Shakespeare's Ghost Writers: Literature As Uncanny Causality
Autor Marjorie Garberen Limba Engleză Paperback – 19 aug 1997
Ghosts take the form of absences, erasures, even forgeries and signatures - metaphors extended to include Shakespeare himself and his haunting of us, and in particular theorists such Derrida, Marx, Nietzsche, and Freud - the figure of Shakespeare constantly made and remade by contemporary culture. Marjorie Garber, one of the most eminent Shakespearean theorists writing today, asks what is at stake in the imputation that Shakespeare did not write the plays, and shows that the plays themselves both thematize and theorize that controversy. This Routledge Classics edition contains a new preface and new chapter by the author.
Preț: 266.33 lei
Puncte Express: 399
Carte tipărită la comandă
Livrare economică 10-24 iulie
Livrare prin curier în România Termenul estimat este afișat lângă disponibilitate.
Transport gratuit de la 400.00 lei Plată online sau ramburs, în funcție de opțiunile comenzii.
Retur gratuit în 14 zile Comandă securizată și suport în română.
Specificații
ISBN-13: 9780415918695
ISBN-10: 0415918693
Pagini: 222
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.25 kg
Ediția:Revised
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415918693
Pagini: 222
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.25 kg
Ediția:Revised
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
Acknowledgements Preface to the Routledge Classics Edition: Revenant (2010) Preface to the first edition: Ghostlier Demarcations 1. Shakespeare's Ghost Writers 2. Descanting on Deformity: Richard III and the Shape of History 3. A Rome of One's Own 4. Freud's Choice 5. Macbeth: The Male Medusa 6. Hamlet: Giving Up the Ghost 7. A Tale of Three Hamlets, or, Repetition and Revenge Notes Index.
Recenzii
‘Shakespeare's Ghost Writers is a brave new book, for in justifying another book on Shakespeare, it has attempted nothing less than to make literature newly consequential.’ – Margreta de Grazia, Shakespeare Quarterly