Supplanting the Postmodern
Editat de David Rudrum, Nicholas Stavrisen Limba Engleză Hardback – 24 sep 2015
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Specificații
ISBN-13: 9781501306877
ISBN-10: 1501306871
Pagini: 402
Ilustrații: black & white illustrations
Dimensiuni: 157 x 235 x 26 mm
Greutate: 0.73 kg
Editura: BLOOMSBURY 3PL
Locul publicării:New York, United States
ISBN-10: 1501306871
Pagini: 402
Ilustrații: black & white illustrations
Dimensiuni: 157 x 235 x 26 mm
Greutate: 0.73 kg
Editura: BLOOMSBURY 3PL
Locul publicării:New York, United States
Caracteristici
Easy to use two-part structure: the first part looks at discussions surrounding the end of postmodernism; the second part looks one by one at possible successor terms
Notă biografică
David Rudrum is Senior Lecturer in English at the University of Huddersfield, UK. He is the author of Stanley Cavell and the Claim of Literature (2013) and the editor of Literature and Philosophy: A Guide to Contemporary Debates (2006).Nicholas Stavris is a PhD student at the University of Huddersfield, UK, where he is writing a thesis on the legacy of postmodernism in contemporary fiction.
Cuprins
IntroductionPart One: The Sense of an Ending"Epilogue: The Postmodern - In Retrospect""Gone Forever But Here To Stay: The Legacy of the Postmodern" Linda Hutcheon"Beyond Postmodernism: Toward an Aesthetic of Trust"Ihab Hassan"Postmodernism Grown Old" Steven Connor"The Death of Postmodernism and Beyond"Alan Kirby"They Might Have Been Giants" John McGowanFrom Post-Postmodernism, or, The Cultural Logic of Just-in-Time CapitalismJeffrey Nealon Part Two: Coming to Terms with the NewRemodernism Billy Childish and Charles Thomson, "The Stuckist Manifesto"Billy Childish and Charles Thomson, "Remodernism"PerformatismRaoul Eshelman, "Introduction"Raoul Eshelman, "Performatism, or the End of Postmodernism (American Beauty)"HypermodernismGilles Lipovetsky, from "Time Against Time, or The Hypermodern Society"AutomodernismRobert Samuels, "Auto-modernity after Postmodernism: Autonomy and Automation in Culture, Technology, and Education"RenewalismNeil Brooks and Josh Toth, "Introduction: A Wake and Renewed?"Josh Toth, from The Passing of Postmodernism: A Spectroanalysis of the Contemporary AltermodernismNicolas Bourriaud, The Altermodern ManifestoNicolas Bourriaud, "Altermodern"DigimodernismAlan Kirby, from Digimodernism: How New Technologies Dismantle the Postmodern and Reconfigure our Culture MetamodernismTimotheus Vermeulen and Robin van den Akker, "Notes on Metamodernism"Conclusions"Note on the Supplanting of 'Post-'"David Rudrum"The Anxieties of the Present"Nicholas StavrisBibliographyIndex
Recenzii
I'm more than happy to see the postmodern supplanted. It's time!
Rudrum and Stavris have put together a fascinating collection of speculations, arguments, and manifestos that engage in very different ways with the question of postmodernism's demise. That this question is shown to involve asking whether there actually is or was a single cultural tendency that can be labelled "postmodernism", or whether its aftermath can be similarly labelled by a single term, is a sign of the editors' own open-minded (postmodern?) approach.
It may well be, as the editors suggest, that postmodernism was the last time we looked coherent enough to oppose ourselves. If so, then Supplanting the Postmodern provides the dual service of recalling, as postmodernism becomes forgettable, its inescapability, while doing away with all efforts to prolong it. I have difficulty imagining serious aesthetic discussion apart from the background this book provides.
A useful collection of writings, helpfully designed to make students think about contemporary cultural dynamics.
Rudrum and Stavris have put together a fascinating collection of speculations, arguments, and manifestos that engage in very different ways with the question of postmodernism's demise. That this question is shown to involve asking whether there actually is or was a single cultural tendency that can be labelled "postmodernism", or whether its aftermath can be similarly labelled by a single term, is a sign of the editors' own open-minded (postmodern?) approach.
It may well be, as the editors suggest, that postmodernism was the last time we looked coherent enough to oppose ourselves. If so, then Supplanting the Postmodern provides the dual service of recalling, as postmodernism becomes forgettable, its inescapability, while doing away with all efforts to prolong it. I have difficulty imagining serious aesthetic discussion apart from the background this book provides.
A useful collection of writings, helpfully designed to make students think about contemporary cultural dynamics.