Television Performance
Editat de James Walters, Lucy Fife Donaldson Contribuţii de Jonathan Bignell, Tom Brown, Sarah Cardwell, Alex Clayton, Dr Amy Holdsworth, Simone Knox, Elliott Logan, Professor Karen Lury, James Zborowski, Lydia Buckingham, Gary Cassidy, Timotheus Vermeulenen Limba Engleză Hardback – 19 aug 2019
Opening out new pathways for inquiry and investigation, this book is an important touchstone for undergraduate and postgraduate students of television, media and theatre studies with an interest in the work of actors and non-actors on screen.
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Specificații
ISBN-13: 9781137608208
ISBN-10: 113760820X
Pagini: 262
Dimensiuni: 148 x 218 x 22 mm
Greutate: 0.48 kg
Ediția:1st ed. 2019
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 113760820X
Pagini: 262
Dimensiuni: 148 x 218 x 22 mm
Greutate: 0.48 kg
Ediția:1st ed. 2019
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Cuprins
Critical Introduction, Lucy Fife Donaldson & James Walters
Section One: Performance and television form
1.In small packages: Particularities of performance in dramatic episodic series, Sarah Cardwell
2.The performing lives of things: Animals, puppets, models and effects, Jonathan Bignell
3.The enduring act: Performance and achievement in long television,James Walters
4.Faces of allegiance in Homeland: Performance and the provisional in serial television drama, Elliott Logan
Section Two:Television performance and collaboration
5.Approaching performance in contemporary Coronation Street (1960), James Zborowski
6.Don't Curb Your Enthusiasm: visible bonhomie and the ontology of improvisational comedy,Tom Brown
7.Tears, Tantrums and Television Performance, Amy Holdsworth and Karen Lury
8.Comedy, performance and the panel show, Alex Clayton
Section Three: The television performer
9.An actor diversifies: A diachronic examination of the work and career of Tony Curran, Gary Cassidy and Simone Knox
10.The same, but different: adjustment and accumulation in television performance, Lucy Fife Donaldson
11.Analyzing Aniston: Tonal complexity and the non-comedic approaches to sitcom performance, Lydia Buckingham
12.Soft upper lip - Coach's facial expressions in Friday Night Lights,Timotheus Vermeulen.
Section One: Performance and television form
1.In small packages: Particularities of performance in dramatic episodic series, Sarah Cardwell
2.The performing lives of things: Animals, puppets, models and effects, Jonathan Bignell
3.The enduring act: Performance and achievement in long television,James Walters
4.Faces of allegiance in Homeland: Performance and the provisional in serial television drama, Elliott Logan
Section Two:Television performance and collaboration
5.Approaching performance in contemporary Coronation Street (1960), James Zborowski
6.Don't Curb Your Enthusiasm: visible bonhomie and the ontology of improvisational comedy,Tom Brown
7.Tears, Tantrums and Television Performance, Amy Holdsworth and Karen Lury
8.Comedy, performance and the panel show, Alex Clayton
Section Three: The television performer
9.An actor diversifies: A diachronic examination of the work and career of Tony Curran, Gary Cassidy and Simone Knox
10.The same, but different: adjustment and accumulation in television performance, Lucy Fife Donaldson
11.Analyzing Aniston: Tonal complexity and the non-comedic approaches to sitcom performance, Lydia Buckingham
12.Soft upper lip - Coach's facial expressions in Friday Night Lights,Timotheus Vermeulen.
Recenzii
An interesting and original collection of essays around the neglected topic of performance on television. I know of no other text that covers the topic in such a comprehensive way.
This collection makes a valuable contribution in a rapidly expanding and underexplored field. It repurposes diverse theories from areas such as film acting and non-fiction broadcasting to carry out a number of innovative and original close studies of television performance across a range of examples.
This collection makes a valuable contribution in a rapidly expanding and underexplored field. It repurposes diverse theories from areas such as film acting and non-fiction broadcasting to carry out a number of innovative and original close studies of television performance across a range of examples.