The Uncapturable: The Fleeting Art of Theatre: Theatre Makers
Traducere de William Gregory Autor Rubén Szuchmacheren Limba Engleză Hardback – 3 sep 2020
Szuchmacher defines theatre as the confluence of four art forms - architecture, visual art, sound and literature - whose works only truly exist in the moment of encounter with an audience. He argues that, by taking full account of these four art forms, analysing them in detail and engaging thoughtfully with the many specialists who come together to bring a mise en scène into being, the director of today can still create work that innovates and inspires.
The Uncapturable is as valuable to the apprentice director emerging from their training as it is to the veteran in need of fresh reflection. Szuchmacher draws on the unique learnings gleaned from working in Argentina, be it the impact on theatre of politics, the need for inventiveness in times of hardship, the phenomenon of Argentine 'circus theatre' or the adaptation of literary giants such as Borges, affording the Anglophone reader an alternative perspective on the ideas of theatre we often take for granted.
Szuchmacher offers a unique blend of global knowledge, historical awareness and a pragmatic, resourceful and creative approach from a theatre artist working in Latin American through decades of change.
The book is translated from the Spanish by William Gregory.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 157.53 lei 22-36 zile | |
| Bloomsbury Publishing – 3 sep 2020 | 157.53 lei 22-36 zile | |
| Hardback (1) | 476.20 lei 43-57 zile | +68.54 lei 6-12 zile |
| Bloomsbury Publishing – 3 sep 2020 | 476.20 lei 43-57 zile | +68.54 lei 6-12 zile |
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Specificații
ISBN-13: 9781350138858
ISBN-10: 1350138851
Pagini: 136
Dimensiuni: 138 x 216 x 14 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theatre Makers
Locul publicării:London, United Kingdom
ISBN-10: 1350138851
Pagini: 136
Dimensiuni: 138 x 216 x 14 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theatre Makers
Locul publicării:London, United Kingdom
Cuprins
Introduction
Object and Action (1 & 2)
Part One
The Arts in the Mise en Scène
Architecture
The Historical Features of Spaces
The Shape of Space
The Effective Space
Visual Art
The Awareness of the Eye
The Visual and its Costs
The Eye of the Beholder
Sound Art
How Long Does Something Last?
Music
Sound versus Noise
Acoustic Sound and Amplified Sound
Voices
Literature
Words
Language
The Hypothesis of Performance
Texts to be Read and Texts to be Heard
Text Analysis
Part Two
The Place of the Director
Who Directs?
The Uncapturable (1 and 2)
The Director's Word
Teamwork
The Director and their Place as Spectator
Danger in the Performing Arts
Questions
Simultaneity
Art or Entertainment
Tours and Transfers
Actors at the Centre of the System
The Arbitrary and the Law
Friction
Acknowledgements
Object and Action (1 & 2)
Part One
The Arts in the Mise en Scène
Architecture
The Historical Features of Spaces
The Shape of Space
The Effective Space
Visual Art
The Awareness of the Eye
The Visual and its Costs
The Eye of the Beholder
Sound Art
How Long Does Something Last?
Music
Sound versus Noise
Acoustic Sound and Amplified Sound
Voices
Literature
Words
Language
The Hypothesis of Performance
Texts to be Read and Texts to be Heard
Text Analysis
Part Two
The Place of the Director
Who Directs?
The Uncapturable (1 and 2)
The Director's Word
Teamwork
The Director and their Place as Spectator
Danger in the Performing Arts
Questions
Simultaneity
Art or Entertainment
Tours and Transfers
Actors at the Centre of the System
The Arbitrary and the Law
Friction
Acknowledgements
Recenzii
For over fifty years actor-director Rubén Szuchmacher has been one of the best kept secrets in Latin American theatre. Here, in his acclaimed first book, he provides a series of shrewd reflections on theatre and the ways in which its mysteries come into being in the presence of the audience. The poetics of space, the logic of time and the relationship between mise en scène and direction are all explored with clarity and vigour. The Uncapturable is an erudite, lively and highly readable book about the hows and the whys of theatre-making, drawing on Szuchmacher's lived experience of training generations of actors, directors, teachers and programmers in Argentina.