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The New Negro: Black Narratives

Autor Alain Locke
en Limba Engleză Hardback – 24 mar 2021
The New Negro (1925) is an anthology by Alain Locke. Expanded from a March issue of Survey Graphic magazine, The New Negro compiles writing from such figures as Countee Cullen, Langston Hughes, Zora Neale Hurston, Jean Toomer, and Locke himself. Recognized as a foundational text of the Harlem Renaissance, the collection is organized around Locke's writing on the function of art in reorganizing the conception of African American life and culture. Through self-understanding, creation, and independence, Locke's New Negro came to represent a break from an inhumane past, a means toward meaningful change for a people held down for far too long. "[F]or generations in the mind of America, the Negro has been more of a formula than a human being-a something to be argued about, condemned or defended, to be 'kept down,' or 'in his place,' or 'helped up,' to be worried with or worried over, harassed or patronized, a social bogey or a social burden." Identifying the representation of black Americans in the national imaginary as oppressive in nature, Locke suggests a way forward through his theory of the New Negro, who "wishes to be known for what he is, even in his faults and shortcomings, and scorns a craven and precarious survival at the price of seeming to be what he is not." Throughout The New Negro, leading artists and intellectuals of the Harlem Renaissance offer their unique visions of who and what they are; voicing their concerns, portraying injustice, and illuminating the black experience, they provide a holistic vision of self-expression in all of its colors and forms. This edition of Alain Locke's The New Negro is a classic of African American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
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Specificații

ISBN-13: 9781513208657
ISBN-10: 1513208659
Pagini: 364
Dimensiuni: 132 x 209 x 25 mm
Greutate: 0.53 kg
Editura: Mint Editions
Colecția Black Narratives
Seria Black Narratives


Notă biografică

Alain Locke (1885-1954) was an African American philosopher, scholar, educator, and patron of the arts. Born in Philadelphia, Locke was raised the only child of Pliny Ishmael and Mary Locke. His father was the first black employee of the United States Postal Service, and his mother was a teacher. He excelled at Central High School before enrolling at Harvard University in 1907, where he was made a member of the Phi Beta Kappa Society, was awarded the Bowdoin prize, and became the first African American recipient of the prestigious Rhodes Scholarship. He attended Hertford College at Oxford, overcoming several rejections from other schools attached to the university to study literature, philosophy, Greek, and Latin. After four years as an assistant professor at Howard University, Locke returned to Harvard to complete his doctoral dissertation on the nature of social values. Back at Howard, he worked as the chair of the philosophy department and advocated for equal pay for black and white faculty, which ultimately led to his dismissal in 1925. That same year, he expanded an issue of Survey Graphic, a sociopolitical magazine, into The New Negro, a groundbreaking anthology of writing from Countee Cullen, Langston Hughes, Zora Neale Hurston, Jean Toomer, and himself. The New Negro would become a foundational text of the Harlem Renaissance, establishing Locke's reputation as a leading voice on African American arts and culture and a figurehead of the movement. He regained his position at Howard University in 1928, teaching generations of philosophy students until his retirement in 1953. Due to his race and homosexuality, Locke has been long overlooked by scholars and the public at large.


Descriere

Descriere de la o altă ediție sau format:
'We have to-morrowBright before usLike a flame'The New Negro: An Interpretation is a multidisciplinary anthology of poetry, fiction, essays, criticism, art, and philosophy woven together into a seamless statement of Black agency in the arts and humanities that became, upon its publication in 1925, an instant publishing success. Edited by Alain Locke, a man known as the father of the Harlem Renaissance, the text is a powerful, provocative, and affecting anthology of writers who shaped the Harlem Renaissance movement and who help us to consider the evolution of the African American in society. With works by Black voices such as Zora Neale Hurston, Countee Cullen, and W. E. B. DuBois, Locke constructed a vivid look at the changing African American, finding their place in the ever shifting sociocultural landscape that was 1920s America. With an introduction from Jeffrey C. Stewart, leading biographer of Locke, this collection explores the literary strength as well as the historical context of a monumental and fascinating time in the history of America.

Cuprins

  • Introduction
  • Note on the Text
  • Select Bibliography
  • Chronology
  • The New Negro
  • Part I: The Negro Renaissance
  • Part II: The New Negro in a New World
  • Explanatory Notes