Spleen
Autor Olive Mooreen Limba Engleză Paperback – 18 mai 2027
Olive Moore is the best-kept secret in British literature. Spleen, the most important of her three novels, tells the disturbing story of a woman who goes into self-imposed exile to an island off the coast of Italy after an unplanned pregnancy culminates in the birth of a severely disabled child. Filled with self-reproach and guilt, believing that her antagonistic feelings towards her son in the womb caused his condition, Ruth broods on what it means to be a woman ("nature's oven for nature's bun") and the inequalities between the sexes. In a style reminiscent of Virginia Woolf and Katherine Mansfield, Spleen challenges the assumption that women can't help but be tender and maternal, that their heads are only "ever-enlarging hearts."
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Specificații
Notă biografică
Very little is known of Olive Moore’s life. She was born Miriam Constance Beaumont Vaughan in Hereford, England in 1901. She worked as a reporter for the London Daily SKetch and wrote four brilliant books between 1929 and 1934—Celestial Seraglio (1929), Spleen (1930), Fugue (1932), and The Apple Is Bitten Again (1934)—that earned her a reputation as an enfant terrible of British literature. She was long thought to have disappeared from the literary scene in 1934, but recent research has shown that she wrote for Scope: Magazine for Industry between 1942 and 1959, as well as other publications. She passed away in 1979.
Textul de pe ultima copertă
Dalkey Archive Press first introduced readers to this "best-kept secret" of British literature with the hardback Collected Writings of Olive Moore in 1992. Spleen, the best of the author's three novels, tells the disturbing story of a woman who goes into self-imposed exile to an island off the coast of Italy after giving birth to a deformed child. Filled with self-reproach and guilt about her son and her life (having yearned to give birth to something "new and rare", she blames herself for her son's deformity), Ruth broods on what it means to be a woman ("nature's oven for nature's bun") and the inequalities between the sexes. Filled with the colors and beauty of the Italian countryside and in a style similar to Virginia Woolf's, Spleen challenges the assumption that women can't help but be tender and maternal, that their heads are only "ever-enlarging hearts".