The Vagabond
Autor Colette Traducere de Belinda Jacken Limba Engleză Paperback – 4 iun 2026
""The Vagabond, " one of the first and best feminist novels ever written, is that rare thing: a great book which is also inspiring," declared Erica Jong. This vivid portrait of life in the Parisian music halls of the early twentieth century was drawn from the author's personal experiences. Colette's 1910 novel mirrors her own adventures as an itinerantdancer as well as herstruggles to maintain a balance betweensocial respectability and artistic freedom. This edition features an authoritative new translation of her story as well as an informative Introduction by Stanley Appelbaum."
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (4) | 38.84 lei 23-29 zile | +17.44 lei 7-11 zile |
| OUP OXFORD – 11 sep 2025 | 38.84 lei 23-29 zile | +17.44 lei 7-11 zile |
| Dover Publications – 31 mar 2010 | 59.85 lei 3-4 săpt. | +25.19 lei 7-11 zile |
| Farrar Straus Giroux – 31 aug 2001 | 101.59 lei 3-5 săpt. | |
| Penguin Books – 4 iun 2026 | 75.09 lei Precomandă |
Preț: 75.09 lei
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Specificații
ISBN-13: 9780241574720
ISBN-10: 0241574722
Pagini: 208
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.2 kg
Editura: Penguin Books
Colecția Penguin Classics
ISBN-10: 0241574722
Pagini: 208
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.2 kg
Editura: Penguin Books
Colecția Penguin Classics
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Descriere
Descriere de la o altă ediție sau format:
'Nothing is real except the dance, the light, the freedom, the music.'Colette's semi-autobiographical novel The Vagabond (1910) follows thirty-three-year-old Renée Néré as she embarks on a stage career after a divorce from philandering ex-husband, painter Adolphe Taillandy. Unlike the earlier Claudine series, which began as a collaboration between Colette and her first husband, Colette worked alone on The Vagabond to create a leading lady navigating the Parisian working world on her own terms. The music hall performers are Renée's familiars and confidants, her fellow vagabonds; for the first time, the reader is offered a look behind the scenes from a woman's perspective, a view enabled by Colette's own simultaneous experience as writer and dancer. Unambiguously feminist and unabashedly sensual, The Vagabond established Colette as a serious novelist, showcasing her talent as an observer of the natural world and a painter of the beauty of the human form.Frances Egan's new translation provides a fresh take on Colette's voice, offering a highly readable text which pulls readers into Renée's world, while preserving as much of the original context as possible to bring Paris, the music hall, and its crew of vagabonds, to life. Attention is paid to Colette's depiction of class, race, and gender. Helen Southworth's in-depth introduction places the book in the context of Colette's life, offers background on Belle Epoque theatre and feminisms, and traces its reception and its importance to readers from Colette's time to our own. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around theglobe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of othervaluable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies forfurther study, and much more.
'Nothing is real except the dance, the light, the freedom, the music.'Colette's semi-autobiographical novel The Vagabond (1910) follows thirty-three-year-old Renée Néré as she embarks on a stage career after a divorce from philandering ex-husband, painter Adolphe Taillandy. Unlike the earlier Claudine series, which began as a collaboration between Colette and her first husband, Colette worked alone on The Vagabond to create a leading lady navigating the Parisian working world on her own terms. The music hall performers are Renée's familiars and confidants, her fellow vagabonds; for the first time, the reader is offered a look behind the scenes from a woman's perspective, a view enabled by Colette's own simultaneous experience as writer and dancer. Unambiguously feminist and unabashedly sensual, The Vagabond established Colette as a serious novelist, showcasing her talent as an observer of the natural world and a painter of the beauty of the human form.Frances Egan's new translation provides a fresh take on Colette's voice, offering a highly readable text which pulls readers into Renée's world, while preserving as much of the original context as possible to bring Paris, the music hall, and its crew of vagabonds, to life. Attention is paid to Colette's depiction of class, race, and gender. Helen Southworth's in-depth introduction places the book in the context of Colette's life, offers background on Belle Epoque theatre and feminisms, and traces its reception and its importance to readers from Colette's time to our own. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around theglobe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of othervaluable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies forfurther study, and much more.
Notă biografică
Frances Egan is a translator and lecturer in the School of Languages, Literatures, Cultures and Linguistics at Monash University. She has published widely on representations of gender, culture and feminism in the French and Francophone context.Helen Southworth is a professor in the English Department at the University of Oregon. She is the co-founder of the digital initiative the Modernist Archives Publishing Project or MAPP. Her areas of expertise include modernism, comparative literature, Virginia Woolf, life-writing and archives. She is the author of The Intersecting Realities and Fictions of Virginia Woolf and Colette (2004) and Fresca: A Life in the Making (2017).