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The Blacker the Berry

Autor Wallace Thurman Introducere de Kaitlyn Greenidge
en Limba Engleză Paperback – 17 apr 2025
A groundbreaking, yet controversial novel of the Harlem Renaissance about a young, dark-skinned Black woman reckoning with colorism as she navigates 1920s Harlem, reissued and repackaged for the Herald Classics line. Emma Lou Morgan’s dark complexion is a source of sorrow and humiliation—not only to herself, but also to her lighter-skinned family members and the white community of her hometown, Boise, Idaho. Hoping to find a safe haven, Emma travels to New York’s Harlem, the Black Mecca of the 1920s. Wallace Thurman brings to life this legendary time and place in rich detail, describing Emma’s visits to nightclubs, dance halls, and house-rent parties, her sex life and catastrophic love affairs, her dreams and her disillusions—and the momentous decision she makes to survive. A lost classic of Black American literature, The Blacker the Berry is a compelling portrait of the destructive depth of intra-racial bias in the Black community.
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Paperback (9) 4810 lei  3-5 săpt. +1077 lei  6-12 zile
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  Dover Publications – 30 apr 2008 5724 lei  3-5 săpt.
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  Important Books – 16 iul 2013 7860 lei  39-44 zile
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  Mint Editions – 29 aug 2023 14320 lei  6-8 săpt.
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Specificații

ISBN-13: 9781454960157
ISBN-10: 1454960159
Pagini: 240
Dimensiuni: 134 x 208 x 18 mm
Greutate: 0.37 kg
Editura: Little Brown
Colecția Union Square & Co.
Locul publicării:London, United Kingdom

Notă biografică

WALLACE THURMAN (1902 - 1934) was a Black novelist and figure of the Harlem Renaissance. Born in Salt Lake City, Thurman was a lifelong reader and writer who completed his first novel at ten and read the likes of Shakespeare, Havelock Ellis, and Charles Baudeliare. Moving to Harlem at the height of the Renaissance, Thurman had his hand in multiple literary productions such as The Messenger, World Tomorrow, and Fire!!!. A strong critic of the New Negro movement, Thurman found himself a part of the “Niggerati”—a group of Black artists and intellectuals who wanted to use their art to showcase African-American life as it authentically was whether good or bad—firmly against appealing to the Black middle class or the white gaze. Becoming one of the first Black readers at a major New York publishing house and experiencing prejudice on both sides of the color line, he felt moved to write The Blacker the Berry: A Novel of Negro Life and three years later, Infants of Spring. Said by Langston Hughes to be, "...a strangely brilliant black boy, who had read everything and whose critical mind could find something wrong with everything he read,” Thurman was a complex and important voice in the Harlem Renaissance.

Cuprins

Part I: Emma Lou Part II: Harlem
Part III: Alva
Part IV: Rent Party
Part V: Pyrrhic Victory



Textul de pe ultima copertă

"The tragedy of her life was that she was too black," declares the narrator at the start of this powerful novel of intraracial prejudice. Emma Lou Morgan lives in a world of scorn and shame, not because her skin is black, but because it's too black. No one among her family, teachers, and friends has a word of consolation or hope for the despised and rejected girl. With nothing to lose, eighteen-year-old Emma Lou leaves her home in Idaho, seeking love and acceptance on a journey that ultimately leads her to the legendary community of the Harlem Renaissance.
A source of controversy upon its 1929 publication, The Blacker the Berry was the first novel to openly address color prejudice among black Americans. Author Wallace Thurman, an active member of the Harlem Renaissance, vividly recaptures the era's mood and spirit. His portrait of a young woman adrift in the city forms an enduringly relevant reflection of the search for racial, sexual, and cultural identity.
Dover (2008) unabridged republication of the edition published by The Macauley Company, New York, 1929.