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The Akathistos Hymnos and Intermedial Compositional Processes in Later Byzantium de Jon C. Cubas Díaz

The Akathistos Hymnos and Intermedial Compositional Processes in Later Byzantium: New Approaches to Byzantine History and Culture

Editat de Jon C. Cubas Díaz
en Limba Engleză Hardback – 29 mar 2025
This book explores intermedial compositional processes in later Byzantium, building on the Akathistos Hymnos. The relationship between the hymn’s text, music, and illustrations has yet to be explored in detail. The contributions here argue that these painted cycles should be studied as a result of interaction between hymnography, psalmody, and visual art, not just as mere illustration of text. Highlighting illuminated and notated manuscript copies of the hymn as evidence for varied liturgical and devotional practices, they examine how icons and murals based on the Akathistos functioned as constituent elements of sacred space. Focusing on intermediality, this book helps bridge methodological gaps between scholarly approaches to medieval culture.
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Specificații

ISBN-13: 9783031627873
ISBN-10: 3031627873
Pagini: 416
Ilustrații: Approx. 310 p. 70 illus. in color.
Dimensiuni: 153 x 216 x 27 mm
Greutate: 0.65 kg
Ediția:2024
Editura: Springer International Publishing
Seria New Approaches to Byzantine History and Culture

Locul publicării:Cham, Switzerland

Cuprins

1. Sung, Written and Painted. Approaching Intermediality and the Akathistos Narratives - Jon C. Cubas Díaz .- 2. The Akathistos Aniconically - Thomas Arentzen .- 3. Georgi Parpulov, The Manuscript Tradition of the Akathistos Hymn - Georgi Parpulov .- 4. The Musical Traditions of the Kontakia, the Akathistos and the Development of the Oikematarion - Christian Troelsgård .- 5. The Akathistos Hymn in Byzantine Hymnography and Psalmody. Intermedial Compositional Aspects within the canon «Ἀνοίξω τὸ στόµα µου» and the Liturgical Rite of the Ἀκολουθία τοῦ Ἀκαθίστου Ὕµνου - Manolis Ulbricht .- 6. When Iconography and Typika Meet: Performing the Akathistos Hymnos in Time and Space - Evangelia Spyrakou .- 7. Building Sound Spheres - Spaces of Acoustic Experince in Byzantine Churches - Friederike Kranig .- 8. A Song of Victory on the Eve of the Fall: Re-Framing the Akathistos Escurialensis - Manuel Castiñeiras .- 9. The Politics of Narrativity in the Akathistos Cycleat Dečani Monastery - Nicole P. Sullo .- 10. From Liturgy to Private Piety. The Akathistos Hymn in Moldavia at the turn of the 16th and 17th centuries - Oana Iacubovschi .- 11. St Maximus the Greek and the Reflection of Akathistos Hymn in his Works - Neža Zajc .- 12. The Akathistos Hymn and its Visual Rendering in Venetian Crete - Guoda Gediminskaitė .- 13. The Akathist Hymn in the Monastery of St. John Lampadistes in Kalopanagiotes - Ioannis Eliades .- 14. Charalampos Chotzakoglou, Iconographic, Liturgical, and Dogmatic Aspects of the Akathistos’ Representations in Latin-occupied Cyprus.

Notă biografică

Jon C. Cubas Díaz is Lecturer at the University of Göttingen, Germany. He previously held teaching and research positions at the University of Heidelberg and the University of Rostock.

Textul de pe ultima copertă

This book explores intermedial compositional processes in later Byzantium, building on the Akathistos Hymnos. The relationship between the hymn’s text, music, and illustrations has yet to be explored in detail. The contributions here argue that these painted cycles should be studied as a result of interaction between hymnography, psalmody, and visual art, not just as mere illustration of text. Highlighting illuminated and notated manuscript copies of the hymn as evidence for varied liturgical and devotional practices, they examine how icons and murals based on the Akathistos functioned as constituent elements of sacred space. Focusing on intermediality, this book helps bridge methodological gaps between scholarly approaches to medieval culture.
Jon C. Cubas Díaz is Lecturer at the University of Göttingen, Germany. He previously held teaching and research positions at the University of Heidelberg and the University of Rostock.

Caracteristici

Explores cultural production based on the Akathistos Hymn in late Byzantine culture Adopts an intermedial approach, considering writing, painting, music, and architecture in tandem Places painted cycles in the context of late Byzantine devotional practices