainian Institute in London for her work. She has translated works by Lesia Ukrainka, Sofia Andrukhovych, Victoria Amelina, Artem Chapeye, Artem Chekh, Tamara Duda, Oleg Sentsov, Olena Stiazhkina, Oksana Lutsyshyna, Irena Karpa, among others. Extracts of her work and short pieces have been published by The Guardian, Harper’s magazine, Vanity Fair, and The New York Times. She now spends her time between Oxford and Ukraine.
DAISY GIBBONS is a literary translator from Ukrainian into English. A graduate of Cambridge University’s Slavonic Department, she took up translation and interpreting while living in Kyiv. She translates contemporary and classic Ukrainian literature and drama, and has been awarded prizes from the Ukrainian Institute in London for her work. She has translated works by Lesia Ukrainka, Sofia Andrukhovych, Victoria Amelina, Artem Chapeye, Artem Chekh, Tamara Duda, Oleg Sentsov, Olena Stiazhkina, Oksana Lutsyshyna, Irena Karpa, among others. Extracts of her work and short pieces have been published by The Guardian, Harper’s magazine, Vanity Fair, and The New York Times. She now spends her time between Oxford and Ukraine.
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After a young couple return from their summer in the Carpathian Mountains in Ukraine, they discover that the world as they once knew it no longer exists. Survivors are forced to adapt to the harsh conditions of their new reality: a place where erosion floats in on a breeze and ceasing to exist comes with a deceptively joyous capitulation. Overcoming deeply rooted fears, they try to forge another world, uniting with those who continue to fight the darker urges that can emerge when a society must rebuild. Will the couple be able to survive, make alliances with others, and give birth to a new generation? Will the insidiousness of human nature manifest itself in this new, post-apocalyptic world? Filled with beautifully melancholic and black humour, The Weathering becomes a kind of study of behaviour in critical situations when everything that once seemed stable falls apart.
After a young couple return from their summer in the Carpathian Mountains in Ukraine, they discover that the world as they once knew it no longer exists. Survivors are forced to adapt to the harsh conditions of their new reality: a place where erosion floats in on a breeze and ceasing to exist comes with a deceptively joyous capitulation. Overcoming deeply rooted fears, they try to forge another world, uniting with those who continue to fight the darker urges that can emerge when a society must rebuild. Will the couple be able to survive, make alliances with others, and give birth to a new generation? Will the insidiousness of human nature manifest itself in this new, post-apocalyptic world? Filled with beautifully melancholic and black humour, The Weathering becomes a kind of study of behaviour in critical situations when everything that once seemed stable falls apart.