The Prosthetic Imagination
Autor Peter Boxallen Limba Engleză Paperback – 29 mai 2025
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 167.47 lei 6-8 săpt. | +0.00 lei 7-13 zile |
| Cambridge University Press – 29 mai 2025 | 167.47 lei 6-8 săpt. | +0.00 lei 7-13 zile |
| Hardback (1) | 324.38 lei 3-5 săpt. | |
| Cambridge University Press – 2 sep 2020 | 324.38 lei 3-5 săpt. |
Preț: 167.47 lei
Puncte Express: 251
Preț estimativ în valută:
29.66€ • 34.64$ • 25.76£
29.66€ • 34.64$ • 25.76£
Carte tipărită la comandă
Livrare economică 21 februarie-07 martie
Livrare express 17-23 ianuarie pentru 336.11 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781108819121
ISBN-10: 1108819125
Pagini: 423
Dimensiuni: 152 x 229 x 22 mm
Greutate: 0.56 kg
Editura: Cambridge University Press
ISBN-10: 1108819125
Pagini: 423
Dimensiuni: 152 x 229 x 22 mm
Greutate: 0.56 kg
Editura: Cambridge University Press
Cuprins
Introduction. Mimesis and prosthesis; Part I. The Body and the Early Modern State: From More to Cavendish: 1. Fiction, the body and the state; Part II. The Colonial Body: From Behn to Goethe: 2. Economies of scale from Aphra Behn to Sarah Scott; 3. Organic aesthetics from Richardson to Goethe; Part III. The Manufactured Body: From Wollstonecraft to Stoker: 4. The dead hand: realism and biomaterial in the nineteenth-century novel; 5. Strange affinity: Gothic prosthetics from Shelley to Stoker; Part IV. The Modernist Body: From James to Beckett: 6. A duplication of consciousness: realism, modernism and prosthetic self-fashioning; 7. All twined together: prosthetic modernism from Proust to Beckett; Part V. The Posthuman Body: From Orwell to Atwood: 8. Prosthetics and simulacra: the postmodern novel; 9. Prosthetic worlds in the twenty-first-century novel.
Recenzii
'The Prosthetic Imagination is at once a majestic work of literary history and a formidable work of conceptual criticism. Through readings that display striking range and agility, Peter Boxall reconstructs the formal and historical development of the novel as the development of artificial life. Moving from More to Beckett, from Cervantes to Bolaño, this book delineates a remarkable genealogy for the interrelation of prosthetics and novelistic aesthetics, showing how fiction's philosophical entanglements with the body have informed its conditions of possibility.' David James, University of Birmingham
'This is a dazzling study of the prosthetic imagination in prose fiction, the logic which does not refer to the world but produces it. Boxall's thesis entails an entire re-reading of the novel's history as well as the abandonment of realist criteria. Biotechnology and the idea of replacement, the 'seam' that connects imagination to its material extension, shape the novel from the start, from More to Modernism, from Cervantes to Eliot. The wonderful juxtapositions, More and Asimov, Hobbes and Timothy Clark, Goethe and Kleist, Dickens and Agambon, constantly surprise. Central to this study is a brilliant reading of the hand and its social and biological roles. Just as certainly as the prosthetic affirms the novel's artificial life, so it brings death into the fictional world.' Isobel Armstrong, University of London
'The Prosthetic Imagination is a major book: it does nothing less than to rewrite Erich Auerbach's Mimesis as an epic struggle between consciousness that materializes as information and material that resists that transformation. By thus reframing the history of the novel in terms of the changing relation between prothesis and mimesis, this account does what none other has - which is to reveal, in an extraordinary range of novels, the dialectical potential that pushes past the juncture where thought materializes in and as the world. Boxall has convinced me that we are seeing now nothing less than a shift from material embodiment to information as the basis of 'shared being' – a shift which requires 'a different universe of thought'.' Nancy Armstrong, Duke University
'In The Prosthetic Imagination Boxall … reveals his impressive breadth of acquaintance with novels, from Thomas More's Utopia (1516) to books of the 21st century.' G. W. Clift, Choice
'Peter Boxall's rich and often exhilarating The Prosthetic Imagination offers an ambitious theory of the novel as well as a wide-ranging (if largely AngloAmerican) history of it, from Thomas More to Don DeLillo … a tour de force.' Ian Duncan, Modern Philology
'This is a dazzling study of the prosthetic imagination in prose fiction, the logic which does not refer to the world but produces it. Boxall's thesis entails an entire re-reading of the novel's history as well as the abandonment of realist criteria. Biotechnology and the idea of replacement, the 'seam' that connects imagination to its material extension, shape the novel from the start, from More to Modernism, from Cervantes to Eliot. The wonderful juxtapositions, More and Asimov, Hobbes and Timothy Clark, Goethe and Kleist, Dickens and Agambon, constantly surprise. Central to this study is a brilliant reading of the hand and its social and biological roles. Just as certainly as the prosthetic affirms the novel's artificial life, so it brings death into the fictional world.' Isobel Armstrong, University of London
'The Prosthetic Imagination is a major book: it does nothing less than to rewrite Erich Auerbach's Mimesis as an epic struggle between consciousness that materializes as information and material that resists that transformation. By thus reframing the history of the novel in terms of the changing relation between prothesis and mimesis, this account does what none other has - which is to reveal, in an extraordinary range of novels, the dialectical potential that pushes past the juncture where thought materializes in and as the world. Boxall has convinced me that we are seeing now nothing less than a shift from material embodiment to information as the basis of 'shared being' – a shift which requires 'a different universe of thought'.' Nancy Armstrong, Duke University
'In The Prosthetic Imagination Boxall … reveals his impressive breadth of acquaintance with novels, from Thomas More's Utopia (1516) to books of the 21st century.' G. W. Clift, Choice
'Peter Boxall's rich and often exhilarating The Prosthetic Imagination offers an ambitious theory of the novel as well as a wide-ranging (if largely AngloAmerican) history of it, from Thomas More to Don DeLillo … a tour de force.' Ian Duncan, Modern Philology