Sloppy Craft: Postdisciplinarity and the Crafts
Editat de Elaine Cheasley Paterson, Susan Suretteen Limba Engleză Paperback – 2 ian 2020
In addition to critical essays, the book includes a 'conversation' section in which contemporary artists and practitioners discuss challenges and opportunities of 'sloppy craft' in their practice and teaching, and an afterword by Glenn Adamson.
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| Bloomsbury Publishing – 2 ian 2020 | 198.78 lei 22-36 zile | |
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Specificații
ISBN-13: 9781350157699
ISBN-10: 1350157694
Pagini: 240
Ilustrații: 32 colour + 31 bw illus
Dimensiuni: 154 x 232 x 14 mm
Greutate: 0.46 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350157694
Pagini: 240
Ilustrații: 32 colour + 31 bw illus
Dimensiuni: 154 x 232 x 14 mm
Greutate: 0.46 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Cuprins
Foreword: Anne Wilson, School of the Art Institute of Chicago, USA
Introduction: Elaine C. Paterson and Susan Surette, Concordia University, Canada
Section One - Explorations of Postdisciplinarity through 'Sloppy Craft'
Introduction
'Male Trouble': Sewing, Amateurism and Gender, Joseph McBrinn, University of Ulster, Ireland
Sloppy Craft as Temporal Drag, Elissa Auther and Elyse Speaks, University of Colorado, USA
An Impression of Déjà vu: Craft, the Visual Arts and the Need to get Sloppy, Denis Longchamps, Concordia University, Canada
Section Two - The Implications of 'Sloppy Craft'
Introduction
Doomed to Failure, Sandra Alfoldy, NSCAD University, USA
The Value of 'Sloppy Craft': Creativity and Community, Juliette MacDonald, Edinburgh College of Art, UK
Why is Sloppy and Postdisciplinary Craft Significant and What are its Historical Precedents?, Gloria Hickey, curator and writer, USA
From Maria Martinez to Kent Monkman: Performing Sloppy Craft in Native America, Elizabeth Kalbfleisch, Concordia University, Canada
Section Three - 'Sloppy Craft' in Practice and Pedagogy: A Conversation
Introduction
Eliza Au, Ceramist, Emily Carr University of Art and Design, British Columbia, Canada
Jean-Pierre Larocque, Ceramist, Concordia University, Montreal, Canada
Kelly Thompson, Fibres, Concordia University, Montreal, Canada
Conor Wilson, Ceramist, Royal College of Art, London, UK
Peter Wilson, Ceramist, Charles Sturt University in Bathurst, Australia
Postscript - Reprint of Glenn Adamson's text 'When Craft gets Sloppy,' from Crafts No 211 (March/April, 2008), 36-40
Index
Introduction: Elaine C. Paterson and Susan Surette, Concordia University, Canada
Section One - Explorations of Postdisciplinarity through 'Sloppy Craft'
Introduction
'Male Trouble': Sewing, Amateurism and Gender, Joseph McBrinn, University of Ulster, Ireland
Sloppy Craft as Temporal Drag, Elissa Auther and Elyse Speaks, University of Colorado, USA
An Impression of Déjà vu: Craft, the Visual Arts and the Need to get Sloppy, Denis Longchamps, Concordia University, Canada
Section Two - The Implications of 'Sloppy Craft'
Introduction
Doomed to Failure, Sandra Alfoldy, NSCAD University, USA
The Value of 'Sloppy Craft': Creativity and Community, Juliette MacDonald, Edinburgh College of Art, UK
Why is Sloppy and Postdisciplinary Craft Significant and What are its Historical Precedents?, Gloria Hickey, curator and writer, USA
From Maria Martinez to Kent Monkman: Performing Sloppy Craft in Native America, Elizabeth Kalbfleisch, Concordia University, Canada
Section Three - 'Sloppy Craft' in Practice and Pedagogy: A Conversation
Introduction
Eliza Au, Ceramist, Emily Carr University of Art and Design, British Columbia, Canada
Jean-Pierre Larocque, Ceramist, Concordia University, Montreal, Canada
Kelly Thompson, Fibres, Concordia University, Montreal, Canada
Conor Wilson, Ceramist, Royal College of Art, London, UK
Peter Wilson, Ceramist, Charles Sturt University in Bathurst, Australia
Postscript - Reprint of Glenn Adamson's text 'When Craft gets Sloppy,' from Crafts No 211 (March/April, 2008), 36-40
Index
Recenzii
Sloppy Craft is edited with precision and wit. It is an important, of the moment, contribution to craft writing. It crosses boundaries of practice with elegance and rigour, defining Sloppy Craft in ways that are appealing as well as polemical. There is writing of the first order from some of the most significant authors in the field.
Elaine Cheasley Paterson and Susan Surette have brought together diverse, uniformly thoughtful writings making the case that the concept of Sloppy Craft is not a contradictory one. Much as the artists in this book explore art practices that simultaneously challenge and reassert traditions of art-making disciplines, so do its authors illuminate how "sloppy craft" similarly challenges and reasserts traditions of skill. Sloppy Craft is an exciting, necessary new addition to the growing discourse on craft and contemporary art.
Sloppy Craft's collection of essays is a welcome addition to a relatively small canon of craft theory in the twenty-first century. It offers a broad array of perspectives to consider, and these always within historical contexts.
Elaine Cheasley Paterson and Susan Surette have brought together diverse, uniformly thoughtful writings making the case that the concept of Sloppy Craft is not a contradictory one. Much as the artists in this book explore art practices that simultaneously challenge and reassert traditions of art-making disciplines, so do its authors illuminate how "sloppy craft" similarly challenges and reasserts traditions of skill. Sloppy Craft is an exciting, necessary new addition to the growing discourse on craft and contemporary art.
Sloppy Craft's collection of essays is a welcome addition to a relatively small canon of craft theory in the twenty-first century. It offers a broad array of perspectives to consider, and these always within historical contexts.
Caracteristici
Includes a ‘conversation’ section in which contemporary artists and practitioners discuss the practice and teaching of ‘sloppy’ craft
Notă biografică
Elaine Cheasley Paterson is Associate Professor of Craft History at Concordia University, Montreal, Canada. Susan Surette is a Postdoctoral Fellow in the Department of Art History and Critical Studies at Nova Scotia College of Art and Design University, Halifax, Canada and a professional artist.