Staging Shakespeare
Autor Brian Kulicken Limba Engleză Paperback – 26 aug 2021
This is the central question of this book. It grows out of decades of preparing for Shakespeare productions and watching others do the same. It will save you some of the panic, wasted time, and fruitless paths experienced. It guides you through the crucial period of preparation and helps focus on such issues as:
· What Shakespeare's life, work, and world can tell us
· What patterns to look for in the text
· What techniques might help unpack Shakespeare's verse
· What approaches might unlock certain hidden meanings
· What literary lenses might bring things into sharper focus
· What secondary sources might lead to a broader contextual understanding
· What thought experiments might aid in visualizing the play
Ultimately, this book draws back the curtain and shows how the antique machinery of Shakespeare's theatre works. The imaginative time span begins from the moment you learn that on such and such date you will begin rehearsing such and such Shakespeare play. Our narrative clock starts ticking the moment you put down the phone and stops when you arrive at the rehearsal hall and begin your first table read. So much of what will be the success or failure of a director's project rests on this work that is done before rehearsals even begin.
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Specificații
ISBN-13: 9781350201026
ISBN-10: 1350201022
Pagini: 232
Ilustrații: 18 bw illus
Dimensiuni: 156 x 232 x 18 mm
Greutate: 0.38 kg
Editura: BLOOMSBURY ACADEMIC
Locul publicării:London, United Kingdom
ISBN-10: 1350201022
Pagini: 232
Ilustrații: 18 bw illus
Dimensiuni: 156 x 232 x 18 mm
Greutate: 0.38 kg
Editura: BLOOMSBURY ACADEMIC
Locul publicării:London, United Kingdom
Cuprins
Introduction: "For It Hath No Bottom" Shakespeare and the Vertigo of Multiple Meaning
PART ONE: "It Shall be Inventoried" A Brief Look at Shakespeare's Dramatic World
Chapter One: "Now Sir, What is Your Text?" Which Shakespeare; Which Text?
Chapter Two: "And There is Much Music." Learning to Read the Visible and Invisible Score of Shakespeare
Chapter Three: "Wherefore Are These Things Hid?" Pattern Recognition in Shakespeare's Plays
Chapter Four: "Your Actions Are My Dreams;" Structure and Shakespeare
Chapter Five: "Stand and Unfold Yourself" Revelation of Character in the Works of Shakespeare.
PART TWO "What Means This, My Lord?" A Fourfold Approach to Interpretation
Chapter Six: "To Sing a Song That Old Was Sung." Plain Readings
Chapter Seven: "You Speak a Language I Know Not." Allegorical Readings
Chapter Eight: "A Natural Perspective That is and is Not." Analogical Readings
Chapter Nine: "Is Not This Strange" Abstract Readings
PART THREE "Come, Give Us A Taste of your Quality." Practical Matters
Chapter Ten: "What Say You?" Finding the Rhyme between Shakespeare, Yourself, and Your Time
Chapter Eleven: "The Fall of a Sparrow." Shaping Shakespeare
Chapter Twelve. "Brave New Worlds." Designing Shakespeare
Chapter Thirteen: "The World Must be Peopled." Auditions
Chapter Fourteen: "Resolve You For More Amazement." The First Day of Rehearsal
Chapter Fifteen: "For Here I Hope Begins Our Lasting Joy." A Word About Shakespeare's Endings
Index
PART ONE: "It Shall be Inventoried" A Brief Look at Shakespeare's Dramatic World
Chapter One: "Now Sir, What is Your Text?" Which Shakespeare; Which Text?
Chapter Two: "And There is Much Music." Learning to Read the Visible and Invisible Score of Shakespeare
Chapter Three: "Wherefore Are These Things Hid?" Pattern Recognition in Shakespeare's Plays
Chapter Four: "Your Actions Are My Dreams;" Structure and Shakespeare
Chapter Five: "Stand and Unfold Yourself" Revelation of Character in the Works of Shakespeare.
PART TWO "What Means This, My Lord?" A Fourfold Approach to Interpretation
Chapter Six: "To Sing a Song That Old Was Sung." Plain Readings
Chapter Seven: "You Speak a Language I Know Not." Allegorical Readings
Chapter Eight: "A Natural Perspective That is and is Not." Analogical Readings
Chapter Nine: "Is Not This Strange" Abstract Readings
PART THREE "Come, Give Us A Taste of your Quality." Practical Matters
Chapter Ten: "What Say You?" Finding the Rhyme between Shakespeare, Yourself, and Your Time
Chapter Eleven: "The Fall of a Sparrow." Shaping Shakespeare
Chapter Twelve. "Brave New Worlds." Designing Shakespeare
Chapter Thirteen: "The World Must be Peopled." Auditions
Chapter Fourteen: "Resolve You For More Amazement." The First Day of Rehearsal
Chapter Fifteen: "For Here I Hope Begins Our Lasting Joy." A Word About Shakespeare's Endings
Index
Recenzii
This is a powerful and useful book for directors and anyone interested in Shakespeare in the theatre. Kulick shows the wonderful ways that a director can combine research, study, and deep thought with flights of imagination and even dreams to bring Shakespeare to life on stage with vividness and originality.
Brian Kulick's book is illuminated by his deep love for the plays of William Shakespeare. He writes from the perspective of an accomplished theater director who is also able to lucidly share his discoveries, his palpable curiosity and the vast pleasure in artistic engagement with the plays. His insights are assembled from a lifetime of scholarship and practice and are informed by his personal relationships with the cognoscenti of the contemporary theater world.
Brian Kulick's Staging Shakespeare is wonderfully comprehensive, deeply informative, and like its author, so damn smart.
This book is a kind of miracle. Kulick's extraordinary learning and experience are fused with a loving clarity, a detailed precision, and marvelous imaginative breadth. Any director of Shakespeare, novice or master, will find much to inspire and appreciate here. A must-read.
Brian Kulick's book is illuminated by his deep love for the plays of William Shakespeare. He writes from the perspective of an accomplished theater director who is also able to lucidly share his discoveries, his palpable curiosity and the vast pleasure in artistic engagement with the plays. His insights are assembled from a lifetime of scholarship and practice and are informed by his personal relationships with the cognoscenti of the contemporary theater world.
Brian Kulick's Staging Shakespeare is wonderfully comprehensive, deeply informative, and like its author, so damn smart.
This book is a kind of miracle. Kulick's extraordinary learning and experience are fused with a loving clarity, a detailed precision, and marvelous imaginative breadth. Any director of Shakespeare, novice or master, will find much to inspire and appreciate here. A must-read.