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Situating Global Art: Image, cartea 89

Editat de Sarah Dornhof, Birgit Hopfener, Nanne Buurman, Barbara Lutz
en Limba Engleză Paperback – 31 oct 2016 – vârsta de la 22 ani
In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.
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Specificații

ISBN-13: 9783837633979
ISBN-10: 3837633977
Pagini: 340
Ilustrații: zahlreiche z.T. farbige Abbildungen
Dimensiuni: 148 x 225 x 24 mm
Greutate: 0.54 kg
Editura: Transcript Verlag, Roswitha Gost, Sigrid Noke
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Notă biografică

Sarah Dornhof (Dr.) is a postdoctoral fellow at Freie Universität Berlin.
Nanne Buurman (M.A.) is a doctoral candidate in Art History at Freie Universität Berlin.
Birgit Hopfener (Dr. phil.) is Associate Professor at Carleton University, Ottawa, CA.
Barbara Lutz is a cultural scientist and works as an art mediator for »documenta fifteen« in 2022. She was a member of the doctoral study program »Produktionsräume Ästhetischer Praxis« at the University of Hildesheim Foundation and gained her PhD at the Institute of Theory at the Academy of Fine Arts Leipzig. With a critical regard to social and cultural discrimination her work focuses on concepts and methods of transculturality in the field of exhibition practice and art mediation in a global context.

Descriere

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Since the early 1990s, the term »Global Art« has gone hand in hand with an expansion of the canon while not always reflecting the plurality of art worlds. This volume interrogates the relations between an increasing globalization of artistic discourse and the situatedness of its practices. Focusing on multiple recent practices of art, curating, historiography and criticism, the contributions ask how contemporary forms of critique not only take into account new hegemonies and exclusions but also address transcultural entanglements in the arts. Thus, they challenge universalizing conceptions of art in the age of globalization.