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The Man-Made World de Charlotte Perkins Gilman

The Man-Made World

Autor Charlotte Perkins Gilman
en Limba Engleză Paperback

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For anyone who cares about a more fair-minded society where every individual can flourish, The Man-Made World; or, Our Androcentric Culture proves to be an inspirational volume.

In this probing critique of "androcentric culture," pioneering feminist Charlotte Perkins Gilman (The Yellow Wallpaper, Herland) analyzes with wit and insight the many negative effects of male domination, not only on women in particular but on the welfare of the human race as a whole. Society's long history of male hegemony and female subservience has not enhanced the natural qualities of the human race but rather distorted them, says Gilman, as can be seen in many of society's institutions. In separate chapters she discusses family, art, literature, games and sports, ethics and religion, education, fashion, law and government, crime and punishment, politics and warfare, and industry and economics. In each case she shows how the domineering male influence has caused grievous problems.

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Specificații

ISBN-13: 9781548138332
ISBN-10: 1548138339
Pagini: 210
Dimensiuni: 152 x 229 x 12 mm
Greutate: 0.31 kg

Notă biografică

Charlotte Perkins Gilman was an American writer, lecturer, social critic, and feminist thinker whose work helped shape modern discussions of women's labour, domestic life, economic dependence, mental health, gender roles, and social reform. Born in 1860, Gilman became one of the most influential feminist intellectuals of the late nineteenth and early twentieth centuries. Her nonfiction study Women and Economics argued that women's social and economic dependence was not natural but produced by social arrangements, domestic convention, and restricted access to meaningful public work. Her fiction often gave imaginative form to those arguments.Gilman is best known today for The Yellow Wallpaper, one of the most important American short stories about women's confinement, medical authority, and mental distress, but Herland is equally central to her legacy. First published in The Forerunner, the magazine she wrote and edited, the novel uses utopian fiction to test assumptions about gender, motherhood, education, work, violence, and civilisation. Her writing remains important to readers of feminist literature, American realism and reform fiction, early science fiction, utopian literature, women's studies, and recovered classics by women writers.