Shakespeare Dancing: A Theatrical Study of the Plays
en Limba Engleză Hardback – 29 oct 2004
The need to study Shakespeare's plays as they come to life in a theatre is now widely recognised. John Russell Brown moves beyond an exploration of what has happened in a number of specific productions to examine the entire theatrical event in which a performance occurs: the meeting and interaction of actors and audience, and the social and cultural contexts of a play's reception in the past and at the present time. Assuming no prior knowledge of theatre practice and offering practical advice for further investigations, Shakespeare Dancing is written for all who study Shakespeare's work in search of a fuller understanding, or as a preparation for performance.
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| Bloomsbury Publishing – 29 oct 2004 | 734.00 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781403941954
ISBN-10: 1403941955
Pagini: 210
Dimensiuni: 140 x 216 x 16 mm
Greutate: 0.43 kg
Ediția:2004
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
ISBN-10: 1403941955
Pagini: 210
Dimensiuni: 140 x 216 x 16 mm
Greutate: 0.43 kg
Ediția:2004
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
Cuprins
Preface
Introduction
Present Laughter: Comedy in Performance (As You Like It, Much Ado about Nothing, Merchant of Venice)
Living with the Tragedies: A Progressive Experience (Macbeth, Othello, Hamlet)
Annotating Silence: Speechless Eloquence (Richard III, King Lear, Hamlet)
Accounting for Space: Choreography (Hamlet, Othello, Macbeth, Henry V, Coriolanus)
Awakening the Senses: An Actor's Task (Hamlet, As You Like It)
Staging the Everyday: Actual Activity (King Lear, Antony and Cleopatra)
Seeing Double: Uncertainty and Choice (Love's Labour Lost, A Midsummer Night's Dream, As You Like It, King Lear)
Criticism: Making the Plays One's Own
Index.
Introduction
Present Laughter: Comedy in Performance (As You Like It, Much Ado about Nothing, Merchant of Venice)
Living with the Tragedies: A Progressive Experience (Macbeth, Othello, Hamlet)
Annotating Silence: Speechless Eloquence (Richard III, King Lear, Hamlet)
Accounting for Space: Choreography (Hamlet, Othello, Macbeth, Henry V, Coriolanus)
Awakening the Senses: An Actor's Task (Hamlet, As You Like It)
Staging the Everyday: Actual Activity (King Lear, Antony and Cleopatra)
Seeing Double: Uncertainty and Choice (Love's Labour Lost, A Midsummer Night's Dream, As You Like It, King Lear)
Criticism: Making the Plays One's Own
Index.