Signifying Loss: Toward a Poetics of Narrative Mourning
Autor Nouri Ganaen Limba Engleză Paperback – 10 iun 2014
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 326.55 lei 6-8 săpt. | |
| Bloomsbury Publishing – 10 iun 2014 | 326.55 lei 6-8 săpt. | |
| Hardback (1) | 535.90 lei 6-8 săpt. | |
| Bloomsbury Publishing – 20 ian 2011 | 535.90 lei 6-8 săpt. |
Preț: 326.55 lei
Preț vechi: 422.03 lei
-23%
Puncte Express: 490
Preț estimativ în valută:
57.80€ • 67.53$ • 50.17£
57.80€ • 67.53$ • 50.17£
Carte tipărită la comandă
Livrare economică 25 februarie-11 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781611485783
ISBN-10: 1611485789
Pagini: 227
Dimensiuni: 154 x 229 x 17 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bucknell University Press
Locul publicării:New York, United States
ISBN-10: 1611485789
Pagini: 227
Dimensiuni: 154 x 229 x 17 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bucknell University Press
Locul publicării:New York, United States
Cuprins
Preface: The Poetics of Mourning
Acknowledgments
1. Thresholds of Mourning: Freud and After
2. Horizons of Desire, Horizons of Mourning: Joyce's Dubliners
3. The Vicissitudes of Melancholia in Freud and Joyce
4. Kincaid's Claim: The Poetics and Politics of Melancholia
5. The Ineluctable Modality of "Posthumous Infidelity": The Ethics of Mourning in Kincaid, Derrida, and Ben Jelloun
6. Formless Form: Elias Khoury's City Gates and the Poetics of Trauma
Coda: The Politics of Mourning
Notes
Bibliography
Index
Acknowledgments
1. Thresholds of Mourning: Freud and After
2. Horizons of Desire, Horizons of Mourning: Joyce's Dubliners
3. The Vicissitudes of Melancholia in Freud and Joyce
4. Kincaid's Claim: The Poetics and Politics of Melancholia
5. The Ineluctable Modality of "Posthumous Infidelity": The Ethics of Mourning in Kincaid, Derrida, and Ben Jelloun
6. Formless Form: Elias Khoury's City Gates and the Poetics of Trauma
Coda: The Politics of Mourning
Notes
Bibliography
Index
Recenzii
Gana masterfully orchestrates his many theoretical sources, keeping them subordinate to his own consistently original argument. His conceptual inventiveness is remarkable, yet-what a rarity!-his prose is as visceral as it is theoretical. He elaborates a poetics of mourning, translating it into terms of such figures as catachresis and prosopopeia; yet he never forgets that what is at stake in the movements of mourning figurality is affect of the most profound sort. Gana's important book shows that the relatively new field of mourning studies is rich in implications for postcolonial criticism.
Signifying Loss is a bold, ambitious, and strikingly original book. Its theoretical goal is to demonstrate the compatibility of three modes of interpreting literary narratives of mourning and melancholy that are often seen as mutually exclusive: psychoanalytic (Freud, Derrida, and others), tropological or rhetorical (De Man and others), and postcolonial (Fanon and others). Using all three of these approaches in interlaced simultaneity, Gana presents brilliantly original readings of James Joyce's Dubliners, Jamaica Kincaid's The Autobiography of My Mother and My Brother, Taher Ben Jelloun's The Last Friend, and Elias Khoury's City Gates, along with other work by these authors. Many theorists are also penetratingly discussed along the way: Fanon, Benjamin, Deleuze, de Man, Lyotard, Glissant, Spivak, and others. Signifying Loss is a challenging book at the frontier of current theory as well as of literary and postcolonial study. It will, I am confident, be widely read.
Mourning may "become" Derrida, but mourning has become, in Gana's superb analysis of this psychic and literary process, history-not just the history of modernism, but also that of our present, marked as it is by violence, trauma and colonialism. Drawing upon the best of Theory (Derrida, de Man, Butler, Spivak, Santner) and the best of psychoanalysis (Freud, Winnicott, Kristeva, Lacan), Gana provides both a synthesis of contemporary views on mourning and an exemplary reappraisal of Joyce, Kincaid, Ben Jelloun and Khoury.
Signifying Loss is a timely intervention in theory, especially as its final chapters extend the territory of postcolonial mourning into Arabic literature. For those interested in the productive cross-roads of postcolonial studies and traumatic losses, I would highly recommend this text as well as other recent publications by Gana. Given the war-zone and ethical blindness of this post-9/11 decade, Signifying Loss is a theoretical intervention, which defines the postcolonial, not as periphery, but the postmodern center.
Signifying Loss is a bold, ambitious, and strikingly original book. Its theoretical goal is to demonstrate the compatibility of three modes of interpreting literary narratives of mourning and melancholy that are often seen as mutually exclusive: psychoanalytic (Freud, Derrida, and others), tropological or rhetorical (De Man and others), and postcolonial (Fanon and others). Using all three of these approaches in interlaced simultaneity, Gana presents brilliantly original readings of James Joyce's Dubliners, Jamaica Kincaid's The Autobiography of My Mother and My Brother, Taher Ben Jelloun's The Last Friend, and Elias Khoury's City Gates, along with other work by these authors. Many theorists are also penetratingly discussed along the way: Fanon, Benjamin, Deleuze, de Man, Lyotard, Glissant, Spivak, and others. Signifying Loss is a challenging book at the frontier of current theory as well as of literary and postcolonial study. It will, I am confident, be widely read.
Mourning may "become" Derrida, but mourning has become, in Gana's superb analysis of this psychic and literary process, history-not just the history of modernism, but also that of our present, marked as it is by violence, trauma and colonialism. Drawing upon the best of Theory (Derrida, de Man, Butler, Spivak, Santner) and the best of psychoanalysis (Freud, Winnicott, Kristeva, Lacan), Gana provides both a synthesis of contemporary views on mourning and an exemplary reappraisal of Joyce, Kincaid, Ben Jelloun and Khoury.
Signifying Loss is a timely intervention in theory, especially as its final chapters extend the territory of postcolonial mourning into Arabic literature. For those interested in the productive cross-roads of postcolonial studies and traumatic losses, I would highly recommend this text as well as other recent publications by Gana. Given the war-zone and ethical blindness of this post-9/11 decade, Signifying Loss is a theoretical intervention, which defines the postcolonial, not as periphery, but the postmodern center.