The Professor Was a Thief: Stories from the Golden Age
Autor L. Ron Hubbard Jim Meskimen, Bob Casoen Limba Engleză CD-Audio – 30 iun 2009 – vârsta de la 10 până la 14 ani
Din seria Stories from the Golden Age
- 22%
Preț: 90.52 lei - 22%
Preț: 90.60 lei - 22%
Preț: 90.60 lei - 22%
Preț: 90.60 lei - 22%
Preț: 90.60 lei - 22%
Preț: 90.40 lei - 22%
Preț: 90.40 lei - 22%
Preț: 90.12 lei - 22%
Preț: 90.40 lei - 22%
Preț: 90.40 lei - 22%
Preț: 90.40 lei - 22%
Preț: 90.60 lei - 22%
Preț: 90.12 lei - 22%
Preț: 90.40 lei - 22%
Preț: 90.70 lei - 22%
Preț: 90.40 lei - 22%
Preț: 90.30 lei - 22%
Preț: 90.12 lei - 22%
Preț: 90.60 lei -
Preț: 105.77 lei -
Preț: 105.77 lei -
Preț: 74.07 lei
Preț: 90.40 lei
Preț vechi: 116.34 lei
-22%
Puncte Express: 136
Disponibil
Livrare economică 29 iunie-13 iulie
Livrare prin curier în România Termenul estimat este afișat lângă disponibilitate.
Transport gratuit de la 400.00 lei Plată online sau ramburs, în funcție de opțiunile comenzii.
Retur gratuit în 14 zile Comandă securizată și suport în română.
Specificații
ISBN-13: 9781592123247
ISBN-10: 1592123244
Dimensiuni: 138 x 145 x 15 mm
Greutate: 0.13 kg
Editura: Galaxy Press (CA)
Seria Stories from the Golden Age
ISBN-10: 1592123244
Dimensiuni: 138 x 145 x 15 mm
Greutate: 0.13 kg
Editura: Galaxy Press (CA)
Seria Stories from the Golden Age
Descriere
Descriere de la o altă ediție sau format:
The Empire State Building has vanished into thin air! Gone, too, are Grant’s Tomb and Grand Central Station, and all hell is breaking loose in New York City! One grizzled old newspaper reporter known simply as Pop—a role made for Walter Matthau—is on top of it . . . and better stay there, because his livelihood is on the line. If Pop fails to get to the bottom of the vanishing landmarks, his job will disappear as well, not to mention the fate of Earth's remaining landmarks and the missing people within.
Battle of the Wizards: When the natives of planet Deltoid refuse to grant mining rights to the Galactic Council, and invasion by force is impossible, a Battle of Wizards is the only option. An epic battle between science and magic unfolds with an entire planet hanging in the balance.
“A biting sci-fi satire.” —JG
Dangerous Dimension: A mathematics professor who discovers an equation that enables him to teleport anywhere he can imagine … even if he doesn’t want to go.
By the spring of 1938, L. Ron Hubbard’s stature as a writer was well established. As author and critic Robert Silverberg puts it: he had become a “master of the art of narrative.” Hubbard’s editors urged him to apply his gift for succinct characterization, original plot, deft pacing and imaginative action to a genre that was new, and essentially foreign, to him—science fiction and fantasy. The rest is Sci-Fi history.
The Empire State Building has vanished into thin air! Gone, too, are Grant’s Tomb and Grand Central Station, and all hell is breaking loose in New York City! One grizzled old newspaper reporter known simply as Pop—a role made for Walter Matthau—is on top of it . . . and better stay there, because his livelihood is on the line. If Pop fails to get to the bottom of the vanishing landmarks, his job will disappear as well, not to mention the fate of Earth's remaining landmarks and the missing people within.
Battle of the Wizards: When the natives of planet Deltoid refuse to grant mining rights to the Galactic Council, and invasion by force is impossible, a Battle of Wizards is the only option. An epic battle between science and magic unfolds with an entire planet hanging in the balance.
“A biting sci-fi satire.” —JG
Dangerous Dimension: A mathematics professor who discovers an equation that enables him to teleport anywhere he can imagine … even if he doesn’t want to go.
By the spring of 1938, L. Ron Hubbard’s stature as a writer was well established. As author and critic Robert Silverberg puts it: he had become a “master of the art of narrative.” Hubbard’s editors urged him to apply his gift for succinct characterization, original plot, deft pacing and imaginative action to a genre that was new, and essentially foreign, to him—science fiction and fantasy. The rest is Sci-Fi history.