The Artificial Silk Girl: Penguin Modern Classics
Autor Irmgard Keun Traducere de Kathie von Ankumen Limba Engleză Paperback – 28 mar 2019
Doris is going to be a big star. Wearing a stolen fur coat and recently fired from her office job, she takes an all-night train to Berlin to make it in the movies. But what she encounters in the city is not fame and fortune, but gnawing hunger, seedy bars, and exploitative men - and as Doris sinks ever lower, she resorts to desperate measures to survive. Very funny and intensely moving, this is a dazzling portrait of roaring Berlin in the 1920s, and a poignant exploration of the doomed pursuit of fame and glamour.
The Artificial Silk Girl was a huge bestseller in Weimar Germany before the Nazis banned it, and is today Keun's best-loved book in Germany. Funny, fresh and radical in its dissection of the limited options available to working women, it is a novel that speaks to our times.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 52.77 lei 21-33 zile | +0.00 lei 6-12 zile |
| Penguin Books – 28 mar 2019 | 52.77 lei 21-33 zile | +0.00 lei 6-12 zile |
| Paperback (1) | 105.56 lei 3-5 săpt. | |
| Other Press (NY) – 31 mai 2011 | 105.56 lei 3-5 săpt. |
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Specificații
ISBN-13: 9780241382967
ISBN-10: 0241382963
Pagini: 160
Dimensiuni: 125 x 196 x 12 mm
Greutate: 0.13 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
ISBN-10: 0241382963
Pagini: 160
Dimensiuni: 125 x 196 x 12 mm
Greutate: 0.13 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Locul publicării:London, United Kingdom
Notă biografică
Irmgard Keun was born in Berlin in 1905 and found instant success with her novels Gilgi (1931) and The Artificial Silk Girl (1932). Everything changed in 1933 when the Nazis blacklisted her and destroyed her books; in response, she attempted to sue the Gestapo for loss of earnings. She left Germany (and her husband) in 1936 and lived in exile in Europe, where she wrote Child of All Nations (1936) and After Midnight (1937). She sneaked back into Germany in 1940 under a false name and spent the rest of the war in Cologne. In later years, she wrote for magazines and radio and raised a daughter alone. She died in 1982.
Recenzii
Just now I want to tell everyone about Irmgard Keun ... A great writer
Keun has few rivals - I can think of none - as a chronicler of the ambience or the consequences of the rise of Nazism
The Artificial Silk Girl follows Doris into the underbelly of a city that had once seemed all glamour and promise ... Kathie von Ankum's English translation will bring this masterwork to the foreground once more, giving a new generation the chance to discover Keun for themselves
Damned by the Nazis, hailed by the feminists ... a truly charming window into a young woman's life in the early 1930s
A young girl navigates interwar German society and the expectations - or lack thereof - placed upon women, in this poignant, melancholy novel ... This heartbreaking story of dashed hopes is one that still has the power to affect and inspire
Keun has few rivals - I can think of none - as a chronicler of the ambience or the consequences of the rise of Nazism
The Artificial Silk Girl follows Doris into the underbelly of a city that had once seemed all glamour and promise ... Kathie von Ankum's English translation will bring this masterwork to the foreground once more, giving a new generation the chance to discover Keun for themselves
Damned by the Nazis, hailed by the feminists ... a truly charming window into a young woman's life in the early 1930s
A young girl navigates interwar German society and the expectations - or lack thereof - placed upon women, in this poignant, melancholy novel ... This heartbreaking story of dashed hopes is one that still has the power to affect and inspire
Extras
It was a dark morning and I saw his face in bed, and it made me feel angry and disgusted. Sleeping with a stranger you don’t care about makes a woman bad. You have to know what you’re doing it for. Money or love.
So I left. It was five in the morning. The air was white and cold and wet like a sheet on the laundry line. Where was I to go? I had to wander around the park with the swans, who have small eyes and long necks that they use to dislike people. I can understand them but I don’t like
them either, despite the fact that they are alive and that you should take pity on them. Everyone had left me. I spent several cold hours and felt like I had been buried in a cemetery on a rainy fall day. But it wasn’t raining or else I would have stayed under a roof, because of the fur coat.
I look so elegant in that fur. It’s like an unusual man who makes me beautiful through his love for me. I’m sure it used to belong to a fat lady with a lot of money—unfairly. It smells from checks and Deutsche Bank. But my skin is stronger. It smells of me now and Chypre—which is me, since Käsemann gave me three bottles of it. The coat wants me and I want it. We have each other.
And so I went to see Therese. She also realized that I have to flee, because flight is an erotic word for her. She gave me her savings. Dear God, I swear to you, I will return it to her with diamonds and all the good fortune in the world.
So I left. It was five in the morning. The air was white and cold and wet like a sheet on the laundry line. Where was I to go? I had to wander around the park with the swans, who have small eyes and long necks that they use to dislike people. I can understand them but I don’t like
them either, despite the fact that they are alive and that you should take pity on them. Everyone had left me. I spent several cold hours and felt like I had been buried in a cemetery on a rainy fall day. But it wasn’t raining or else I would have stayed under a roof, because of the fur coat.
I look so elegant in that fur. It’s like an unusual man who makes me beautiful through his love for me. I’m sure it used to belong to a fat lady with a lot of money—unfairly. It smells from checks and Deutsche Bank. But my skin is stronger. It smells of me now and Chypre—which is me, since Käsemann gave me three bottles of it. The coat wants me and I want it. We have each other.
And so I went to see Therese. She also realized that I have to flee, because flight is an erotic word for her. She gave me her savings. Dear God, I swear to you, I will return it to her with diamonds and all the good fortune in the world.