This book demonstrates, in part through a history of emotions, how assumptions and prejudices about queer lives were challenged throughout the decade through the deceptively prosaic medium of television. Passion and disgust neatly outline the contours of the gay community’s press for equal rights at the dawn of the 1980s, just as fear and anxiety encapsulate the inchoate reactions to the emerging epidemic and the simultaneous explorations of privacy that were initiated by the onslaught of television as technology. While queer people anguished over their very survival and over the indifference of many to their situation, hope surfaced as a cause and potential treatments for HIV emerged and as the Supreme Court decided to make its first direct ruling on gay rights in a generation. When that latter hope was dashed by the Hardwick decision, the anger of gay rights advocates was trebled as they massed for the national March on Washington in homage to the 1963 March on Washington for Jobs and Freedom that lent its key political organizing and messaging tactics to it. With the realization that progress would then be slow and all-consuming, a desperation to change queer lives was enjoined by a determination to do so in the most visible ways possible, through television.